Music to no one's ears
In tonight's Salon cover story, Farhad Manjoo surveys the sorry state of the online music world. Much of the file-trading world has been hobbled by the RIAA's legal assault, yet the music industry has not stepped forward with an alternative that makes sense.
In its prime, Audiogalaxy was beautiful, even better than Napster -- it allowed us to hunt for an obscurity even when the people who had the track weren't currently online, then download it once they reconnected. I used Audiogalaxy to fill out the odd corners of my library with live recordings and rarities; every artist whose work I downloaded and kept was one whose entire recorded commercial oeuvre I've already paid for in CD form.
My demographic profile may not be exactly what the record companies are after (I'm 43), but I've probably spent $1000 a year on music for the last decade or so; it's my biggest personal-entertainment expense by far. My music purchases soared during the heyday of Napster and Audiogalaxy, when I could easily sample new bands and new work; in recent months my purchases have tapered off. If the music industry wants to know where its sales have gone, there's one clue.
In the meantime, anyone who's looking for an online music service that offers variety and depth and doesn't try to control your behavior or limit how you can listen to the music you pay for, I recommend EMusic. For $10 a month you get unlimited access to their catalog. No, they don't have the major labels' hot hits. But they have enough interesting stuff to keep the alternative/indie fan happy for months -- like vast quantities of Guided by Voices, They Might Be Giants, Yo La Tengo and Pavement -- plus oldies, jazz and other eclectica.((Full disclosure: EMusic has worked with Salon on the music mixes we offer our Premium subscribers. I'm not involved with that -- and I gladly pay the company for its service.)
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