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Monday, June 23, 2003 |
ALA denounces Supreme Court ruling on
Children’s Internet Protection Act (press release)
The decision . . . is very narrow in that Justices Kennedy and
Breyer did not join Chief Justice Rehnquist's opinion, they only joined the
judgment, said Judith Krug, director of the American Library Association’s
Office for Intellectual Freedom. Justices Kennedy and Breyer joined the
judgment because they believe adult patrons need only ask the librarian
to ‘please disable the filter’ and need not provide any reason for the
request. In light of this, we expect libraries that decide they must accept
filters to inform their patrons how easily the filters can be turned off.
. . .
The American Library Association again calls for full disclosure of what sites
filtering companies are blocking, who is deciding what is filtered and what
criteria are being used. Findings of fact clearly show that filtering
companies are not following legal definitions of “harmful to minors”
and “obscenity.” Their practices must change.
. . .
The ALA will do everything possible to support the governing bodies of these
local institutions as they struggle with this very difficult
decision.
(If the long url gets munged in transit, I expect you'll still find the press
release prominently linked from the top page of the
American Library Association home page.
4:32:11 PM
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[Insert swearing here.]
The Supreme Court upholds the Children's Internet Protection Act, a federal
statute requiring libraries to put programs on their computers blocking
pornographic web sites as a condition for receiving federal funds, 5-4.
[SCOTUS
blog]
3:32:04 PM
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Here in Toronto, Michael Geist says
Reforming
copyright is a concern for everyone.
[T]he emerging reality is that neither view reflects the Internet's
most significant impact — the blurring of the distinction between creators and
users such that soon everyone will be both creators and users. The days of
content creation resting solely with a select few movie studios, music
promoters, and book publishers is long gone.
In today's Internet, we all access traditional content on mainstream media
sites, but alongside those activities we increasingly craft emails, maintain
blogs or other Websites dedicated to a dizzying array of topics, publish our
digital photos, contribute to community chat rooms, opinion sites, or open
source software initiatives, and share our attempts at music creation with the
world. In short, we both consume content and create it.
This new reality is spearheading a profound change in the world of copyright as
the widespread realization that copyright matters grows. No longer an issue
best left to lawyers, individuals are taking an interest in copyright policy as
never before. This leaves policy makers with the challenge of balancing
competing stakeholder interests in an environment where everyone believes that
they too are stakeholders.
Mostly about the public opposition to the Lucy Maud Montgomery Copyright Term
Extension Act and noting that copyright reform — no matter how small the
issue — is a matter of concern for all, ensuring that every issue will be
contested until the final hour.
(The long url if that expires is
http://www.torontostar.com/NASApp/cs/ContentServer?
pagename=thestar/Layout/Article_Type1&c=Article&cid56320421049&call_pageid–
8350072197&col–9048863851)
3:32:00 PM
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Ali (scroll down under Monday,
June 23, to the 12:something a.m. post) responds to a piece by
Michael Ledeen in National Review.
The intelligence about iran is somehow exaggerated and rotten.The
L.A.based iranian TV channels claimed that about 500,000 people had gathered
over here in streets,but that is something we ourselves know it's not
true.Iranian ordinary people are conservative ones.They don't want their
job,repetition and comfortable life to be threatened.During recent
protests,they didn't even bother themselves to get out of their cars and only
decided to horn! or even stood beside the street and watched the students !
They come right now for having fun and adventure for a while,not for direct
political purposes.They come for clapping,whispering,laughing,and watching anti-
riot police,the plain-clothes and so on.Any kind of change in the regime needs
a powerful and charismatic leadership.You know,although I hate the fuckin' 1979
revolution of iran,but I should confess that it was Khomeini's innate charisma
that put the excitement of people in the way that he himself wanted (even with
remote leadership from France while in his exile).Not only me,but also anyone
in iran acclaims this matter.However,I assert that I've been always against
that revolution,and blamed anybody involved in it.We've been people who always
seek for a sudden change,not a basic,gradual and logical one.
So unlike Ledeen,I say that Iran today is comparable to Central Europe half a
century ago, or for that matter to revolutionary France of America in the 18th
century, or Russia on the eve of the Bolshevik Revolution,becuase although
almost all the people of iran are against this regime like me myself,but like
all those cases, the real devoted iranian revolutionaries are a distinct
minority and sparse (like the university students) but the potential
disagreement is so much high, and only a combination of dynamic and charismatic
leadership ( for gathering and organizing the protests and bringing people to
the front line and giving hope to them ) and foreign support can bring down the
regime.This seems the only way.
2:31:54 PM
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The North
American Phonograph Company takes great pride in
announcing they will be recording one of the world's premier rock and roll
bands, The Dead, using 19th century Edison acoustic recording equipment (no
electricity or microphones)and wax cylinders on June 29,2003 at Vernon
Down's raceway in
Vernon, New York.
2:31:49 PM
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Roberto's
public listening tests.
The recent developments in perceptual audio coding, including
new formats like AAC, Ogg Vorbis, Musepack and Windows Media Audio, have
brought competition to an arena formerly completely dominated by MP3. Users
want to check out these novelties, but frequently stumble over the doubt of
"What to choose?".
One of the most importat aspects to consider about a format is it's sound
quality. Undesired artifacts like hissing, "pre echo" and "stereo collapse"
can ruin the pleasure of the listening experience.
One of the most acclaimed methods of comparing codec quality is by
performing so- called "Double Blind Listening Tests". In this sort of test,
the participant compares various encoded samples against each other and
against an uncompressed reference sample. The blind part means that the
participant doesn't know which sample was encoded by which encoder. That
guarantees there'll be no psychological bias towards his/her favorite
codec, or against the codec he/she dislikes.
The purpose of this page is hosting the public tests I conduct from time to
time.
6:28:53 AM
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