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Thursday, March 20, 2003 |
Why
Am I Getting All This Spam? Unsolicited Commercial E-mail
Research Six Month Report, Center for Democracy & Technology.
Every day, millions of people receive dozens of unsolicited
commercial e-mails (UCE), known popularly as "spam." Some users see spam as
a minor annoyance, while others are so overwhelmed with spam that they are
forced to switch e-mail addresses. This has led many Internet users to
wonder: How did these people get my e-mail address? In the summer of 2002,
CDT embarked on a project to attempt to determine the source of spam. To do
so, we set up hundreds of different e-mail addresses, used them for a
single purpose, and then waited six months to see what kind of mail those
addresses were receiving. It should come as no surprise to most e-mail
users that many of the addresses CDT created for this study attracted spam,
but it is very interesting to see the different ways that e-mail addresses
attracted spam - - and the different volumes -- depending on where the
e-mail addresses were used. The results offer Internet users insights about
what online behavior results in the most spam. The results also debunk some
of the myths about spam.
CNET News.com story:
Study suggests
spam-stopping tricks, by Lisa M. Bowman.
One criticism of the report's approach -- not, mind you, of the study
itself -- is its apparent failure to recognize that the ecology surrounding
Spam has consequences for spammers' tactics. Spamming evolves, in response
to Netizens taking steps such as suggested in the report.
11:56:25 AM
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Two years back, on t'other blog,
Spring Can
Really Hang You Up the Most featured:
- German armed forces ban MS software, citing NSA snooping
- Not precisely the same topic: Microsoft Confronts Privacy Fears
- But the situation is complicated by the Legal storm brewing over
Microsoft's HailStorm (story by Aaron Pressman and Keith Perine, The
Industry Standard). (See also Microsoft’s Strategy Shift Creates New
Antitrust Concerns, by Alec Klein, Washington Post.)
- As so often, Dan Gillmor nails it:
[T]he other critical mass Microsoft plans to capture, beyond its Windows
desktop monopoly, is you and me in new and different ways. Now we're
getting into a matter of trust. Microsoft hasn't earned it.
Microsoft wants us to essentially move our lives onto its computers --
financial transactions, calendars, address books, documents, you name it.
This is the ultimate in centralization. Leaving aside the unreliability of
the big computer systems the company now runs -- think of the outages and
problems with Hotmail, MSN and even Microsoft.com -- the idea of confiding
in Microsoft with my most personal information is, well, nutty.
- Well before MS announced its ".NET" initiative, I was worrying about
its intentions and the prospect for Microsoft re-centralizing computing.
See my Tailoring the Web for Profit (June, 1998).
[D]emocracy does not guarantee profits, and that's been part of
the problem with the Web for corporate America. Profits roll in when you
can start controlling things. . . . .
. . . . The Web comes under the centralized control of a company that
programs what you see, whether that be Web sites or TV channels. It permits
you to respond only in limited ways that are of interest to the sponsors
paying the freight.
- Which brings us to Spy TV: Programming that Watches You.
- Civil liberties groups and libraries plan to file suit Tuesday to
stop a recently passed law that would require schools and libraries to
install Internet filters on public computers.
- USING computers in a local library, a Brooklyn busboy pulled off the
largest identity-theft in Internet history, victimizing more than 200 of
the "Richest People in America" listed in Forbes magazine, authorities
say.
- PC usability for seniors still an issue
- Some Professors Are Surprised to Be on a University's Roster . . .
because they don't work there!
- End of free? Salon to start premium service. I think I may sign up.
It's truly one of the best things on the Web. Reader reaction.
- This in from St. Louis: By next year, Biggs hopes to have cut a disc
of rap songs based directly on Homer's "Iliad." The rapper has a
Ph.D.
Lots of old that's new again in there.
8:55:31 AM
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Connected
to the Future: A Report on Children's Internet Use from the
Corporation for Public Broadcasting.
Great increases in Net use, especially among African-American kids. Fully
two-thirds of kids from two to seventeen used the Net in 2002, and 78% of
kids' homes have access. Kids 2-5 online at a 35% rate (up from 6% two
years previously). Digital divide in broadband access. Parents are more
involved in kids' use than previously: they are more likely to be present,
they know what kids are doing, and they influence where kids go online.
Both the
report (PDF) and a separate
one-pager on methodology (also PDF) are available.
See also
Kids
Online: Advice for Parents.
8:55:22 AM
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Laughs Key to Terror Survival Kit. A wave of online parodies send up terror-attack readiness tutorials on the Department of Homeland Security's Ready.gov site. They give political satirists a voice and help ease the tension Americans feel on the brink of war with Iraq. By Mark Baard. [Wired News]
6:24:09 AM
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Online Journalists Jailed in Cuba. The Cuban government has arrested 10 independent journalists, most of whom publish their work on the Internet. Havana says the reporters are part of a U.S. effort to foment political opposition in the country. By Julia Scheeres. [Wired News]
6:20:51 AM
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A Clear Channel With Nothing On: The high cost of
corporate radio.
By Danny Duncan Collum, in Sojourners.
THIS HOMOGENIZATION eventually will be the death of the musical
culture that has been among America's greatest gifts to the world. The
emergence of rock and roll was one of the most significant cultural events
in the last half of the 20th century, and by now the origins of rock are
thoroughly documented. The process began way back in the 1920s when the
biracial musical culture of the Southern states began to be recorded, but
the great synthesis of the 1950s happened because black and white people
were hearing each other's music on the radio—at first in the South, then
nationwide. This outsider music reached the mainstream through regionally
based independent record companies—Sun in Memphis, Chess in Chicago, King
in Cincinnati, etc.—and through a handful of disc jockeys, including
Symphony Sid in Boston, Dewey Phillips in Memphis, and Alan Freed in
Cleveland and New York.
These DJs weren't corporate functionaries. They were cultural visionaries
who heard the sound of a new America and gave it form on the air. At its
heart, the cultural revolution called rock and roll was locally rooted in
the relationship between performers, audience, and entrepreneur. It was not
an efficient business model; it was an organic, communal process.
This was true in the beginning, and it was true of every subsequent
creative development in American music. They all emerged from a specific
community in a specific time and place. If you think about it, most of them
are identified with place names—Memphis soul, Motown, New York punk,
Midwestern metal, L.A. gangsta rap, Seattle grunge, etc. Such cultural
insurrections will continue to happen as long as America remains relatively
free. But the monopolization of the record and radio industry seems to
ensure that none of them will ever reach a national audience again.
HOW DID THIS happen to us?
3:14:57 AM
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