An insider's guide through the web of myths, legitimate evidence, and contradictory Columbine coverage. It includes photos, diagrams, video, resources for victims, police reports, witness testimony and scans of Dylan Klebold & Eric Harris' journals..
Well it took most of the day, but I copied all the posts I made at my OpenSalon blog this year over to this blog.
This will return to being my main blog. I had some tech problems here. (I started this blog in 2001 or 2002, and I'm still stuck on the dreaded Radio Userland softward. Sometimes, it gives me fits.)
I only went back through this year, so there are some 2008 posts which you will only find on my OS blog.
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FYI: to easily find this blog, go to my main site (davecullen.com) and click BLOG in the main nav bar.
Book TV/C-SPAN2 is replaying Peter Seln's interview with me at the LA Times Book Fest again this weekend.
Apparently it just ran (they don't tell me--thank you facebook friends), and it's set again late tonight if you want to set your tivo. The network is C-SPAN2, and the show is called simply "Festival of Books"--and the description says it's me. It's showing at 3 a.m. my time (MDT), so I think that means 5 a.m. on the east coast, 2 a.m. on the west.
You can also watch it online via my site here. (The Rachel Maddow Show, BBC and lots of radio interviews are there, too.)
Laura Bush announced the line-up yesterday. It's quite a list, and according to the Dallas Morning News story, I'm not one of the headliners. They wrote:
Headlining authors include Buzz Aldrin, Mrgaret Atwood, Jimmy Santiago Baca, Bryan Burrough, Jeanette Walls, Jonathan Safran Foer and Taylor Branch.
News and political junkies will enjoy Douglas Brinkley, Howard Campbell, Bryan Carlile, and Dave Cullen.
That's still damn good company. And there 210 authors on the complete list. Laura Bush founded the festival in 1995. It runs Halloween weekend, October 1 and November 1, at the Texas State Capitol in Austin.
They have not actually given me my time slot yet. They have a page about me, which will probably have it soon, and I'll add it to my site.
I've got several other public events coming up this fall in/near LA, Chicago, Nashville, Helsinki, Grand Rapids and Denver (Longmont). And I'll be at the VA Book Fest next April (at UVa). I've got them all listed at the book-tour page of my site.
I was just invited to speak at my hometown library the afternoon of my 30th high school reunion on Oct. 3. It's in Elk Grove Village, in the NW suburbs of Chicago. RSVP at the facebook invite so Barnes & Noble knows how many books to bring. (No purchase required, of course. And these are all free.)
And California State University at Northridge just issued a press release today about my appearance there Sep 23.
Aside from the ongoing use of "ironic" to mean "coincidental," the most offensive words of the moment are 1) "mindful," and 2) "better" as a verb. (To better yourself. Blech. There were better verbs already.)
Who the hell came up with mindful, and why has it grown so popular among pompous windbags? We must be mindful of the blah blah blah . . .
Who talks like that? Why would you want to? Our mind should be full of the concept in question? It doesn't even make much sense, and the awkwarness of it is offensive.
Sony announced the 7-inch touch-screen Daily Edition today. PC World said, "In portrait mode, about 30 to 35 lines of text will visible, making the experience very similar to that of a printed paperback book."
An ebook the size of a paperback, with the screen content of a paperback--and hopefully as easy on the eyes as a paperback. That was the crucial step.
(They have three new models: the Daily Edition is on the right.)
I won't know till I get one in my hands--they are due in time for Christmas--but it sounds like they are finally there.
I have always been baffled by the Kindle design team, foregoing touchscreen and instead using about 2/3 of the surface for keys and whatnot. So for a device that feels like a paperback, you get about 1/3 of the text of a paperback on every screen? Who the hell wants that?
(The obvious answer: a few hundred thousand Kindle buyers. But there are six billion of us. It will never be mass market until it's actually as good as the damn paper version.)
The gigantic problem with the new Sony: $400. Ack. Not exactly mass market territory.
But I'm glad more ebook readers are out there. And Sony is trying it out in three sizes, at three price points, presumably so the public can tell them what we want.
OK, all you early adopters. Get yourselves buying and get that price down
Update: the more I think about the cost, the more I shake my head. See the comments.
I think Sony and Amazon are making a huge mistake, which could cost them the whole market. PlasticLogic and BN could steal the whole market from under them for 30 years if they come in at 1/4 the cost and decide they'll make it up on volume. (They have also claimed to have a simpler/cheaper design/manufacturing process, I believe.)
Charlie Rose just repeated an interview he did with Dolly in 2008. It was her first time on the show. About time.
Has anyone not yet figured out what a talent she is? Or what a fascinating person? She was a delight to listen to.
I loved her telling the story again, of seeing the town tramp as a young girl, remarking how pretty she was, and everyone saying, "Oh she's just trash!" Dolly thought, That's what I want to be. I want to be trash. Hahaha.
She said that a lot of people have said she might have been taken seriously much sooner and by more people if she'd looked more . . . serious, but what the hell. She likes it that way.
I like her, too. And I love a lot of the songs she wrote, especially the way she sung her own song, "I Will Always Love You."
I just got the nicest facebook msg from Ashley Merryman, who wrote NurtureShock with Po Bronson, who has had a string of bestsellers.
I have been interested in the book for months, but the msg made me watch the book trailer, and now I REALLY want to read it. (It's from my publisher, who promised me an advance copy. I'm chomping at the bit.)
I think I will be flipping straight to the chapter on siblings, after watching that video. I have eight. It's complicated. I don't expect to have kids of my own at this point, but I'm fascinated by them, and still reeling from my own childhood.
I never forgot the words of Tom Robbins, who ended (Still Life With Woodpecker? with the phrase: It's never too late to have a happy childhood. Wise man.)
This book is going to be huge. Their magazine stories leading up to it have won a ton of awards, so I expect it will live up. I hope so.
I also love the simple but appealing cover that communicates a great deal with so little.
I wondered aloud on my blog whether it might be from the same designer as my cover, and he emailed me saying that it was. He has the coolest blog on how he designs each cover. He said he'll be posting about that one very soon. Watch for it. The post on mine is here.
I did Ashleigh Banfield's show again today. This time, in a CNN studio.
That was fun--despite the content. I've gotten used to staring at a lens, pretending it's the Ashleigh's face. I guess she can see mine, and react to my facial cues, but I have no idea how she's responding to me. Maybe that's for the best. Hahaha.
Actually, that part would be good, but it would be horrible if I actually had to look at my own face and kept trying to adjust everything that made me gasp. They don't have a long enough show for that.
I got there early and sat in the chair for nearly an hour, much of it listening to the latest updates from the trial on the show, and I've been reading about it, too. Man, therethere are some creepy paralells. It's very painful to see so many mistakes repeated.
In this case, the mom knew Castillo was obsessed with Columbine and even took a trip to visit the school and taped it. (She knew because she went with him.) He was in treatment at the time after a serious suicide attempt, and his doctors never found out. Ouch.
So much information that didn't get shared. The docs also didn't know he had obtained guns.
Some day, we'll learn.
The jury has some tough questions to answer on mental insanity. More on that later.
thanks, everyone.
As for the Ashleigh Banfield experience:
She was great. Very bright woman. Quick on her feet. I like her.
(I don't like most network anchors. That's saying a lot.)
If you saw the interview, let us know what you think. I have to run to O'Hare, but will try to check in via my iphone from there. I'll be back in Denver this afternoon.
I will be on Ashleigh Banfield's truTV (formerly CourtTV show) "Open Court" again tomorrow (Wed), between 9 and 9:30 a.m.
I extended my trip by a day, so I'll do it from the CNN studio in Chicago, and will be on-camera this time, with Ashley, via satellite.
I will again talk about Columbine, and connections to the Alvaro Castillo trial they are covering. The prosecution did rebuttal testimony Monday and today.
Mental health experts continued their testimony Tuesday in the Castillo trial and suggest the accused school shooter, who killed his father, is not psychotic. ...
A mental health expert for the prosecution testified that Castillo's responses and other evaluations suggest he knew exactly what he was doing that ill-fated day in August 2006.
"It was my best judgment that he did not have psychotic symptoms," UNC Psychiatrist Karen Graham testified Monday.
I will be on Ashleigh Banfield's CourtTV show "Open Court" Monday, 8/17 at 9:15 am EDT.
I will still be on vacation with the family, but phoning it it. (They'll put my pic on the screen--the one on this page--and a map of where I am, on vacation in a tiny rural town, which seems slightly weird to me. )
FYI, CourtTV is now officially named TruTV. I believe Ashleigh's show is called "In Session."
The network wants me on to talk about Columbine, and connections to the Alvaro Castillo trial they are covering, which should go to the jury early next week.
Here is some background the producer sent me about the case (I assume it's copy from their website. I didn't write it, I'm just passing it along):
The defendant was 18 years old in August 2006 when he allegedly murdered his father, Rafael Huezo Castillo, and then drove the family minivan to his former high school and opened fire. That attack left two students with minor injuries. Alvaro Castillo was obsessed with Columbine and even sent an email to the principal of Columbine stating, "In a few hours you will probably hear about a school shooting in North Carolina. I am responsible for it. " He even traveled to Colorado to drive by the school and homes of the Columbine shooters.
Crap. I knew I should have replaced the lightbulbs in my kitchen light fixture when the second one went. But I get so sick of getting up on the counter, unscrewing the thing, finding new bulbs and screwing them in. It takes at least two minutes, but it involves balancing and finding things.
Something's wrong with my wiring, I think. I go through at least 30 bulbs a year. It wears me down. Daily maintenance grinds me down.
Sunlight works most of the time in the summer, so for the last couple months, I've gotten by with the hall light when I need to light the kitchen up at night.
Tonight, it went, too. (The second bulb in that fixture.)
Ugh. My life just seems to slide further into disrepair every day. One day I'll get that missing window in my car replaced. I really need to report that robbery.
How do other people deal with this shit?
--
Sept 7 Update:
Believe it or not, I stayed in the dark quite awhile, and finally replaced them about a week ago. Sometimes. I just don't know.
There is no single profile of spree killers or other mass murderers. They come from all different classes, ethnicities, geographies, backgrounds, etc.
But most do share certain traits, and the shooter at the fitness center in Bridgeville, PA yesterday fit each of them:
- They rarely snap. Most plan their attack for at least a few days, but often much longer. It tends to be a gradual, evolutionary decision, not a sudden reaction to one event. This killer* "planned the attack for months" according to the NY Times story referencing his blog.
- The vast majority are men.
- Most have experienced what they percieve to be a major loss or failure. This guy complained on his blog about 25 years without a girlfriend, and nine without sex.
“I actually look good,” he wrote Dec. 29, 2008. “I dress good, am clean-shaven, bathe, touch of cologne — yet 30 million women rejected me — over an 18- or 25-year period. That is how I see it. Thirty million is my rough guesstimate of how many desirable single women there are."
The leap from that sense of loss to opening fire on a room full of innocent people is tough for most of us to understand. It will likely be a long time before we see the full picture of this guy, and can piece his particular motives together. But that sense of loss/failure is one of the few common threads we have in most of these situations.
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For more info, see the excellent report by the Secret Service and Dept of Justice at my Columbine Guide (it's the seventh bullet under item #1). It's specific to school shooters, but much of the information--particularly what I described above--applies to most mass shootings.
* I have adopted a policy of not repeating the names of perpetrators of these crimes as they occur, and encourage news organizations to do the same. Infamous killers from the past--including Columbine, Virginia Tech, Oklahoma City, etc.--are already infamous, and it is too late to unname them. But we choose not to name them going forward, and deny them a measure of infamy which they seek.
Does that look anything like me? (According to one blogger nice enough to come to one of my booktour events, she was pleased to see that I looked somewhat "wrinklier" than my profile pic. I also smile a lot more. Otherwise, it's a pretty true likeness I guess, on my best day. Or more precisely, the best out of 700 photos taken that day.)
The problem is, MadMen lets you--forces you to--select all the features yourself, down to your nose, mouth and eyebrows. I imagine the more comfortable you feel with your looks, the easier it is to tell the truth.
Damn. I don't think this is a likeness test, it's a self-consciousness test about your appearance.
I failed.
How did you do?
---
I've got to run to lunch with a friend--whose MadMen pic looks remarkably like her, oddly enough; but then she's hot, it was easy.
When I get back, I'm going to do what I was badly tempted to do the first time: select all the choices I want. I guess we'll find out what I really want to look like.
(Although I could just post a pic of Jan Hamm and be done with it, I guess.) Hmmmmm. Or Colin Farrell or the guy from The Mentalist.
I guess we'll see. Soon.
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OK here's my ideal version:
It didn't look all that different to me, until I did the close-up. (I had to try to recreate the orig and couldn't figure out how to make the hair blue. I also figured out that I could/should add the bags under my eyes.)
"Actual":
Ideal:
Damn. That's pretty different. I'd much rather be this guy. Too bad.
I guess that's the point. But still. I do not like that feeling.
What made me think I could watch a vampire show?
Oh right, the first season. It was amazing. And very modest does of creepiness. (I never got used to Bill biting Soukie, but she seemed safe, and they didn't linger, so I just gutted through it.)
I have never liked vampire stuff. This was different, though. Mostly. And incredibly done. It was hands down, the best show on TV last year, IMO.
This season, it's been interesting, but sluggish. The last few eps got really intense in the closing minutes. This one had me on edge most of the time, in a good way. Then the end, I shuddered from one scene to the next. Not happily.
This isn't a review, just a reaction. Alan Ball is damn good, but I might just be too much of a weenie for this. And I do not like glazed white eyes on people having sex. That really makes me shudder.
I also broke my rule about watching this show within two hours of bedtime. Damn. Now I'm going to have to stay up awhile. I do not want this shit polluting my dreams. And it will.
I don't know what I was thinking. I watched most of it over late lunch, but only had 15 minutes left, and somehow I scammed myself that it would be all right. And the worse it got, the more I told myself there were only five minutes left, and at least I'd get resolution. Right.
(I guess I'll watch the end of Kathy Griffin's "Norma Gay" ep. It's the first good ep on that show in awhile.)
Oh, and I do not like that shaker lady. Yes, I know I'm not supposed to, but I just had to spit the taste of her out of my mouth. (Especially with her luring in Sookie's friend, who is one of my favorites.)
And poor Laffeyette. And damn, Eric, I just started liking him. And trusting him. I do not like where that is headed.
I do like the young hot church lady coming to the good side, maybe, though not the way she ought to. Is it the good side? They got me to side with the vamps the first season, but those are some nasty bastards.
Maybe I should read the books. This lady who wrote them seems quite creative in conjuring up this world. Impressive. But yuck.
I can't stop, now, though. I have to see how this season resolves, and I'll probably be sucked in all the way to the finish. (Can we make her stop writing them?) Maybe the books will be easier. Or worse.
I ate a whole big bag of popcorn, with "the yellow stuff" at Harry Potter last night. I came home wanting to puke.
(For a second, I actually considered it. Does just one time make you bullemic? Eh, it had been two hours ago. Too late anyway.)
The movie was scheduled for 9:30, and I'd probably wolfed it all down by 9:40. At 1:40 a.m., I was still lying in bed feeling a football trying to pass through my intestines.
This is with a Lunesta in me, which should knocked me right out. Four hours, and it was still making me sick. I eat a big dinner with a hearty serving of meat 2-3 hours before bed nearly every night. (Please resist the urge to give me advice about that, BTW.)*
It was not the amount of food, it was all those crappy white carbs, and maybe whatever fat is in the mysterious yellow stuff.
I had a similar, but milder experience about a week ago, when I ate a whole bunch of potato chips with dinner. (My biggest weakness, potato chips. God, I love those things.)
JULY 18, 2009 1:54PM
This was not formerly a problem.
I actually take this as a really good sign. I've gotten much better at expunging the nasty white carbs from my diet. I'm down to maybe ten percent body fat, and holding for the past three years or so.
I seem to have finally trained my stomach not to expect that garbage. And it recoils when I slam it down anyway.
I like that. And I wonder if it will stop me the next time. If I can just remember how sick and bloated it will make me feel after, maybe my fist will make fewer trips up to my mouth with the crap.
I'm heading out to Harry Potter. He's got a special place in my heart because I figured out Dylan in the middle of a the last Harry film, exactly two years ago. "Figured out" might not be quite right. Or "him"--more like how I was going to convey him.
It just all came together while I was watching--during the scene where they were on the suspension foot bridge and his girlfriend/pal (Hmine?) told him he needed his friends' help.
I pulled out my paper and started scribbling in the dark, continued in the lobby after. (My buddy was nice enough to wait while I spilled it. It doesn't come back if you don't catch it.)
I'm not sure how much of it had to do with Harry. It was a mildly spellbinding film, which got my juices flowing, and I think they were ready to rupture and there they went. It was not Harry-specific, but I maybe just needed something good.
That was also the end of my Dylan-induced depression. I noticed as I wrote that I was not depressed--it had just lifted, completely--but I was so close to the depression it was just fingertips away, close enough to observe it intensely for a little while, before it drifted slowly into the middle distance, where I could only see shapes and outlines. I was so close, yet outside it, which is everything. You can't see anything from the inside. At least I can't.
It occured to me also, that I had isolated myself for four months, and immersed myself in Dylan's world and maybe dragged myself into depression without knowing what I was up to so I could taste a bit of what he felt. I never did that consciously, but the trail looked pretty incriminating from there.
However I'd gotten in there, or why, I was out. It was like I was drowning and someone yanked me out of the water and I was completely dry. (Another metaphor? Hahaha. Sorry. I guess I'm just working them out here. The fog didn't seem quite right, because those don't disappear instantly, do they? This did. I was miserable, miserable, miserable, and then this one thought struck in the theater, my pulse raced, I started scribbling . . . and I never sank back down.
I have not been depressed since. Thank God. I don't like depression. At all.
--
Sept 7 Update:
Here's what I posted on the film briefly, later:
The movie kind of dragged. Probably the dullest of the lot, though at least there was none of the goofy filler high school dance stuff.
About a month back, I fell off the NY Times' bestseller list. It had been an eight-week run, but fom there it looked like a quick, steep drop off their extended list. But I keep managing to hold on.
Next week's list posted today, and for the third or fourth time, I was convinced I'd be off, but Columbine is still hanging in there, again at #28.
(The official list goes to #15, the extended to #35.)
Most books drop like a rock once they start dropping--and I feared at the beginning that mine would drop especially fast if readers thought of it as specifically-related to the tenth anniversary. And It did take quite a plunge at first--something like 13 to 21, when it went from main list to extended, so I thought that would only accelerate.
It seems to have found a little home around #30, though. I'm not sure if it will last, but it's been lasting longer than I'd imagined. It dropped to 31 and then began to hold. It stayed there for two weeks, then moved up to 28 last week and now it's at 28 again in the list posted today. (Which will be in the magazine Sunday after next.)
I thought the first week where it held its ground was due to O Magazine, and would be short-lived. Maybe that's still a factor, but I think it's also just the summer doldrums for books and TV (the reverse for movies--I don't know about music).
I've heard about this for years, but watching the list week to week has been interesting. There was a lot of action in the spring, with lots of new books hitting the list each week, most rising and falling really fast. Now it's mostly the same books. There's only one new book on the main list this week (the top 15), and the extended list (to 35) is pretty steady. Most of the books are hanging out around the same position.... Read More
Hopefully new people keep finding my book, though. (Or getting worn down by friends suggesting it. Hahaha.)
Oprah has selected COLUMBINE for her "Summer Reading List." It's the cover story of the July O Magazine (hitting newstands soon), and the cover story right now on Oprah.com.
. . . Dave Cullen's spectacularly gripping account of the Colorado school shooting that shocked America a decade ago. But Cullen's chilling narrative is too vital to miss, as are his myth-busting revelations.
Thanks, Oprah.
I know people have very mixed opinions on Oprah, but I think she has done tremendous things for books and reading in America.
(And despite an outcome I didn't like, she and her staff were really impressive to work with this spring. That is one classy operation.)
You can discuss any of her 25 books of summer. That is just getting started today, with just a few topics so far. Anyone want to add a topic for COLUMBINE? You have to be a member. (You can join for free.) I'm not sure what the best topic would be.
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FYI: If you have not heard, the producers informed us they don't ever plan to show the Columbine episode we taped in April. I owe you all a little more on that, and the story of how I got the news, which I'll post soon.
Thanks for all the good wishes on that. I've mostly put it behind me, which is part of why I haven't said much. You can't win 'em all.
I thought about it for a few seconds. No I shouldn't. What I should have done is bought the old model even sooner.
I resisted buying the iphone until I think Feb of this year. I'm a writer, money was/is tight, and I didn't think I could afford it. I really wanted one with me for my book tour in April, though. I was afraid a new model was around the corner, but didn't want to wait, so I plunged ahead.
Rarely have I fallen for a new gadget like this. My last tech love affair on this order was my tivo. Amazing device, that. The iphone, too.
Yeah, I wish it would go faster, and I will curse not having the new S version that supposedly goes twice as fast. And I'd like the compass, but and a few other small things, but can do without.
To get those four months with the older iphone, though, totally worth it. Time is my tightest commodity these days, and it has saved me massive amounts of time. It's the first cellphone big enough for me to actually process emails on it, and occasionally check websites I need to. I can finally use both thumbs to type at a half-decent rate. The phone quality is great with the headset and I can make calls hands-free in the car without driving all my friends and colleagues nuts.
And it has provided great joy, too.
Moral for me: When a really great new technology comes out, go ahead and adopt early. Sometimes, it really is worth it.
What I really want:
The killer app I really want is the one that keeps my headset cord untangled.
I am not alone. I go to the gym and a constant stream of people coming out of the locker rooms are untangling their cords before they put the ear buds in to listen to their Ipod.
The inventor of this app/device will be a wealthy woman or man.
Mine usually comes out in a tangled mess, somehow all wrapped inside itself. It tends to be less severe if I take the time to wrap the cord around the iphone before it goes into my pocket, but I'm never going to do that every time, especially since it often doesn't help.
Tomorrow marks D Day. That ghastly queen in England will not be at the commemoration.
Way to go France!
(I realize the French may or may not have been intending to snub the British people as well. I don't applaud that aspect. But I'll take small victories over the monarchy where I can get them.) The NY Times says Liz is "fuming." I am delighted.
Her poor little "highness" snubbed? Not nearly enough.
What I don't understand is why people outside that country--or inside--agree to use words like royal or highness without the ironic distance of quotaion marks.
The monarchy is a ridiculous and decrepit institution. There's no place for it at a celebration of one of the great historical triumphs of/for Democracy. (ie, not a triumph of/for a privileged, hereditary ruling class. Ugh. Disgusting.)
If Liz wants to attend as an individual, fine, but if she were invited, the institution comes with her. I am so repulsed by the sight of foreign leaders--particularly ours--bowing and deferring to this symbol of a thousand years of oppression.
Her Majesty. Please. She is not a majesty. She has earned nothing. That family should have been discharged to fend for itself a hundred years ago. Calling her that is a disgrace.
I prefer the sentiment Thomas Jefferson expressed in our Declaration, "We hold these truths to be self-evident, that all men are created equal . . . " -- That was a direct rebuttal to the preposterous "Divine Right of Kings" and a direct contradiction of the concept that there exists a Magisterial personage such as The Queen.
Monarchies are relics of the Middle Ages--that wonderful period of human culture--and long before. Their existence in the twenty-first century is ridiculous. They are an abomination.
I understand why our leaders swallow their pride and adhere to the rituals of this Medieval anachronism. You can't make every interaction with the Brits into a fight about basic human equality. (That should be a given, but if the Brits insist in rubbing the world's nose in the idea of basic equality every time their country interacts with the world, you have to pick your battles.)
So you can't snub the institution every time, but I applaud every country and individual when they do stand up for what’s right and snub her. I get a great big smile every time I see another nick chiseled out of her royal armour.
Gay activists have learned a few things over the years. A big one, which took awhile, seems obvious in retrospect: when someone helps us, thank them!
We do quite a bit demanding, cajoling, and what sounds to some like complaining. We have to. As long as we're treated second-class, we can't keep our mouths shut.
So it's important to balance that with some attaboys whenever people deserve them.
And God do the governor and legislators in New Hampshire deserve them right now.
(Yesterday, they became the sixth state in the country to equalize marriage for everyone, including gays.)
So take a moment, if you can. HRC has made it very easy. Just click and you'll go to a single screen where you can add your info, click OK and be in and out in well under 30 seconds. (They have a pre-written msg which you can keep, edit or replace entirely. It will take a little longer if you compose your own.)
Here's what I wrote. You're free to crib from it if you like:
Subject: Thanks for making me legal
I am so grateful, and so proud of you for making me equal under the law. It's humiliating to be treated second class, and I thank God for creating fair and wise people like you who can see that.
I hope to get married some day, and I'm gay, so marrying a woman would be a sham, and would just destroy her life as well as mine. It's not a viable option. But I do want to get married, to another man, and by the time I'm ready, I hope to be able to do so anywhere I choose in our great country.
You have created another free state in New Hampshire. You have helped gather momentum toward a free country.
History will look kindly on you. I look kindly on you right now.
I'm watching Jon Stewart interview PJ O'Rourke on The Daily Show, and unexpectedly smiling throughout. (I find PJ mildly amusing at times, but he's gotten really tedious over the years, so I wasn't expecting much.)
My first big grin came when they lamented how you used to be able to open the hood and understand things, and fix them. Now, you might as well be flipping open an ipod, PJ said.
Nice! Finally, a levelling. I have opened my hood many times, typically to jump-start the engine after some screwup that drained my battery. (It's amazing how many times of done this.) That's one of the few items I can locate under there. It has the helpful red and black posts color-coded with the cables that never leave the old beater. The rest is a complete mystery to me.
I get shudders recalling the nasuea I felt in college, convinced that I was half a man, or less for being dumbfounded by this beast. I kept promising to myself to sign up for a course on engine-repair, and I kept trying to pick up little tidbits, assuring myself I would learn.
It was almost as bad as little league: all those fly balls I could never even get to in right field, much less scoop up in my mitt.
And now, apparently, no one can! Hahaha. Thank you, Lord.
It got better. (The show.) They went on to lament how cars were just a shadow of what they had been in terms of romance, mystique and general coolness.
Really? Thanks again, Lord. (I'm a little skeptical on this one, but I'll go with it.)
I'm still driving the same piece of shit I bought in 1991, a family car I chose because Consumer Reports said it would last longest, and I was prepping for a life as a barely-paid writer.
(BTW, I have been so busy on the book launch--and now so reticent to face it--that I have not even reported it yet, or had the window fix. All the glass has fallen out, and the back seat keeps getting rained on. The dashboard is still ajar, with a gaping hole, and my glove box taped up. (The masking tape in the pic gave out, but when we shot my book trailer, we rode in my car and the filmmaker was nice enough to get a roll of heavy electrical tape and set it in place. I have to laugh.)
OK, I prolly do need to get that window fixed. And I am really missing the radio. But the overall sacrifice of choosing a dipshit car, driving it to eternity and allowing it to fall into to ludicrous disrepair--that was not a sacrifice for me. I was never looking at it as a second penis. I'm fine with the one.
Cars are just transport to me. I never notice them, don't give a shit.The idea of an auto show has always baffled me. I would just as soon go to the big Compost Show. When I lived in Detroit I attended the big one there just to see. Nope. Nothing.
I'm OK being out of step with the culture, but my main focus in life is studying it, so that gap made me slightly uncomfortable. I prefer the focus on films, music, books, web stuff and electronic gadgets, where it belongs. (hehehe.)
And now, apparently, according to these guys, the culture is settling in my direction. That pleases me. Even if they're just imagining all of it.
It's wonderful. If you've been frustrated at all by the coverage of the nomination, and/or the discussion around it, or if you've been troubled by that one quote bandied about everywhere, you'll be happy to read this.
It is so well put together. It is great work by the blogger J.E. Robertson, based on a great speach by Sonia Sotomayor.
It reveals an incredibly wise woman who is about to join our top court. I feel better about our country already.
---
(And I nominate this post for Best Post of the Month--an imaginary title I just made up, but highly deserving.)
The COOL-ER device sounds not ready for primetime, but I like a lot of where it's going--especially on price.
And most of all, I like the flurry of alternatives. That's likely to juice up the market, build excitement, and act as a testing ground for ideas. Designers at Amazon and Sony will discover good ideas there, and users will too, and demand them.
This is how new devices get good fast: lots of ideas, lots of choices, lots of testing in real users' hands.
I don't, however, share the author's excitement about COOL-ER slackening the rules on allowing the books to be shared more. The author sees it as a big problem that you can't do anything with your Kindle book after you're done.
Kindles are priced much cheaper than paper books, which I think is great, because it means more potential readers. But it also means much less money per book for the writer. Writers are barely staying solvent as it is.
There need to be some tradeoffs, and one per customer seems reasonable.
E files are so easy to share, I think that without controls writers and publishers are going to be left with squat and that's bad news for books in the long run.
Damn. Expected, but still sad, still frustrating, still infuriating.
At least they left the 18,000 marriages intact.
So it's going to be up to you California voters again, to right the horrible wrong you collectively did last fall.
And it will be up to gay leaders to do a much better job, particularly working inside minority communities. Hopefully they can get it on the ballot in 2010. That actually seems like a long wait, but it's a long struggle.We've waited a long time already.
California voters need to get with the program--and join the 21st century--and allow equal rights for everyone. It's not really that hard.
Yet they showed footage of him getting a silver medal laid around his head.
I googled, and found most of the stories, including this one at Yahoo say he "lost"--not a mention in the whole thing that he came in second. (This one does--referring to two golds and two silvers.)
Man, talk about ridiculous expectations. I'm sure he wanted to win all four golds, and he didn't win the two races, but neither did he lose. In fact, he came massively closer to winning than losing.
(And what does that make the bronze winners? Worse than losers?)
Ever since I saw the first Kindle, I've had one big complaint: the screen is way too small. It will never be widely adopted until the screen size approximates a book.
Problem solved.
Amazon announced the Kindle-DX, and the screen is as big as a book. (Though they don't have touchscreen keyboards yet, so they're wasting a lot of space, making the thing bigger than a book, but it's looking pretty good.) We have choices.
Unfortunately the price got even worse--up to an outrageous $489 for the new model--but competition and mass production will drive that down in time.
But they're getting the textbook companies on board, which are so expensive that for college students, the economics work. And if they can get a few million people a year to adopt the technology that way, eventually the rest of us will all die off.
Most electronic devices are getting smaller. The Kindle electronic book reader from Amazon.com is bucking the trend.
That seems like s gross exageration. The iphone is significantly bigger than most of the cellphones it displaced. Desktop monitors have been growing bigger and bigger for years--and that's the area we're talking about here: the device we use to read. Laptop makers are also coming out with much bigger models.
The truth is that size moves in both directions: We want the smallest possible size that gets the job done without waste, but we can't stand devices that are too small for the job at hand. (For example, hardly anyone wants to read a novel on an iphone, and few were even willing to read the web on a device smaller than that. That size proved just about right for the web and email, at least while we're on the go.)
I don't think the DX will ultimately prove the model that will go huge, but we're finally revving up to where ebooks are a reality. They are finally getting good enough, and they finally improving fast. (Compared to the previous decade of glacial change.)
The kindle does finally seem to be igniting things. It has proved, finally, that there is a sizable and growing audience for these things. And there are a lot of competing products coming out of the next year.
Ebooks are finally arriving. How quickly they will push out paper books, no one can really know. My prediction is that they eventually will, but it will be slow. Large numbers of people will never adopt them and will have to die off. And some will live on, like vinyl. (Though we're not THAT far away from vinyl. Will vinyl really live on forever? Paper has been around a lot longer, though, and I can't see it disappearing entirely--or even close in my lifetime.)
As an asthetic choice, I'm agnostic about the future of paper. For me, paper books are still something I like, but that's probably because I grew up with them. If most people 20 or 50 or 100 years from now feel more comfortable with an ebook, then I'm fine with that. I don't think there's an innate superiority of one just because of my upbringing.
The economic impact to our profession, though, could be huge. I'm conflicted over whether ebooks are a good thing for the short- and medium-run. Long-term, I think they're great. If you can take out about 2/3 of the cost of the book, that's amazing.
(Currently, half the cover price goes to the bookseller, though in reality, the big sellers now discount that and give it back to the consumer already. But with ebooks, their cost of operations is much less. There is also no cost to print the book, ship it--often multiple times: to wholesaler, to bookstore--warehouse it. A huge cost to the industry now is returns, with about 1/3 of books being returned. The publisher has to eat the cost of producing these, and pay to ship/warehouse them the first time, and then charged again to process the return. It's a huge cost plowed back into the cost structure of every book. With ebooks, it disappears.)
Today, the average harcover sells for about $26, but the publisher only gets $1 of that in profit, if lucky, and the writer gets $4. (I'm not sure what the publisher gets to cover costs of creating and marketing.) With a $10 ebook, the seller gets $2, the writer can still get $4 and that leaves $4 for the publisher to create the book (editing, proofing, marketing, etc.) and their profit.
The actual share each party gets is sort of up for grabs at the moment, though writers aren't going to get the $4. I'm not sure it will end up that way, though. Will writers still get what they do now? I need to check my contract on what I get on a kindle. I'm pretty sure it's much less than on a hardcover, where the writer makes most of our money, but more than on a paperback. Will that make us come out even?
In theory, though, there is dramatically less waste, so readers can get much cheaper books, without writers or publisher having to suffer.
Significantly cheaper books are a very good thing. Hardcovers are ridiculously overpriced in today's entertainment market. Our industry and our art form will be much healthier with a much cheaper product. Over time, we will hopefully find many more people willing to buy books.
But once again, we sort of got rushed into the ebook agreements, with no one knowing how it would end up. When the rules get rewritten, they tend to stay that way for decades, even if the rewrites were arbitrary and/or unintenional. Writers could come out with a smaller share of the pie, and that could be disastrous, since most of us already unable to support ourselves writing.
For a long time, I've also thought that the end of the hardback/paperback distinction will be great. More than half the population feels they can't afford hardcovers, and waits for the paperback. It seems like professional suicide for our industry to kee all the hot books away from all these people for a year or more--until they are much less interested. What a stupid approach. I understand that we are trying to bilk much more money from the people who will pay more for a year, but it's making books less relevant and desirable in a world that is already losing interest in books. Shouldn't we be winning them back by tempting them with the hottest new books that they want from Day One?
In the long run, that seems much better for the health of books. And ebooks may well be the answer. There is no distinction: a book just comes out day one, and you get it for $9.99.
Here's a hitch, though. Currently, most books that come out in hardcover get two chances at the market: one in hardcover, and a sort of rerelease a year later, with a new marketing campaign (and book tour, etc. for the big ones). It's like a few decades ago, when movies had multiple runs at the box office. It would be rereleased months later and then years later. You get multiple times to build up sales. Also, books that stumbled for whatever reason the first time, get a second shot in paperback. Some break out that second time.
In the long run, maybe that's fine. If every book only gets on shot, we'll have half as many new releases, so there will be more shelf space, media space, etc., for each on the first time. But it's that changeover process that's a killer. I'd hate to invest several years working on a book, hoping to recoup some of that when the book comes out, and then have half of that disappear because there is only one issue of the book instead of two.
Assuming the ebook becomes relevant slowly, though, this will be a gradual process.
I just read a slew of stories like this one today, about wifi finally arriving on most airlines, finally, this year.
I would pay for that. I will. $7.95 for a flight for use on my iphone seems reasonable.
But what's taking so long? It's not like wifi was just invented.
Naturally, United is near the back of the pack. (They're the big carrier in Denver, where I have most of my miles. They tend to be a slow-moving dinosaur. Frustrating.)
But I'm afraid I didn't appreciate it. I didn't catch a wink on the flight from Chicago, so I've been up 36 hours now.
It was just a quick twelve hours on the island. I'm London now, checked into my hotel in what looks to be a nice section, called Earl's Court, and just laid down on an actual bed. Ahhhhhhh.
I can't wait to close my eyes.
Dublin was beautiful, despite the sleepwalking. I did two BBC national Ireland radio shows--The Gerry Ryan Show and The Last Word with Matt Cooper--and they were both really good. Knew their stuff.
I also spent an hour with a very bright woman from Hot Press magazine, which will be out next month.
Then I strolled around central Dublin for a few hours, laid on the quad at Trinity College, and signed a bunch of books at several local stores. Very nice people, the Irish. Makes me proud to call it my mother country.
Tomorrow we've got a lot of radio planned in London, and more of the same Thursday. I think I'll be able to appreciate it more.
Also, I signed a ton of books at the Hudson stores in all three concourses at DIA. Looked for autographed copies if you're going through that airport. ----
We're going to try to arrange a place for me to be tomorrow or Thurs at a bookstore if anyone wants to meet me.
---
Wednesday Update:
It was a really nice day. Great interviews, and I had two hours off to stroll around Houses of Parliment and lie in the grass in St. James Park and contemplate the whole experience. That made me giddy.
Then dinner with publisher, late-night radio and got home to hotel to news that the book will be #5 on NY Times list next week.
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Saturday Update:
Home! Back in Denver, body on UK time. It's confused.
More coming. SO much to get done now that I'm back. Some of it will wait till my luggage gets back. It's still in Chicago. Ugh.
Yesterday was the travel day from hell: 25 hours from hotel to apartment. Three flights, three countries, four cities, lots of delays. I'm pooped.
I can't tell you how great it was seeing/meeting so many of you on book tour.
I'm just now figuring out that I want to assemble a page with pix from all of the events capturing some of the joy of it. (I'll post it on my website and here.)
I NEED HELP. A whole bunch of you snapped photos at all sorts of events, some of which you posted here or elsewhere, or maybe even sent me. And many others, I think were snapped but I've not seen. PLEASE SEND THEM: photos and/or links to your posts. I'm interested in pix of all of you at the events--and/or pix of the venue, the book festival, etc.--not just of me. I want this to include everyone who was a part of the tour.
Send the links, too. I want to link back to everyone who was nice enough to write about it. And if it's OK, I want to quote snippets from what so many of you said along the way. I want it to capture a bit of how it came across through your eyes as well as mine.
And I'd love any help on names of people at the events. I never keep track of things like that well, and I want to thank all the people who came without leaving people off.
I hope to get at least a few from every city, including Chicago (that was a big day for me). I'm not sure I have any from NYC, Boulder and Denver, and not sure about Seattle.
Send to dave@davecullen.com with "Book Tour Pix" in the subject line. Thanks.
Sept 7 Update:
I created a page of photos, with the help of volunteers Monica and Lydia, and a lot of photos from you guys. But I'm still missing some cities, including New York, Dublin and Denver. So if you've got any, email away. Thanks.
I'm doing the Coast To Coast radio show live for three hours, starting midnight my time (on 500 stations around the U.S. and territories). I thought I'd blog during commercial breaks every half hour. I'll post most recent on top each half hour.
2:58 a.m.:
We had a couple whackos in there, one conspiracy theorist saying I was duped by a Zionist plot, and one real-time email sure it was a plot by the Clintons, but those were the exceptions. Most of the callers were really interesting. And Ian, the host, was very good about moderating.
And with that, I will get myself to sleep. I'll be back in the morning.
Thanks for reading.
2:33 a.m.:
Not bad. The callers were pretty interesting. It livened things up a bit.
And it's interesting to hear what's on their minds.
I think I'm going straight to bed after the final segment. I'll come back in the morning for a recap.
2:03 a.m.:
OK, we're going to callers in the next segment.This could be interesting. Callers are very unpredicable--obviously, I guess. It does keep me on my toes. With a host, I can usually tell where they're going--I get a feel pretty quickly, and sort of learn how to converse. But callers are a wild card.
Plus, I need to learn some of the basics: Like I always feel like I should great the caller when they're introduced, but apparently not--the host does that, and me interjecting there seems to get in the way.
1:33 a.m.:
I'm halfway through my 3-hour coast to coast interview. It's going well and the host is interesting, so it's OK so far, but I'm getting a kinda tired. It's 1:35 a.m., on commercial break. Actually, not quite: The host is doing a little recap thing. The first three segments, I kept thinking I was on the air and he was leading toward a question. I've finally learned that he's doing a two-minute preview segment where all I do is listen, then another commercial break, and then I come back and respond. It's easier knowing when I have to be on the edge of my seat and ready to react. Just three segments left. Then bed.
I tried taking a nap from 10-11:30, but got a late start and then was too wired to sleep.
I thought it might also be useful to start fooling my body into thinking it was supposed to sleep during some of the time period that will be night-time in the UK. So far, no success on that.
I don't do well with jet lag, and that's going to kick my butt.
Oh, there's the music. We're coming back.
12:33 a.m.:
First segment over--about 20 minutes. That was pretty easy. Good host. We went to college together at U of Illinois and worked at The Daily Illini together, but barely knew each other.
He wrote the Campus Scout column, which was a humor column.
The show bills itself as covering a lot of the paranormal, conspiracy theories, etc., but they are doing this interview straight, which I appreciate.
(I also did a pro-gun show today with is normally strongly a pro-NRA advocacy show, and I did nearly an hour, but I appreciate that the host did not try to interject any of that, and just wanted to know what we learned. It was like any other interview.
I did a 45-minute interview with executive producer Peter Slen at the LA Times Festival of Books last week.
The first ten seconds are awkward because I didn't realize the questions would be that general, and was taken aback at where to start. I think it got a lot better from there. He did get me to cry at one point--and he teared up, too. That was unexpected. I had to look away from him for awhile at that point, or I would have totally lost it.
They are running it twice this weekend:
Saturday May 2, 2009; 6:00 pm Eastern (3:00 pm Pacific)
Sunday May 3, 2009, 3:00 am Eastern (Saturday 5/2 12:00 midnight Pacific)
And twice the following weekend:
Monday May 11, 2009; 2:00 am Eastern (Sunday 5/10 11:00 pm Pacific)
Monday May 11, 2009; 7:00 am Eastern (4:00 am Pacific)
"Coast to Coast" is going to have me on for three straight hours. Info on my appearance here. They are on 500 stations, including WABC in NY, KFI in LA, WLS in Chicago, KSFO in SF, WMAL in DC, WGST in Atlanta, KLIF in Dallas, in KTRH Houston, KLBJ in Austin.
Ten years on, the Columbine high school massacre has been immortalised as the day that a pair of outcast Goths from the “Trench Coat Mafia” snapped. We remember them hunting down jocks to settle a long-running feud. None of that happened - no Goths, no outcasts, nobody snapping. No specific targets, no feud, no Trench Coat Mafia.
The Guardian (also in the UK) just published an excerpt from "Columbine," focusing, wisely on Dylan Klebold. I think he's the real revelation in the story.
I've been warned not to post about this. But I just can't stand it anymore.
It's bad form to brag about your book's success. But I don't feel like bragging, just sharing with my friends here.
"Columbine" just notched its third week on the New York Times list, and I can only call my parents to celebrate so many times. So here's the news, which I clearly gave away in the title, but so what:
It's #3. Woohoo!
(Since I have not mentioned it here, I should backtrack, and explain a few things. The list is published in print on Sundays, in the Books section. But the Times posts it online nine days earlier, starting on a Friday. And two days before that, on Wednesdays, they announce it to industry people.)
So we debutted at #7 two weeks ago (the paper which just came out this past Sunday), moved up to #5 the second week, and now will be #3 the third week.
I can't believe we passed Michael J. Fox. And how cool, because I really like him--and he wrote a rare celebrity book that I would actually be interested in reading. He's got something to say. So it's an honor to be on the list with him--especially one notch ahead of him. Hahaha.
This is for sales last week, where it will likely peak, unless perhaps we get an Oprah bump. It's been a great run, and hopefully will continue for awhile, probably at a slower pace. Word of mouth is crucial for books and it seems to be good, so thanks so much to you guys who keep spreading the news.
I'm wrapping up the US book tour tonight in San Francisco (Book Inc in Mountain View, at 7:30). Then Dublin and London next week.
They're letting me rest, though. It's been nice. LA was so much more fun than expected, and I finally met Laura Miller, and David Ulin. I had an amazing time in Seattle and really enjoying SF. I still hope to post about it.
More media is coming this weekend:
At the LA fest, I did a BookTV interview with Peter Slen that will run four times this weekend (all times EDT): Saturday, May 2 at 6 pm and Sunday, May 3 at 3 am. It will be repeated Monday, May 11 at 2 am and again at 7 am.
Late Saturday night (early Sunday morning), I'm doing three straight hours on the national radio show Coast To Coast. (It's on more than 500 stations, but very late: 2-5 a.m. EDT, 11 p.m.-2 a.m. PDT. It's live, so I'll be wrapping up at 3 a.m. real time.
You can hear/watch previous TV/radio shows here.Book Trailer here.
If there is still anyone not yet sick of seeing/hearing me, I'm doing three events at the LA Times Festival of Books this weekend, two of which will be on CPAN's BookTV (I think it's CSPAN-2, right?)
And two of them are open to the public, so I'm looking forward to meeting some OSers in person again. (A couple of people have said they'll come. I'm really looking forward to that.)
The info, from my publicist:
This Saturday is the Los Angeles Times Book Festival on-stage interview with David Ulin, to be broadcast by C-Span’s Book TV live, 3:30pm pacific/6:30pm ET. (Book signing after.)
On Sunday 4/26, Dave will be interviewed live on the C-Span Bus by executive producer Peter Slen, 12pm pacific/3pm ET. (Not open to the public.)
Saturday, Dave will do another book signing at the Book Soup booth in front of Royce Hall, from 1:30-2 PT.
Both TV segments will rerun several hours later, when they repeat the entire block from the day.
---
David Ulin is a really smart guy, and I'm really looking forward to that discussion. Hopefully I'll forget there is a camera pointed at me.
The festival had 140,000 attendees last year. Wow. I've never appeared at anything like that. (Of course they will be wandering all over the UCLA campus, not all looking at me, thank God. But what a thrill, still. I'm going to check in an hour early and then mill through the crowd. I think I'll be tickled to know I'm going up onto one of the stages.
I just tried to wake myself up again--literally--in case I was actually dreaming. I will be SO bummed if I turn out to be sleeping and this is just a dream. (And imagine how bad that will be for you! You won't even exist! Hahaha.)
---
For the rest of the week, there's a link to the left for all my appearances: Seattle and Mountain View (SF) later in the week, then Dublin and London the next week.
In SF, I'll be on the "Ron Owens Show" on the radio Wednesday at 10 a.m. Most of the other local media tends to come last minute, so I probably won't be able to get info on it in advance.
Book tour has been great: exhilarting and interesting, but tiring as hell. I hate hearing authors complain about book tour, so that's not my intention, but I do want to share a bit of what it's been like.
Dorkiest moment: dousing a woman and a row of coffee table books with water in Miami. I clumsily set the book down on a (flimsy) tripod after reading a passage, it collapsed, whacked the bottle of water and sent it flying. Whoops. I felt horrible, but the woman was so gracious and went to get paper towels and cleaned it up so I could continue. Thank you wet woman.
Busiest morning: Last Monday in NYC. I did the satelitte radio tour from my hotel room. I think it was 18 interviews almost back to back over a six hour period--7 a.m. to 1 p.m.--followed immediately by a one-hour on an NPR station, meaning no breaks, except musical interludes.
The last one was scheduled to end at 1:59, and I was supposed to be outside the hotel lobby at 2:00 p.m. for a car to take me to JFK to get to Chicago to do Oprah. I got little ten-minute breaks now and then between some of the interviews, and one 20-minute break to shower, shave and wolf down lunch.
I didn't quite make it. They called while I had shaving cream still on my face, about 2/3 of it scraped off. They usually gave me a minute or two on the phone before we hit the air, so I asked if I could have 60 seconds. she said barely. I ran back to the bathroom, stroked the rest off without cutting myself, rinsed and grabbed the tube of moisturizer. (My cheeks stay tight and annoyed all day if I don't put something on right after.) I got back just in time, with my hair sticking up and my face wet, and dabbed the cream on and rubbed it in while I answered the first question.
Room service has always seemed like a ridiculous luxury that I don't think I've ever indulged in. It was a necessity this trip. I would call down an order during breaks, but that meant it arrived while I was on air, either live or live to tape. I'd prop the door open so that they could sneak in quietly and I signed the check while answering. Otherwise, I would not have eaten.
The most hectic single interview was Ron Reagan, for Air America. It was supposed to air live Monday night, but when a conflict emerged, they were nice enough to move it to the afternoon for us and do live to tape. But I had to do BBC America in a local TV studio, and could not get home in time. So I did the interview with Ron by cell phone, in traffic. I got home midway and had to get upstairs to change for another interview while that one was in-progress, so I went inside, but the stairwell was incredibly echoy. I figured that sounded bad, so I ran up the two flights while talking, and then found myself panting through the next few answers. I just kept going like it was all normal. He didn't mention it. He was really bright, BTW. He asked great questions.
About two minutes after his interview ended, the fire alarm started blaring. My neighbors came out, but we smelled no smoke. I ran downstairs to check, and the hallway down there was a big fog. I started feeling doors for head, like I learned on TV. No heat, but I knocked, too, and a dazed guy opened up and the apartment was belching the stuff. It looked like he had laid something plastic on the stove and fallen asleep with it on. It smelled like burning tires.
Odd.
It wasn't that intense all month, but pretty close. They let me rest the night before Oprah, though. Smart.
We cancelled DC and Philly to do Oprah, so I missed a cool train ride. Easy trade.
I didn't actually get to Miami for the Miami event, though Coral Gables was nice. I saw I-95. I did not see the ocean, though I hear it's quite nice.
I saw myself on Rachel Maddow this Monday and didn't cringe, so I guess I'm getting used to seeing and hearing myself. But I did gasp at how tired I looked. Several friends commented on it, too. I knew I felt like that inside, but didn't know it show. My face was sagging like I didn't have the energy to hold my cheeks up.
Hahaha. BTW, I am not fishing for compliments. Please don't say I look fine, or I'll feel guilty for bringing it up. I'm fine with it, just taken aback.
The relentless days of 15-20 interviews a day and more are over, though. Today I had just five, and it felt great. I went for a walk and actually went to the gym again. I'm halfway through a load of laundry, so I can put on clean sox and underwear tomorrow. I ran the dishwasher. This living room, though: Man, stuff is piled everywhere. The very unglamorous part. Hahaha.
I'm also officially bored with myself. If I have to hear my self tell those same stories one more time, I might barf--not at the questions, at my answers.
I have been pleasantly surprised by the interviewers, though. I always hear how bad they are. I have found most of them really intelligent. I spent an hour or more on the phone with several of the print reporters, and some of them really helped me understand a few things better, and crystalize some of my own thoughts.
I have really only had one bad interview: a radio woman who kept getting major facts wrong, and conflating different things, which I had to correct on-air.
I've learned things about my work from some of the reviews, too. It helps to see how things look from the outsided. There are smart people out there reviewing books.
Taping Oprah was amazing. She was wonderful, and great to my family. (Seven of my siblings, both my parents and one neice got to come.) I hope she airs the show, but whatever happens, I had an incredible experience. The timing was wonderful, too, because I met my family at a restaurant for about 40 minutes afterwards before I had to rush to O'Hare to get to Miami. I got unexpectedly choked up raising a toast to sharing it with them. Then my publicist rushed in with news. He said he'd never gotten a chance to give an author this news in front of his/her family, but the book was going to debut at #7 on the New York Times list.
I live a thousand miles away from most of my family. What were the odds that inews would come in the 40 minutes I spent with them this year? They told me they were proud of me. I don't have words to describe that feeling.
And I got a lot of hugs. I might have mentioned a few times being in a hug deficit around here. Hahaha. I got my share.
Working with the Harpo team leading up to the show was great, too. That is one professional outfit. Very bright people, and really nice, too. I worked closely with a producer named Veronica who has a bright future ahead of her. Thanks, V.
The book store events are a nice change of pace. It's great to connect with a live audience, and see what people have to say.
The funnest part has been meeting OS bloggers at almost every stop. Thanks, you guys. Sheldon showed up in Colorado Springs last night, which was a pleasant surprise.The highlight was Miam, meeting The Dave Cullen Quartet. Hahaha. I'm still chuckling over that. How fun. I wish I could have gone out and drunk with you ladies all night.
(Cartouche has all sorts of pix from the Miami event, and a recap at the DC Quartet link.)
Boulder was also quite wonderful--kind of a homecoming. Mary T Kelly was there from OS, and Monica from my Brokeback forum, and lots of friends from grad school. And the two living profs who taught me the most in grad school, Reg Saner and Peter Michelson, both came. (They are also wonderful writers, BTW.)
I was writing fiction then (mid 1990s) and Peter was the one who encouraged me to try nonfiction again, which led me back to journalism, eventually. Reg taught me Creative Nonfiction, and had a huge impact.
Something else surpring happened on book tour. I ask the audience some questions during my live events, and last week between NYC on Monday and Miami on Thursday, the number of people in the audience who knew all the answers had surged. Lots of people had read the book. That surprised me. Pleasantly. But I have to change my talk. Hahaha.
It's really nice to get a mix of people hearing much of the stuff for the first time, and others who have read it and give me their take on it. I've been writing for years and years, but never had this kind of interaction with my audience before.
Monday it was also refreshing to take a few hours off and visit the Columbine Memorial, for the commemoration ceremony. That made me feel a lot better. I still need to write a post about it when I have a bit of time.
Tomorrow I get to go to the gym again, and ride my bike. And wear clean clothes.
Friday I head to LA for the west coast leg of the book tour. I'm really looking foward to the LA Times Festival of Books on the UCLA campus, which I've heard is amazing. How cool just to go, as a reader. And I'm doing three different events there.
Then Seattle, San Francisco and I'm home again to rest for a few days. Then a 4-day UK tour in early May, probably just Dublin and London.
Full info on book tour events here. (With upcoming events toward the bottom, in white.)
I think I'm going to be ready for it to be done. But it's been a hell of a ride.
If you've read the book, my Columbine Guide makes a nice companion. It's got the killers journals, pix and videos they made, resources for survivors, etc.
April 20 can be a tough day out there. Everyone reacts differently, which is, I think, the most important thing I learned about trauma. Everybody needs something different. Some people need a hug, some people need to be alone. I hope each person gets what they need.
I'm rushing. It's crazy. Quick updates on COLUMBINE:
I'll be on the Air America show "Doing Time with Ron Kuby" live today at about 5:05 EDT, for about 10-15 minutes. Find a local station in their network.
I'm on Sirius/XM Radio at 3:30 EDT. (The Michael Signorile Show on XM 98 and Sirius OutQ 109.)
It wouldn’t seem possible to make high school jocks, popular girls and losers fresh and hilarious, but Yoo does it. His Romeo and Juliet story is a winner . . . but it’s Albert’s ice-dry telling of his tale of woe that sets it apart.
I just shortened it for length. There is not one negative word in the review. This book deserves attention. It's classified "young adult" and aimed at the high school to college market, but I think anyone who remembers high school will be laughing all the way through it, and wincing sometimes, too--in a good way. High school isn't easy. David doesn't sugar coat it. But he's got a great eye, with sharp insights.
(Yes, he's my friend. That's why he's my friend.)
The book is told by a Korean high school kid named Albert. He's just about given up on his tragic adolescence, when he falls for stunning Mia Stone. Everything is looking glorious, until Mia's ex Ryan is diagnosed with cancer. Ryan wants Mia back and totally uses the illness to his advantage. The whole town rallies behind him, and Albert is kinda screwed.
It takes off from there.
I knew David had a winning idea as soon as he described it to me. I wanted to read that book. And man, did he come through.
Don't take my word for it. Read the Times, or check out other reviews here.
Or listen to the great Jonathan Lethem: David Yoo's voice is so witty and charming it only seems fair to give warning: he'll break hearts of teenage readers of all ages with this bittersweet love story.
Then check out the book. You'll be glad you did.
Here's the book trailer. I think you'll enjoy it.
I've also got links to a lot of great books by friends and colleagues here.
They are discussing "another coach moment," after he burnt the beans. It's the awkward moment right after (Sierra?) speaks up and calls him on his shit, and Coach is saying, 'Thank for saying that, blah blah blah' while the two of them and Brendan were in the shot.
Brendan is picking at his teeth, and Coach is blabbing on and on, covering his discomfort by waving his arms from front to back at waist level and sort of clapping them together each time they met in the front--except he was actually smacking one fist into the other open palm, and if you watch closely, he alternates which hand is the fist vs palm.
After the third clap, he looks over at brendan, standing right next to him, who quits teeth-picking, and starts doing the exact same thing! Total monkey see, Brendan do. (I shuddered to see my favorite as the follow-monkey, but there he was.)
Except Brendan is doing it a little dorkier: just regular clapping, and with his fingers spread apart. (He's still adorable. I still hope to marry him.)
Coach is sweeping his head side to side, too, turning back and forth to address his accusor, and check in with his alpha male adversary, Brendan, who is grinning, uncontrollably.
On the first look after Brendan begins to clap, Coach just glances at him, but on his next rotation, he looks right down at Brendan's hands. Brendan follows coaches gaze down to his own left hand, which is just then rounding his hip, coming forward for his seventh clap. At that exact moment, both hands hit an invisible wall, and bounce back off it. Brendan's arms hang there, rigid, for a few seconds, jerking back and forth in tiny abbreviated swirls just a few inches forward and back, like a swing chain that's been jerked to a halt but can't quite stop its motion yet. His smile drains and he turns to watch the final movements of his other arm, incredulous and then appalled.
Incredible.
I watched it over and over. I didn't get any further. I have to go to bed.
--
Sept 7 Update:
It's amazing, but after all these years, I'm still enjoying Survivor. I'm looking forward to the next season, starting in less than two weeks. And Brendan turned out to be one of my all-time favorite characters. What a great guy.
My book trailer was supposed to be my big news, but the Newsweek essay on Columbine is up, and it's a stunning piece, and also a rave on my book, "Columbine":
A decade later, the school shooting is still causing collateral damage.
My favorite lines (my bold):
'The definitive account, however, will likely be Dave Cullen's "Columbine," a nonfiction book that has the pacing of an action movie and the complexity of a Shakespearean drama"
More on that below, and a day of huge developments below. But first, my book trailer just hit the web:
It needs more views, ratings and embeds to go viral. Please click, forward, rate it, link and embed. Thanks.
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Back to Newsweek. Ramin Setoodeh was only 16 when Columbine happened, and it really shook him up. He's already a Newsweek editor--astounding, but you'll see why when you read the piece. He is one talented writer and observer. He takes us back there and illustrates why Columbine was such a cultural earthquake.
I would love this piece even if I were never mentioned, but I'm happy he devoted 2/3 of it to my book. That blew me away. My other favorite quotes:
'Cullen has a gift, if that's the right word, for excruciating detail. At times the language is so vivid you can almost smell the gunpowder and the fear. . . . The Columbine killers were a strange and deeply disturbed pair, right out of a Truman Capote book.'
' . . . Dave Cullen's "Columbine," an astonishingly comprehensive look at the incident and the decade of struggle in its aftermath . . . Be forewarned that Cullen includes some blunt descriptions of the shootings, but those are far from a focal point of his book, which avoids sensationalism and carefully constructs a timeline of the events. It would be a rare and dubious distinction to complete "Columbine" without shedding a tear, but in the violence and grieving and heart-wrenching side stories, this an American story deeply embedded in the national psyche.'
Cities include NY, LA, DC, Miami, SF, Seattle and five stops in Colorado (including Denver, Boulder and CO Springs).
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Time Magazine comes out with a big story including me at the end of the week. Cover story in USA Today coming, plus about 20 more national magazines and papers, and national TV that I can't talk about yet.
Watch for something with Joan Walsh in Salon soon.
Details and Reader's Digest are out. I have not gotten one bad review yet! I'm sure someone will burst that bubble soon, but not yet!
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I have my first Washington Post byline tomorrow: review of a Virginia Tech memoir. It is running on the front page of their Sunday Outlook section.
The filmmaker on my trailer, Andrew Kemler, is brilliant. Check out his other work. (He worked on South Park for years, and those guys don't work with any slouches.) I'm really grateful for what he did.
This was the first day I literally started to consider this might be a dream. I pinched myself, slapped my face as hard as I could stand, looked at a digital clock and turned a light off/on. (In Richard Linklater's wonderful film Waking Life, they suggested the last two: they said in a dream digital clocks won't form a discrete number, and lights don't respond to their switches.)
Seriously, I did all that, just in case. I also tried yelling "Wake up!" while shaking my head violently. That has worked for me before.
It's been quite a morning.
I got up, wolfed down coffee, OJ and oatmeal, while looking over my notes, then did a 20-minute live-to-tape interview for a NY state NPR station that will run in April, after Columbine is published. When I finished, I checked email:
All sorts of exciting things happening, most of which I can't announce yet, but one that's just now confirmed is a new event added at Columbia Journalism School in NYC on April 14, from 5-7 p.m. That's cool, more as we get details.
But two web blockbusters:
1. VSL (VeryShortList.com) picked Columbine as their pick of the day.
My main regret here is that I have not had time to do a post I've been planning about how freaking cool VSL is--one of the best things on the web. (And one of the hottest.)
It's called Very Short List, because each day, it's a list of one. Anything to do with pop culture: a film, TV show, website, photo exhibit, collector's item--all sorts of things. So they do maybe five to ten books in an entire year.
Wow. I know I'm supposed to dream about the New York Times and New Yorker, and I do, but I'm a web guy, and the one I dreamed most and did not expect was VSL.
It was started by a group including Kurt Anderson, and it's one of the hottest, and most influential sites on the web. (I've had it in my blogroll to the left almost since I started here.)
And they were really nice to me. A few bits (their highlight):
"Granted unprecedented access,he has emerged with a comprehensive, compulsively readable profile of the killers, the victims, and the surrounding community. . . .
But the book is no jeremiad. Cullen’s Klebold is a lonely depressive, and all too easily manipulated. Harris is a genuine psychopath, a natural-born killer. And yet, both boys emerge as three-dimensional human beings. Throughout, Cullen refuses to sensationalize . . ."
2. On another front, CrimeCritics.com is perhaps the biggest True Crime (and also crime/detective fiction) site on the web. That will be a very big audience for my book.
They just posted a rave review of Columbine. They also asked me to do an online interview. I said yes, and that will go up probably close to publication. I'll let you know.
(And I'm going to set up a page on my DaveCullen.com site with links to all reviews, interviews, etc. I've already banked a ton of them.)
Highlights of the review (my bold--I just couldn't resist):
"Not since Capote’s In Cold Blood do we find such a thoughtful, illuminating, riveting, and disturbing portrait of the criminal mind."
"The book is agonizingly well-researched and brilliantly end-noted."
"[Cullen] has become one of the most informed minds to wrestle with the shooting, and one of the few to draw the right conclusions. . . . The layout and pacing in Columbine is also ingenious."
I swear I'm not writing these myself. Hehehe. The most rewarding part of this experience is that some of the things I spent years grappling with and focused so much of my energy on getting right, I'm hearing about in some of the reviews.
The structure and pacing of this book was probably the hardest single challenge, for really complicated reasons that will be clear once you've read it. I was really happy with the way it worked, though, hoping people would appreciate and reviewers might notice. I'm grateful that they did. (And that they liked it--thank God. Man, I would be sad if they were knocking that.)
The Capote comparisons, though--those are taking my breath away.
Good day. I've got two more interviews scheduled, and have to meet another journalist in between, plus edits back on a book review I finished over the weekend, and emails flying like crazy about new requests coming in. This is crazy. But I'm really happy.
I'm gripped by fierce mixed emotions this afternoon.
Tuesday, the New Yorker asked me to do a Q&A for their book blog, about my book Columbine. The interview is up right now--both on the book page, and featured near the top of their home page.
Making the New Yorker was a lifelong dream. I expected a glorious day--and I am happy about. I was pleased by the questions from Lila Byock, and she was really generous with her intro.
But it's been a gloomy day and a half, too. Events intervened.
Lila first wrote asking me to do it on Tuesday, and her editor wanted a quick turnaround--posting the next day. It was the New Yorker, so of course I said yes.
I got the questions just as I was heading to the gym that night, where I did one hell of a workout to make up for two weeks off during my trip to Harvard and NYC.
So I got home, had dinner and looked at the questions at 10 p.m. I got to bed at three.
I slept in, woke at 10 a.m. still a little groggy (I like my eight hours!), and went straight to email. My inbox was filled with media requests. Uh oh. I knew it had nothing to do with the New Yorker thing. Something horrible has happened inside a school somewhere. I started opening them, and they referred to things like "the German tragedy." God.
Two years ago, I got the Virginia Tech news a similar way. A BBC colleague I'd met through the wonderful Dart Center called as I was literally getting out of bed. He asked me to appear on air to discuss "the events in Virginia this morning." I groaned, involuntarily, and I remember exactly what came out of my mouth. "Oh God. What happened in Virginia?"
I was asking for the particulars, because I knew the gist. Someone had opened fire on a school there. That's when I get the call. I had not pictured something that awful, though.
Yesterday, I was a little more used to it. That doesn't make it much better. So sad.
For now, I guess this is who I am. The school shooter expert. Hopefully I had something useful to say, but I am looking forward to writing second, third and fouth books on more pleasant topics, and getting the phone calls when something wonderful happens.
(But will I actually write books about happiness? Hmmmmm. I might not take that bet.)
I am happy about the New Yorker piece, though, and I like talking about this topic, grisly as it might be. Since I dove in to learn about spree killers several years ago, I have come to find them fascinating.
So I try to do my job, sometimes keeping a safe emotional distance from other tragedies. It's the survivors that do me in--and the victims. I talked to my shrink after one particularly bad round in 2006, and we agreed to some limits. I made a rule when Virginia Tech happened that I had to change the station or FF when any victim profiles came on. I get too emotionally involved that way, and it's just too much. I expect to follow the Columbine people in some way for the rest of my life, but I can't take more into my life that personally.
Anyway, if you want a listen, I was on BBC-2's noontime "Jeremy Vine Show" today, and you can hear the whole thing here. (There's a scroll bar which will take you right to me at mintue/second 11:08, but the journalist right before me was excellent, reporting from the school in Germany.)
I'll try to get links to other shows I did later, as podcasts go up.
We delayed the NYer posting by a day to add in a question on the German situation. The rest of that interview was conducted before we knew it happened.
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I'll try to get back here with more thoughts on the German shooting.
So far, the reporting seems very responsible. I found this opening of a Yahoo News story this morning really enlighening:
WINNENDEN, Germany – "You will hear from me tomorrow, remember the name of a place called Winnenden."
Authorities say a 17-year-old left that message in an Internet chat room six hours before he went on a rampage in his former high school and killed 15 people in this southwest German town.
Tim Kretschmer wrote that he was "sick of this life" and planned to storm the school the next day "and really toast them," Baden Wuerttemburg state Interior Minister Heribert Rech told reporters Thursday.
The transcript released by authorities gave the first indication of what might have driven Kretschmer, described by his peers as withdrawn and shy, to carry out a bloodbath on Wednesday before turning a 9 mm Beretta pistol on himself after a shootout with police.
"Everyone laughs at me, nobody recognizes my potential," Kretschmer wrote in the German-language chat with a teen in the neighboring state of Bavaria. The Bavarian teen told his father and then police about the chat when he realized the threat had been real.
Since then, it has been reported that Kretschmer was treated repeatedly for depression.
Two huge cautions:
1.Be very careful about early reports. A pattern does seem to be emerging here, but the early reports tend to be tiny bits of the puzzle, which can be very misleading about the full picture.
2. As I told the NYer, "There is no accurate profile of the school shooter, but there are several useful categories." I laid out three of the common categories in a piece for Slate in the wake of Virginia Tech.They are 1) psychopath (Eric), 2) angry depressive (Dylan), 3) severely mentally ill, with a complete break from reality (Cho, apparently).
Within each category, comparisons are extremely useful.
So far, early signs are looking a whole lot like another Dylan Klebold, but without the partner to spur him on. The fact that we have an actual medical diagnosis of depression is powerful evidence, although sometimes other conditions can present as depression.
So the diagnosis can change as we get more data. Don't allow him to get boxed in too soon. But keep an eye on depression. In the Slate piece, I laid out a thumbnail of how depressives tend to go interalized self-hatred to externalized.
In the book, I have the luxury of showing that slow evolution by Dylan over the course of several chapters. I think he's probably the most interesting, and tragic character in the book--which is not at all what I expected when I started writing. But the Slate piece hopefully gives you an overview of how the process usually unfolds in an angry depressive.
I want to use this moment to thank all you OSers for the tremendous support you guys have shown me over the long, slow process of this book launch. It's like nothing I've ever been through before, and I've enjoyed sharing it. I always feeling maybe I'm sharing a little too much, but I've really been encouraged by the responses here. It helps.
We got the first edit of my book trailer last night, and I'm thrilled. I love everything about it except my face (seriously, unfortunately--but that's between me and my shrink, right?)
I think the filmmaker, Andrew Kemler, is brilliant. (He worked on South Park for years, and both Matt and Trey's movies, and those guys don't work with no slouches.) We hope to have it posted soon. I'll definitely let you know here.
I just got a copy of the advance review from Booklist, to run April 1.
It's a rave, and a starred review. (And they sent a definition of the star in the accompanying email: "A star beside the title indicates a work judged to be outstanding in its genre.")
Woohoo!
There are four publishing trade journals that do advance reviews, and three are now in. Two gave the book starred reviews, and Kirkus was 90% positive.
This is so important, because I'm not exactly a household name and we are really counting on great reviews to launch this thing. We've been holding our breath. This is really nice.
Now we're just waiting on Library Journal. (The PW starred review is here. And my account of my book tour dry run, part 1, here.)
Booklist sent the review as a PDF, so I can't cut/paste, and it's not online yet, but there is not one negative word in it.
Here's a taste:
"Cullen, acclaimed expert on Columbine, offers a penetrating look at the motivation and intent of the shooters . . . Cullen examines the killers' beliefs and psychological states of mind. Chilling journal entries show a progression from adolescent angst to psychopathic rage."
Wow, that is so nice to read. (Aside from being called an acclaimed expert, which warmed me up inside.) That's exactly what I was going for on the killers. How satisfying to hear.
The trade journals always summarize their review in the final sentence. Here's how she ended mine:
"Graphic and emotionally vivid; spectacularly researched and analyzed."
Man. I like that. I had not been called specatular, before. I am open to hearing it again. Hahaha.
It was written by one Vanessa Bush. I think I love this woman. I have to look her up.
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BTW, a major mag is going to post a QA with me on their website, probably tomorrow. (I'm not supposed to name any names until they actually happen, because media are always shuffling things around and I don't want to announce anything until it's in print.)
My tivo surprised me a few weeks ago. It was Friday morning, so I was kinda happy to spend breakfast with The Office, but instead 30 Rock came on.
It came on, because they were listed on the Now Playing screen back to back, and in that split second of my thumb bopping the cursor down to The Office, the pleasure center of my brain (I guess) hijacked it and went for 30 Rock instead.
That's the first time I realized it. I wanted to see 30 Rock more.
The last three seasons or so, I'd thought The Office was my favorite scripted show (ie, not including Project Runway), and for most of that it was, but I think 30 Rock passed it about six months ago and I failed to take note of it.
I wonder why I didn't want to admit it. In retrospect, I could see it. Odd.
Anyway, The Office is still wickedly clever quite often, but there are a lot more dry stretches each episode. For me, it's still the second-best comedy on TV, but definitely off its game this season. Maybe it's run its course. I hope not.
But 30 Rock just keeps getting better and better.
Tina Fey is brilliant. And kind of a new voice, too. I don't know if she's gaining confidence, or the show is just continuing to gell, and they're focusing on the better characters, but I like it more and more.
--
Sept 9 Update:
Man, that post was overdue. The saddness of The Office's decline had been swimming in my head for months, but I resisted. By the time I posted, it had fallen off a cliff. It was downright horrible once the Michael Scott Paper company sequence started.
Let's hope they rethought everything over the hiatus and got back on track.
I'm getting all my ailments checked/fixed now that the book is done and I'm allowed to breathe.
After 2 years, and one round of PT, I got an MRI on the right shoulder , which I injured pretty badly shovelling just before christmas 2006.
(Apparently it was a stress injury--the shovelling was just the tipping point. It was when we got the 33 inches, second most ever. For the first several weeks, I couldn't lift the arm without extreme pain. I felt like I wanted to just hack it off. I went to PT for six weeks, which eliminate 75% of the pain. There was no time to go to a doc and deal further.)
So today I got the diagnosis:
No tear, just:
1. Superior posterior labral degeneration 2. Minimal supraspinatus and infraspinatus tendinosis 3. Moderate acromioclavicular arthrosis.
Hmmmmm. I know a few of those words.
Great news that there's no tear, and probably no surgery.
The RX is an anti-inflamatory for a month and 6-8 sessions of PT. Then we see how that works and take it from there. Possibly a cortisone injection if round one doesn't solve it.
Worst case, if it's still a problem, he could go in to scrape some spurs off, which is way less invasive than most rotator cuff surgeries.
I am so glad to be on the mend with all this stuff. I'm also finally getting my back treated. And I even got some Crest White Strips and cleaning the yellow out of my teeth. Hahaha. But seriuosly. I've got a pair of strips in right now.
I am going to be so damn healthy for this book tour.
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Note: Here are some prior posts on breaking my ankle:
I just had an x-ray, and the doc said I can start working out without it and even dancing. Just keep it with me if I go out for several hours and/or into a crowd where the ankle might get tired and need it. I have ventured out without it and run into just that situation. But for the most part, I'm back toward being normal.
I've still got a big limp, but he said I'm doing very well in that department, and can skip PT unless I have trouble getting all the way back to normal.
It's still a little swollen, but the PA said that is normal and could continue for a year. Yikes.
When the PA was looking at the x-ray, I hopped off the table this time to look over his shoulder and ask questions. I couldn't see anything on the main break, but the PA said the gap looked slightly more filled in, and when the doc came in for his ninety seconds, he said "not getting worse" is a good sign. That seemed like a lame sign at first, but then it clicked. I said, "You mean there would be some sort of displacement if the two pieces were not solidified," and he said "Exactly."
It probably wasn't exactly what he meant, but close enough. I had shuddered a hundred times when I pictured it getting slammed hard, and those two pieces that look completely separate in the x-ray pulling apart. Ugh. So I guess the fact that they've clung in exactly the same place means they must have bonded.
The PA showed me a second internal fracture along the outside, at a 90 degree angle to the big break. Some of the bone was also scraped off the edge. You can see it sort of rough there, and it has smoothed out. Crap, they never bothered to mention it before. (The doc just says vague things like, "It's looking OK. I'd like to see a little more mineral build-up. Let's look again in x weeks.")
He does seem to know what he's doing, though.
They have some communications issues in that office, though--a big practice of about ten orthopods--which I see on every visit. This time, it was a different PA than I've had before, and when he first came in, he asked much more about how I broke it, etc. I thought that was nice at first, but he was asking really basic questions like when/how/if I broke it, which bone, all the treatment. I'm thinking, "Isn't this shit in the files?" Then he asked me to repeat how many weeks in the cast and how many in the boot, and then I was really wondering--I wasn't sure exactly how many weeks for each; why is he relying on my memory when that little folder lists the dates? Then he asked who had treated me for it until then. Oh. Total confusion about my case.
The problem turned out to be my shoulder. When I checked in, I made an appointment to get that checked with a different doc, and she told me I had to fill out all the same new-patient forms I'd done a few months ago. That seemed retarded, but I did anyway, and gave them back before I was called in. They had sent those back to the ankle guy, and the PA had seen the forms, assumed I was new, and not bothered to check for a file.
It's been more significant before, like when the x-ray tech came in and told me to emphatically to walk down the hall for the x-ray, when the doc had told me not to do anything like.
This time, the check-in woman also advised me that when I came for the shoulder appointment, the next checker would insist I had no paperwork and try to make me fill it out a third time. She said to tell that woman it was scanned in, and hopefully she would pull it up on her PC and see it. She said to be insistent.
So the people working there are aware that they are not talking well. But they're not fixing it. No biggie, but I find it interesting.
NOVEMBER 14, 2008 5:07PM
Ankle recovery: I can walk down the hall
I am about to walk down my hall unassisted by orthopedics. I go really slowly, and stilted. I'm not completely sure what's holding me back yet. But I'm moving.
Exactly seven weeks out, I saw the doc today, and he freed me to roam my hallway. That's a bit shy of the previous plan, but progress.
(For previous installments in my goofy little ankle saga, see):
I got home from the orthopod a few hours ago. This was my check-up after (nearly) four weeks in the boot. If all went well, I would ditch the boot today. Another possibility would be to start weaning off it. Either way, he was hoping I could start PT after today's visit. (He had actually instructed me to try walking ultra-short trips--like couch to TV--without it for a few days, which I've been doing.)
Today's results:
I'm allowed to take the boot off at home, but I have to put it on for the gym, any outside walk, dancing (allowed now!--with boot--yea!!!), or anything that might stress it--like being in a crowd where I might be jostled even slightly and thrown off balance, or lifting a weight.
The semi-fused bone can't support a lot of weight or anything that might push me off balance yet. That could yank the two bone pieces apart again, and put me back to square one.
The x-ray looked mostly good, because it looked the same: the bone hasn't moved. They can't see whether it's really healing, though, because he said in early stages of repair, the body doesn't put much minerals in there, so the x-ray doesn't show up. They hope/assume it's fusing and my test walks on it, lack of pain etc., suggest it is. I couldn't push back against his hand very hard though, which was a mildly bad sign--which is why the boot has to stay, and PT put off until at least the next visit.
I am allowed back on a bicycle again for the first time--without the boot--so I can return to cardio. Thank God. I need the exercise and I need a way to get outdoors. It's getting a little cold for bike season, but we'll have lots of warm days. I'll have to take advantage.
(What I had been doing to get outside was to walk the 100 yards to the edge of the Denver Botanic Gardens and lie down in their grass near the side street and do stretches, and do my outdoor observing exercises. Not the best solution, but the best thing I had. Riding a bike will be much better.)
I'm also allowed to walk further--the 100 yards had been my limit--but he winced at the idea of more than a block or two at a time. And when I pressed the physician's assistant (I've found I have to come with a list of questions or I get only the vaguest info about what I should/not be doing) she gave me a range of motion exercise to do daily. (You hold your foot out and spell out each letter of the alphabet with it. That will get boring as hell after about five days, but it gives me something to work on, and I'm sure I'll dream up variations.)
I go back in five weeks, and they hope to see new bone on the x-ray by then. If it's there, and/or the walking on it goes well, it will be on toward PT and more normalizing.
The best part: no more elevating my leg. Thank God. That was really fucking up my neck.
The only activities I could come up with while holding one leg in the air were 1) certain stretches, and 2) watching TV. So I watched a lot of TV, with my leg on the back of the couch. That meant catching my neck on the arm of the chair, and also craning it to the side to watch the TV, since it put my gaze perpendicular to where it needed to be.
I already have neck problems if I'm not real nice to it, and an hour of that a day was enough to seriously jack it up. No more.
see spending my time with
---
So today was a good day--I think. I guess I'll know tomorrow.
The last two times I saw the doc turned into minor emotional meltdowns afterward: about 36 really shitty hours. (I neglected to post on how shitty I felt the day after the last visit, where I got my cast off. At first it seemed great, but what a letdown. I had put all my focus into counting down to getting the cast off, and then I did, but realized I'd been focused on one small hurdle, and I was only ten percent of the way through recovery. It felt like such a long way to go. The boot was much better but still sucked, and I would not be walking like a normal person, much less being free like my old life for months. Crap. But that was then.)
The big thing is that this time I think I learned my lesson from the two previous, and I've spent the last month focused on this as a three-month recovery, not a sprint to the next hurdle.
So my mental game plan was that whatever happened today was/is not a big deal--because in the scheme of things it won't be. It's one small step regardless, and I'm looking at late winter as my recovery date, not focused on this step.
So far, that has held, and I feel fine about what happened. It feels much different than the last two trips: no elation and no depression, just taking it in stride this time.
I hope that holds.
OCTOBER 19, 2008 4:33PM
Ready to ditch the cast
This turned out easier than expected.
I broke my ankle three weeks and two days ago, and it snapped my psyche at first along with my fibula, but my heart stiched itself up faster than the bone.
The first five days were rocky, but since then I've been fine. I got used to the idea about 24 hours after leaving the orthopod. I haven't been bummed since that first Wednesday.
Most of the pain faded that first week, too.Or it was down below the level where ibuprofen and naproxen would work. I backed off those too early, had to resume full strength.
It's still slowing me down in lots of ways, and I still seem to get tired more easily, but I'm pretty adapted to that. Looking forward to losing the anchor, but not stressing over having it.
I see the orthopod Tueday and the cast is due to come off. (A bad x-ray could nix that, and I've got a family history (eight siblings) of slow bone regeneration, which includes my own slowness on my fractured vertabrae, but hopefully I'll stay on course.)
It better come off. I seem to have worn through the cotton layer under my heal and against my ankle. They are starting to complain pretty incessantly the last few days.
But I've got my eye on Tuesday.
OCTOBER 6, 2008 12:50PM
Breaking my ankle
nine days ago, i had a little accident. i've finally got things together enough to edit the msg i sent my fambly the next day, followed by some updates. (the "yesterday" in the first line refers to friday, september 26):
so i sent the final changes to my book to my editor to be typeset yesterday afternoon, and hopped in the car for my mini-vacation: half a day off in boulder, a little hike in the foothills with my friend patrick, and whatever. i was SO happy to reach the almost-last deadline. nine-plus years, and just one step to go. so giddy to have that weight off.
i got there around 2:15. at 4:30, i broke my ankle.
once we got to the ER--a day later--patrick and i decided we needed a better, butcher story. so my official story, and i'm sticking to it, is that it was an off-roading motorbike accident.
that's the short version, which is true. barely. it was a vespa scooter, goes about 40 mph. patrick has a pair, and he lives above boulder, so instead of driving down the mountain to town, he suggested we take the scooters. sounded fun. we got a late lunch and ran around a bit: saw the jonbet house, which is for sale, rode through my favorite old neighborhood on the path i used to ride to grad school, blah blah blah. it was a beautiful day, the leaves were turning, the scooters were a blast. i was really cautious at first, but i got used to it, and started opening the throttle, giving it full speed.
i took him to my mentor lucia berlin's grave, just a mile or two south of campus, next to Chataqua Park. i never in my life had the urge to visit someone's grave until lucia died. she was special, though, and it's the most beautiful cemetary i've ever seen. it's nestled right into the rolling foothills right below The Flatirons. there's an enorous hundred-year-old oak just across the gravel road from her spot. the sky always seems to be dazzling--it's colorado: nearly always sunny and clear. and lucia still makes me smile.
she's also buried beside the great poet Ed Dorn, who was a great wiseass and brilliant guy, who let me into the U of Co program after i'd initially been rejected. he lived to nearly 80. he has the verse of a stunning poem called "The Gunslinger" etched into the back of his stone (his spacing and capitalization--it's in the book that way, and on the stone):
This tapestry moves
as the morning lights up.
And they who are in it move
and love its moving
from sleep to Idea
born on the breathing
of a distant harmonium, To See
is their desire
as they wander estranged
through the lanes of the Tenders
of Objects
who implore this existence
for a plan and dance wideyed
provided with a schedule
of separated events
along the selvedge of time.
Time does not consent.
This is morning
This is afternoon
Only celebrations concur
and we concur To See
The Universe
it gives me the chills every time i read it. lots of stones here and there have snatches of poetry inscribed, or prose, but nothing in a league with this. and how wonderful picturing ed, knowing he didn't just like the words, he wrote them. best thing in the cemetary.
to get to theit plots, you wind along a dirt/gravel road that loops around the perimeter of the cemetery, with little spurs down the middle. lucia and ed are right on the north edge, about halfway around, on the side of a hill. the road is rutty, with deep erosion cuts across it all over the place. in a car, it's a bumpy ride. not a great road for a scooter, so i paid close attention on the ride in. we'd been on and off the bikes nearly two hours, so i was feeling comfortable now, but playing it safe on this road.
then i lost myself in the cemetary and forgot. patrick was fun to visit with--he noticed different things than me. like all the giant stones with multiple names on them, some with two dates, many with only one. ugh. that would unnerve me, seeing a big gravestone in a cemetary with my name on it, and my birth date, waiting to fill in my death? very strange. suprisingly common. i am aware that i'm going to die, but i've never wanted a plot waiting for me, and i sure as hell don't want my gravestone made up while i'm breathing.
we had all sorts of fun, and when we hopped on the bikes, i felt a little guilty that i'd barely stopped to chat quietly with lucia. i don't do that with anyone else, just her. i'd been thinking about her the last couple days, picturing her great big smile at me for finishing my first book. she helped teach me to write. she showed me the way with her stuff. and she was the first person in my life outside my family or a girlfriend to say "i love you." that was before i accepted i was guy. gayguys say it all the time, but in straightland, it had never happened to me. she helped me figure out how to love a lot of people, especially myself. when i did something goofy she we giggle and call me darling. "oh darling, . . ."
god, i love her.
i was excited to take patrick to the spot, and to feel a little closer to her, too. but then i kinda forgot to visit with her, so at the end, i told patrick i needed a minute, and took thirty seconds, and felt i'd gyped her a little.
so we hopped on the bikes, to get back to the mountain to do our little nature hike, and i pushed back the kickstand, started rolling down the hill, gave it a little gas, and turned back to say goodbye. i completely forgot i'd first gotten on one of these things two hours ago. i looked back over my shoulder, and reached my right arm up to wave goodbye. i hit a deep rut, skidded around on the gravel, fought for control of it, got my right hand back on the handlebar and instictively braked with that hand, which is the rear brake on my mountain bike. i didn't know motorbikes are always the reverse. i had just about regained control when i clamped what turned out to be the front brake and that sent the reat wheel into the air, me coming off it and the bike pivoting around the front tire. it grounded me when the gas tank came down on my left ankle. i was twisted and pinned, but could barely reach it with my fingertips, and going for it shifted the weight and dug it in harder.
patrick was already well ahead, but three old people visiting their dead friends came running. patrick called back "are you OK?" and i was yelling, "No! Get off me! Get it off!" but he only heard me yelling and assumed i was saying i was fine. everyone always yells that they're fine. every other time i've screwed up like this, i'm yelling that i'm fine. a feeble old man who was truly about ninety years old and as many pounds got there first and pulled the bike off me with his bony little arms. patrick was running toward me and could not believe he lifted it.
it looked a lot worse at first, because my knee was scraped superficially, but a pretty big swath, so it was covered in blood and it was running down my leg and with all the grit and gravel we couldn't see if that was serious, and my hand was a little roughed up, and i must have touched me knee, so they thought that was bleeding, and i couldn't stand at first and both my knee and ankle were howling, so i wasn't sure what was wrong with me. so a lot of confusion at first. i just wanted to sit down, and headed for a big gravestone to sit on, and the old man said, "there's a bench, that's what it's there for," and i thought, "really? i can't just sit on this huge marble stone two steps away?" but i didn't want to fight about that just then, so i walked to the bench. (it was maybe just 20 steps, and by then there were four people helping me. i still wonder about gravesite etiquitte though. i think if you've been in a potentially serious accident and don't know what's wrong yet, you're allowed to sit on anything.)
they were all really nice. the little old lady cleaned up my knee, though not very well, because she was afraid of hurting me, and only had a paper napkin and her water bottle. i was trying to tell her to just dive in there and clean it hard and fast and get it over with, but too many people were talking to me at once. she was all upset that she didn't have her first aid kit. patrick and i both thought for awhile that she was saying she DID have it, and was cleaning the wound, because she kept repeating, "i just put the first aid kit in the car. i just put the first aid kit in the car." but she was lamenting that she'd put it in the OTHER car. it turned out to be a superficial wound, and the least of my problems. she was sweet, though. they all were.
the knee turned out to be no problem at all, which surprised me, because i've nailed it before a couple times and it swelled up and i couldn't walk for half a week. i must have been lucky with the angle or something. it's a minor bruise, which i'm not even noticing with the ankle. that's my only real issue.
the old folks offered to drive me back and one of them drive the scooter back, but i thought i was ok after a bit and we road them home.
so it wasn't quite the mini-vacation i had planned. i was thinking about taking the whole weekend off, which i apparently still am, but not quite as intended. no dancing tonight.
---
that was a week ago. i did not go dancing that night.
i guess i can't dance for six weeks. i might explode. i don't think i've ever gone more than 2-3 since i got out of the body cast. i start getting really antsy after two weeks. (same amount of time that going without writing gets to me, but completely different reaction. writing withdrawl makes me sour, irritable and cranky. dancing withdrawl makes me anxious, jittery and insanely restless.)
we assumed it was just a bad sprain because i could walk on it, with help and a lot of pain. we rode the scooters back across town and up the mountainside to his house. patrick took good care of me there, and gave me a pair of spare crutches from all his breaks. i iced it like crazy, but it swelled up the size of a baseball that night--like half a baseball was sticking out of my ankle. it was a rough night, so i called a doctor friend first thing this morning and he asked if i could take four steps. i tried one, and couldn't stand it, and he said get an x-ray. good advice. (FYI, he said the rule is: if the patient can't take four steps, get an x-ray.)
the ER doc didn't mince words. five minutes after the x-ray, she pulled the curtain back and said, "well, you broke your ankle." broken fibula, which is the smaller calf bone that doesn't bear most of the weight. it snapped clear through, but a clean break. the problem is the location: right at the ankle joint, which can cause trouble. she said surgery was pretty definite.
they gave me the x-rays on CD, and i blew up the spot that looked like the problem, though on the first view it just looked like a gray line, and i didn't even know if that was the problem.
it's the one on the right that's broken--the bottom chunk lopped off, and pushed slightly to the right of where it normally sits. the left is supposed to look like that: it's two separate bones, the big calve bone (tibia), on top of the foot bone, aka, the ankle. i think.
they put a great big boot on it, and i want to meet the guy or woman who designed that and thank him or her, because it's a wonderful little device. i stopped hurting the second she strapped that on. it just had to be imobilized.
the ER doc was wrong.
orthopods don't work on the weekends unless it's life or death or loss of limb, so it took till late tuesday to see a highly-rated guy who said it would probably heal on its own. the two pieces have a good fit, so best to avoid surgery. Big relief. He wants weight on it; he put a cast on. i chose royal blue. the crutches are gone, thank god. i do not want to thank the inventor of those. seems like someone can do better.
(Not my best look. Bad haircut--way too short--and goofy expression, but I did try to coordinate the cast with my shirt and eyes. Hahaha. I got the shades all wrong. Lovely house, though, huh? Not mine. It's my friend Tomny's. He and Jonny brought me to his place to watch the ghastly Sarah Palin Show Thursday night. I apologize for the fake plant. Otherwise I love the place.)
THE PLAN: three weeks in the cast, then three to five in a boot, then possible physical therapy; full recovery in three months if there's no soft tissue damage. He'll assess/address soft tissue when the cast comes off. He hopes the free ligament was due to the bone chunk that holds it in place being mobile.
Walking is slow and awkward. Ankles turn out to be important. Without flexing it, the knee takes all the heat. No pain, though, and so much better than the crutches: less tiring, less precarious balancing on stairs, and free hands. It was so complicated to only use one set of appendages at a time.They're kind of a team. And I can drive again, though perhaps not well. Patrick brought my car back from Boulder, but friends have mostly been driving me around.
I spent a week learning to be mostly self-sufficient within my apt. That was daunting and kinda scary. Friends were great, but I had to learn myself. What a relief to let go of that--and to chuck my crutches-training program. (Four blocks on Sunday, eight Monday, I was supposed to do twelve Tuesday, but waited for word from the doc. It was hard.)
Emotionally I've been up and down. Most of the time, I've been fine with it, but I've had a couple breakdowns at odd moments. Wednesday was the hardest, and least expected. I had gone to bed Tuesday night elated: the whole impending surgery ordeal was lifted, the bone was safely sealed in a pretty blue cast, the evil cruthces were retired, and I could use my arms and legs simultaneously again. I felt the whole thing lifted. But then I woke up Wednesday with this anchor still strapped to my leg. I got out of bed and it hurt like hell at first. That passed quickly (it hurts when I've been off if awhile), but reminded me I wasn't out of the woods yet. Everything reminded me of that: Walking down the hall, I take these short, stubby, peg-leg steps that take forever and . . . I have to consolidate trips and plan everything to minimize steps because I can only be on it so long, and everything takes forever . . .
It's not that bad, just a pain in the ass. I just had to regrasp the fact that some of it had passed at the orthopod's office Tuesday, and some was still with me. Just a blip in the grand scheme. People deal with much worse every day. I'm sure it will look like nothing in six weeks, or once it's fully back, but it feels heavier than I'd like right now.
Back to work. So much to do. I've been getting some work done, but not nearly enough.
---
OK, it's Sunday night now, nine days out. I'm hobbing around, getting used to it. Things are more tiring than they seem like they ought to be.
I think maybe it's emotionally draining, because I was all tired out from running errands with Alan (who graciously drove me around, carried the groceries, etc.), Friday, but took my first trip to the gym, anyway. I hought I might be REALLY dead there, but quite the reverse--really invigorating. Nice to be myself again and be able to accomplish things and do just as well as before. Or something.
Everything takes forever. But I've gotten used the stupid anchor, and trying to learn something from it. I think I have. Lots of things, though they're still settling, so I won't try to share them now. Feeling OK. Need to work.
Friends have been telling me for years how much they hate their book tours, but that I might be the exception. I've been expecting to like mine.
I still think I will, mostly, but I got an unexpected taste this week. I've had nine solid days of book promotion mixed with meetings, prep and other sorts of immersion, and I am totally wrung out.
None of this was intended as a dry run for the book tour, but it worked out that way. That was a highly useful side effect. The book tour starts exactly one day from yesterday, and now I know what to prepare myself for.
It looks pretty easy, getting your picture taken, or sitting in a chair answering questions, but whoa, it sucks the juice out of you.
Thursday night I got back to Denver late, and yesterday morning the videographer arrived at my apt to shoot the book trailer. He left at 8 p.m. I wanted to sleep for a week.
It's a lot like when you do a speaking engagement, or a board presentation: For me, at least, I feel pumped and full of energy while I'm doing it, because my brain keeps ordering up adrenalites, and they are surging through my bloodstream the whole time. Those are powerful little hormones, that allow you to do anything. But that energy doesn't come out of nowhere: the hormones just order every cell to give up everything it's got stored. When you're done, you are really done.
The shoot was great, BTW. We did four separate locations--my studio, a gravesite with thirteen marble crosses, the school and the permanent memorial in Clement Park--plus the filmmaker interviewed and shot footage in the car while I drove. He said he was really happy with it, and I could tell right off he was good at his job. (Plus he spent six years working on South Park.)
The timing was good, because I got to implement some of the great advice I got this week at two lunch meetings: one with my editor and publicist, another with my agent. They both said I was doing well on communicating about the book, but with one big exception: brevity.
My blabby approach to life and stream of consciousness style is not going to work in four-minute TV interviews, or even somewhat longer TV and radio. At least it won't work as well as if I distill certain ideas into a few sentences first, and then expand on them.
Good advice. Tough for me, but necessary. The first big test was the book trailer, because the entire thing is set to run about two to three minutes. I could use that up on one anecdote. That's not going to cut it. We need to touch on as many great aspects of the book as possible in that time. And we want to do the same in the live interviews I do later.
It's a good challenge for me as a writer, and a lot like poetry: fierce economy of language: expressing what I have in the minimum number of words.
My agent gave me an exercise, and it's been incredibly helpful already. She gave me a list of nine key questions about my book, and told me to come up with two-sentence answers to each. They are very broad questions, which I often take five minutes to answer. This is good. Even if I use a longer answer later, this forces me to confront the essence of my answer, and to distill it down to one core idea.
(Betsy, my agent, wrote a brief, sweet blog post about the lunch here.)
I've got to run, but will return with more on the NYC trip, and the amazing Dart/Nieman conference at Harvard.
So much happened, I don't even know where to start.
---
REQUEST:
If you have a blog or website, please consider adding a link to my book page, with "Columbine" as the anchor text (the highlighted text they click on), so it looks like this: Columbine.
Today was a big day in my career. I have literally gone to sleep hundreds of times fantasizing about Publisher's Weekly reviewing my book, and giving it a starred review.
Today it happened. Woohoo! My editor is ecstatic. Me, too. Most of my friends are confused. My family, too. They tried to cheer me up for getting only one star.
I forgot that most of the world has never heard of the weird book-industry lingo. Here's the primer:
There are four major trade journals, that review books weeks ahead of publication: as a guide for editors of the books sections at newspapers and magazines, booking agents for TV shows, booksellers, Hollywood scouts, etc. The most important, by far, is Publisher's Weekly, or PW.
(Good Slate piece about how the trades work from 2003 here.)
They all use the same system, which is entirely different than the four-star movie system. With books, most get a one-paragraph review, with no stars. A few get a star.
That's their top honor, and there's an actual pink star printed on top of it. (The star below is the actual gif from the PW website.) There is no such thing as multiple stars in their world. Their definition which I found online and I think matches what I've seen in the print version of the mag is:
"A starred review indicates a book of outstanding quality."
Getting a starred review can really help a book take off, though they probably have less influence than they used to with buzz, but much more influence via Amazon and B&N online. Both of those signed agreements with PW, so that the first review shown for every book on Amazon is PW's. (I'm not sure about the B&N arrangement, but I think it's similar. Of course it only applies to books PW reviewed, but that's all major books.) That gives the PW assessment tremendous clout in online sales, which now account for about a quarter of the total book market.
So I'm happy. Extremely.
I was going to just post the damn review with the news this morning, but luckily I had to run out and got to people via cellphone first, and realized I'd just draw more condolences. LOL. I hope this helps clear up confusion.
It doesn't seem to be online yet, but it will be soon. Meantime, here's the entire review (they're always this short):
Columbine Dave Cullen. Twelve, $26.99 (432) ISBN 978-0-446-54693-5
In this remarkable account of the April 20, 1999, Columbine High School shooting, journalist Cullen not only dispels several of the prevailing myths about the event but tackles the hardest question of all: why did it happen? Drawing on extensive interviews, police reports and his own reporting, Cullen meticulously pieces together what happened when 18-year-old Eric Harris and 17-year-old Dylan Klebold killed 13 people before turning their guns on themselves. The media spin was that specific students, namely jocks, were targeted and that Dylan and Eric were members of the Trench Coat Mafia. According to Cullen, they lived apparently normal lives, but under the surface lay “an angry, erratic depressive” (Klebold) and “a sadistic psychopath” (Harris), together forming a “combustible pair.” They planned the massacre for a year, outlining their intentions for massive carnage in extensive journals and video diaries. Cullen expertly balances the psychological analysis—enhanced by several of the nation’s leading experts on psychopathology—with an examination of the shooting’s effects on survivors, victims’ families and the Columbine community. Readers will come away from Cullen’s unflinching account with a deeper understanding of what drove these boys to kill, even if the answers aren’t easy to stomach. (Apr. 6)
---
This might also be a good time to announce that Barnes & Noble selected Columbine for its "Discover Great New Writers" program. So the book will be featured in a special section in the front of every B&N store in the country, and singled out on its web site, featured in its print flyers and emails. They have an editorial committee which only pick a handful of books a month, and it really helps launch a book.
Borders has also really gotten behind the book, so my publisher added four extra tour dates for their stores in Colorado. (I'll now do an east coast leg, a west coast leg, and a Colorado leg.) I'll have the east coast dates on my website soon.
Please RSVP at the Facebook event page for Tattered Cover. I'll get invites up on Facebook for the others, soon.
I may be on your local radio April 14. I'll be doing a national satellite tour of 20 cities, back to back over the course of six hours. They will have the option of airing it live, or using it later, most likely on the tenth anniversary of Columbine, April 20.
National TV is getting booked and several big national mags are on board, but I can't discuss them until right before they air/publish. I'll let you know when they do, though. I'll have everything on my website, and will try to post here and lots of quickies on my facebook and twitter pages during the book tour.
I finally got my iphone last night, which will make that much easier. (Thank you all you OS Mac fanatics who pushed me over the hump. You really did. And I LOVE it BTW, even more than I expected to. Much more. It really is a little gift from God.)
Of course none of these gigs are booking themselves. The best thing I have going for me is the team at Twelve: a great editor, Jonathan Karp, and a brilliant publicist who is working his ass off, Cary Goldstein.
I finally get to meet them in person a week from Tuesday. I was invited to the Nieman Center's Aftermath conference at Harvard next weekend, and from there, I'm doing four days in NYC, for a whole lot of pre-launch publicity stuff.
I'm finally going to tour the Hachette building on Park Avenue and meet all the wonderful people who worked on this book. You would not believe how many it takes. They have been so good to me: but all by phone and a zillion emails. It will be nice to see them.
Then Jon and Cary are taking me to my first official author lunch. Just like in my dreams.
At first, I thought a lot of it sounded too much alike, but oddly, it's gotten better with repeats. They are clever lyricists, they have a ball--check out the video--and most importantly, they mean it.
I paid no attention to the clunky title, hit play and they blast right into it, with the singer taken by another song:
I felt my fingertips tingle, and it started to rain When the walls of my bedroom were tremblin' around me . . .
. . . and then there's this really familiar chord progression and Brian Fallon sings, "
And this was the sound, of the very last gang in town.
Ohhhhhhhhhhhhhhhhh. He's listening to Joe Strummer. "Last Gang in Town" was a great Clash song. My favorite group ever. Joe was singer, songwriter, and rhythm guitarist. (I had to look this up, but he loved Woody Guthrie so much he called himself Woody, for awhile--while he was a young pretentious dork, I guess. Hahaha. That didn't last. He was wonderful.)
The next line, how freaking wonderful:
As heard by my wild young heart, Like directions on a cold, dark night, Sayin', "Let it out, let it out, let it out, you're doing all right."
Nice. That's how I heard Joe, too. How many punkers write lyrics that tender?
And how cool for the Gaslight guys to still have wild young hearts, but the wisdom, too, already to see that's how they're absorbing it. How do he know?
One of my favorite Clash-kinda images was actually from the other guy, Mick Jones, in his followup band, Big Audio Dynamite:
I`d wish I could`ve seen you When you could run wild I would`ve liked to know you As an innocent child
I think about so many people when I hear that, including Mick himself, and Joe Strummer. I never saw them play together. They never toured the Midwest once I discovered them in 1979. I saw Mick with Big Audio Dynamite, but the show was lame. I don't care. I still love them.
And I love that The Gaslight Anthem wrote this song for Joe, who died in 2002, unexpectedly of an undiagnosed heart ailment.
This part is sweet:
And I carried these songs as a comfort wherever I'd go. . . . And I never got to tell him, so I just wrote it down. I wrapped a couple chords around it and I let it come out . . .
A friend just had a baby, and I was empathizing by email about the call of an angry infant with a full diaper or empty belly. I've never had a kid, but a few years as indentured servant in a Catholic family of nine kids gave me a taste.
Everyone was sucked into diaper and bottle duty--though never getting up at night, thank God. Sleep loss if probably the worst of it, and my parents graciously spared us that.
It's a pretty efficient system, outsourcing the shitwork to the older siblings, but with a few downsides. My youngest sister, Mrs' Che (pronounced miSEZ' che--what we call her) was dropped three times.
I can't remember them all, but one sticks. She was an infant; my younger brother, who would have been eight, was tasked with bringing her in from the car. He pulled her out, then decided to attend to something else for a sec. So he set her on the car roof--not the hood, the roof over the seats.
She rolled right off. She wasn't old enough to sit up straight yet--she had one of those rocker chairs we put her in to support her back. He knew that, didn't stop to consider it.
The driveway was concrete. She howled when she hit, but babies are conveniently composed of mostly fat and water. They don't quite bounce, but close.
I wouldn't recommend dropping one, but they seem to tolerate it remarkably well. No permanent damage, except for every possible situation we could make fun of her for later, and blame on the droppings, which we assured her would mar her for life.
My friend should be OK. Adults tend to be more careful.
A member posted this on my web forum this week, in the Amazing Race thread: "Once again, you cannot really tell if one is going to like any of these couples. "
What an odd way to put it. He was apparently torn between using the second person and whatever person-number "one" is (still second, but passive?)
I find either one slightly offensive: maybe you can't tell, but how did you decide I can't?
I'm hearing way more of it the past few years than I ever remember.
It's grown nearly ubiquitous among victim interviews after tragedies like plane crashes. You can lay money that on any network newscast, close to half the survivors will slip into statements like "when you hear the crash, you think blah blah blah, and you blah blah blah . . ."
Once they get to second person, they tend to stay there, straight through.
It's really hard to criticize the victim or survivor of a tragedy--is that why no one ever speaks up about this? Or is it really not bugging anyone else.
I immediately recoil at the notion that they know how I would think or act in that situation--or how anyone else will. I am most offended by the inherent idea of a universal response. My experience is pretty much the opposite. I'm willing to bet that of two hundred people on the plane, there were fewer than 200 different responses, but at least a dozen wildly different reactions. Of the four people in front, back and either side of the witness, I bet at least one or two of them was having a completely different experience.
So tell your experience, I'd love to hear it. But don't paste it onto everyone else.
And don't tell me when I'm ready to pick a favorite on The Amazing Race.
I haven't picked a favorite yet, BTW, so he was right on that count. But I still want to decide when I'm ready.
I just watched Glen Campbell perform "Rhinestone Cowboy" on (Friday's?) Craig Ferguson.
(Older live version from youtube):
That was always a guilty pleasure of mine. Still is, apparently. The whole idea is a little cheesy, but it's told/sung with such sincerity, and such relish, I can't resist it.
And how can I resist lines like, "I'll dream of the things I'll do / With a subway token and a dollar tucked inside my shoe"?
Glen was/is a real talent, I think. "Witchita Linesmen" makes me ache. He's got a bunch.
He's got a greatest hits CD out. I might actually buy it.
Man. My editor (Jon) always seems to have an amazing email to start me off Monday mornings. I wonder if he saves them up till then.
I thought I got to return the favor this week, but he trumped me. I got a really nice email over the weekend, and forwarded it to Jon yesterday, but he had a better one for me when I got up.
I pasted them below, with the names of the writers abbreviated, and the even nicer letter second. (I snipped a few words out of the second one because they're spoilers. I don't want to start giving away plot developments to OS regulars--you might want to experience those yourself.)
BTW, if you ever really like a book, or a song or TV show or whatever, and wish you could tell the guy or the woman or the people what it did for you, for God's sake,act on that urge.
I always figure famous people are already deluged, and they probably are, but you can never get enough validation. At least I can't. I have a feeling a lot of people who go into the arts are that way. And the less famous and non-famous can probably really use it. I'm going to go looking for an address for Dimitri Martin. I can actually send one on myspace.
Anyway, the letters I just got. For me, they made the ten years worth it:
Dave -
As I'm currently working at a Barnes & Noble I was able to receive and read an advance copy of Columbine. Aside from being immensely readable and completely absorbing (I plowed through it in just a couple days), I think you've written an important account, not just of the massacre, but the impact on victims, families, law enforcement, the community, religious leaders (and opportunists), the media, and indeed the country as a whole. I was amazed that so much of what I knew about the tragedy was based on a mythology that was set in motion almost immediately after the attack, and allowed to remain in place for, well, a decade now.
By revealing the true nature of the event and its aftermath you've provided an accurate record of a complex story that needed to be told truthfully so that genuine understanding can be achieved, and as a result real change effected. It touched me, it moved me, and it scared me. It's a magnificent piece of work.
I am a bookseller at a wonderful independent bookstore in Massachusetts. I have been captivated by many of the books you have published, particularly TITANIC'S LAST SECRETS and GIANTS. Thank you for producing works of such singular quality and relevance. I look forward to reading many of your upcoming releases. I am grateful to our store's enthusiastic and responsive rep, Roger Saginario. He was most accommodating (as always) when I requested an early copy of Dave Cullen's COLUMBINE. I feel compelled to offer some feedback on this unforgettable book.
COLUMBINE is perhaps the most haunting book I've ever read. During the week or so that I was reading the book, the events of that horrible day came to mind with surprising frequency; I found myself talking about the book often to friends and colleagues. I typically read lighter fare. Sadly, this is not the product of some Hollywood screenwriter's vivid imagination; COLUMBINE is all too true.
Cullen's compelling book is amazingly thorough. The grim day is recounted with gruesome clarity. The many controversies are effectively related: the response of law enforcement teams, the crosses for the dead, the lawsuits, Cassie Bernall's profession of faith, and so much more. Forgotten bits of the story are supplied. I was horrified to read that Anne Marie Hochhalter's . . . Cullen's exhaustive research also leads to fascinating updates on how many of the survivors are faring a decade later. Readers will cheer again for . . . as they read of his improbable victories. And, Mr. Cullen gets as close as anyone could to fleshing out the killers' reasons for their rampage.
I was quite moved by this book. I find myself making efforts to be a kinder person, hoping somehow that tiny individual efforts might cancel out the evil of those rare haters among us. Cullen's book also reminds me that our schools, small reflections of our larger society, are wellsprings of goodness, brimming with unlimited potential. We must nurture them.
I predict (and hope for) big success for this book. Both as a reader and a bookseller, I look forward to its publication. I will do all I can to get this book into the hands of as many readers as possible. Thank you! Please continue to publish wonderfully important books. Finally, thanks for taking the time to read this too-long missive.
That second one. I teared up when I got to the part about the tiny individual efforts to be a better person. That's way more than I had hoped. I only hope it lasts.
Now I'm so glad I spent the ten years. (Not that it's all I did during the ten years--I don't want to overstate that--but it was the bulk.)
The thing is, during the ten years, I never knew whether I was actually going to get a book done, and I definitely didn't expect to land a publisher like Twelve, or to get this kind of a launch. Things have fallen into place amazingly well. I'm giddy almost every day. (Except when my car gets robbed or I get a frustrating prognosis on my back condition.)
I still don't want to spend ten years on the next one, though. Hahaha.
I just unscrewed the three-way bulb that was annoying the hell out of me, because the 50-watt filament had burned out.
(It's in my living room, and I'm only supposed to have dim light at night. It's key to sleeping better. True. Dim bulbs can be annoying as hell in humans, but quite functional in lamps.*
So I put a new three-way bulb in, and put the partially-burnt out one back in the cardboard holder, wrote 100 watts left on a post it, taped it on and put it back in the drawer with spare bulbs.
I've done this a million times, but for some reason, today I wondered, "Do other people do this?"
I used to have every lamp on dimmer switches, but I blew about ten fuses installing them, including blowing power to the entire building twice. Then the super agreed to install all the rest for me. Hahaha. I felt like kind of an ass, but he offered to do any other electrical work I needed for free if I agreed not to attempt it myself. So when I moved, I never tried again. That was about nine years ago. Maybe when I decide to put down roots.)
One month, three weeks and two days till publication day, and I'm already checking my Amazon rank once a day. Only on good days, actually--when it tanks, I don't check it for awhile.
And I hit the top ten in a couple categories, though, I doubt they're actually selling a whole lot of those Western books. (Still, I can't wait to knock over that John Muir book I've never heard of. Hahaha.)
That True Crime category, though, that's big. Those books sell, and there are some bestsellers and classics at/near the top, like In Cold Blood, Devil In The White City, Midnight in the Garden of Good and Evil . . .
I wish they actually called it True Crime instead of Murder & Mayhem, though. That's an accurate category title, but kind of unseemly to mention to people. I do not want to brag about that title. Even if/when I do pass In Cold Blood.
If I understand the significance of all this--and I'm not at all sure I do--the most important number there is making the top 25 on the murder/mayhem list. They list 25 per page. Most people won't click to the second page. I've learned about google that it's much more important to be on the first page than where you are on it. Presumably, most people scanning that page will know all about In Cold Blood and Helter Skelter, but will be surprised to discover a book on Columbine, and may click over to read more and buy it.
Our main goal at this point it to raise awareness that it's out there. And the people scanning that page are not likely to be put off by the subject matter.
Hennyway, I was very relieved a few years back to discover everyone obsesses over their rank. My Slate editor is/was a very big deal, and when his first book came out I thought he'd be above it. Nope. I emailed asking, and he said something like every five minutes. He could not stop himself.
And Frank Rich's book debuted at #1 on the NY Times list, but that first week, I gave it a good review on Amazon and it poste while he happened to be taping Colbert/ An hour later, he emailed thanking me. And I laughed my ass off: Near as I can tell, he went right home from the studio and checked his Amazon rank, and/or new user reviews.
So I feel OK about it. I would do it exactly the same regardless, but this way I feel OK about it.
And thank you whoever you people are who are ordering it. I got mentioned in two newspaper columns this week: that was probably most of it, and temporary.
But it makes me smile. I had a hard morning, so I was ready for a smile.
I'm on the verge of shelling out for an iphone. (And today I actually got excited about Twittering upon it.)
I actually looked around for an Apple phone while I was downtown for PT today. If a store had materialized, I would prolly own one now.
Somehow, AT&T seemed to realize this, or more likely, in an incredible coincidence, they called me an hour later, pitching a new phone.
They have this Samsung Eternity phone on sale for $156, which they claim is equal to the Iphone in every way, for a few hundred less. (And also much less per month.)
I've heard many times in the past that even Apple's best products, like the Ipod are tpically done better (more reliable) for a lot less money, by competitors.
Should I go for the cheapie? Or will I regret it? $350 is a lot of money to me.
I'm sure you Apple lovers will have a few opinions. God knows you did on my laptop question. In that case, I was not swayed by the Mac chorus, but I know PCs very well, and had already selected a model there, just had a question on timing. Here I'm wide open to opinions. I don't know shit. Enlighten me.
---
Sept 7 update:
Damn, getting that thing was the best thing I ever did.
I enjoy Facebook a lot, and OS, and my own little blog I started on the once-might Salon Blogs when it opened about (seven?) years ago.
But Twitter? It's nothing but these little 140-character-max updates. No room for anything of substance. Seemed totally retarded.
It also seemed like regression: back to the earliest blogs and personal websites in the '90s, where you informed everyone about important issues like your lunch menu and when you were heading to the bathroom.
But my publisher insisted it was freaking awesome, and a few friends have been insisting how much they enjoy it, so joined in early January, and the past week, I've actually gotten active on it.
And I think I like it.
It turns out I have all sorts of little ruminations and minor amusements throughout the day that are insufficient to blog about, or even call a friend or pound out an email. I'm starting to toss them onto Twitter.
It takes a little training. At first, I posted really lame stuff, just to make myself post something. It took about three days to warm up to the point where I was getting the urge at the right time: where the thought went off, that "Hey, Twit that." (The "correct" verb is apparently tweet. No thank you.)
So I'm not posting my bathroom breaks. I am ruminating about all this PT and body-repair I'm going to. It feels like a full-time job, almost, fixing all these beat-up bodyparts.
I don't think I've actually done that well yet.If you visit my twits, I doubt you'll get a clear sense of that. But I'm getting there.
I'm not yet convinced anyone wants to read my stuff there. I'm not convinced I want to read much from others. But that's OK, I guess. There are writers and there are readers and there are people who enjoy both.I don't swing both ways on that one.
So I'll keep twittering whether anyone shows up or not.
Demetri Martin was one of the funniest correspondents The Daily Show has had in a long time. (Which is saying a lot.)
He was the Senior Youth Correspondent, presenting hand-scrawed flip charts in segments called "Trendspotting" and then "Professional Important News with Demetri Martin."
His new show starts tonight on Comedy Central after South Park. Times and more info.
He does flow charts and graps like a potential girlfriends hotness graphed against having to hear more about her damn cat. (And state shapes: it turns out that the more irregular the shape of the state, the more interesting it is to live there.)
His one-night special, "Demetri Martin. Person." was intermittently brilliant. (A drunk driver is dangerous, we all know that, but so can a backseat driver, if he's persuasive . . . )
Lots of video of him here. Pretty clever stuff in this one:
"I think statues are wonderful. They show us what great people would look like . . . if birds shit all over them." Hehehe. With pictures and drawings.
There, I wrecked one for you. Spoiler alert, ruining one more, for those too lazy to watch the youtube (I mean too pressed for time):
" 'Sort of' is a harmless thing to say. Sort of--it's just a filler; it doesn't really mean anything. But after certain things, sort of means everything. Like after 'I love you.' . . . Or 'You're going to live.' . . . Or 'It's a boy!'")
I sure hope the new show works. Could be a dismal failure. Sometimes extending clever bits into a half-hour show fails miserably. Most do. And they are adding acted-out scenes. Maybe.
I'm ever faithful. Definitely worth trying out tonight. Could be my new favorite show tomorrow.
I'm ever faithful. Definitely worth trying out tonight. Could be my new favorite show tomorrow.
--
Sept. 7 Update:
The show turned out to be mixed. Very uneven, but the good stuff was beyond good--brilliant.
I ended up watching some again on repeat. He's one talented guy.
Simon Baker has rarely done much chat TV, but he was on Leno Monday night: adorable and endearing, though the guy cannot tell an anecdote.
He told about five, and they all tanked: good start, but they peter out. He can tell a beginning and a middle, but no ending.
Of course neither can Jay, and he does it for a living.
Try his first story in this second half of the interview, after the commercial break (the first clip takes you to the break):
It was great to hear him speak Australian, though.
But he didn't quite seem the sexiest man alive anymore. I like my sexy smart, and snappy. And stunning how much smaller he looked, less commanding presence. I guess the Mentalist team really knows how to shoot him.
But the smile was still great.
So here's the thing:
I watched The Mentalist last night, and it was hard to concentrate. It didn't seem like the "real" him or something. He seemed kind of smaller--I knew he wasn't really that commanding. Or that he didn't talk that way?
Strange. It's not like I've never seen an actor on a talk show before. Maybe because I've lost interest in him, kinda? (Just a little. But enough for a big dent.)
Temporary, probably.
I'm not sure.
I still enjoyed the show, though, especially for writing like this:
"Do you have any good clothes?"
"I'm wearing them."
"Ehhhhhh . . ."
Hehehehe. Even better delivery.
--
Sept 7 Update:
I never did regain interest in the show too much after that. I kept expecting to, but they just kept piling up on my tivo. I eventually watched them all, but with nothing approaching my earlier joy.
Some of that was probably coincidence: the novelty of the show wearing off. Some.
It's thinner, lighter, the battery lasts longer and it flips the pages faster. The resolution is a bit crisper, 16 shades of gray vs. 4. (Review here.)
It all looks great, except for the one fatal flaw with the Kindle 1: the screen is way too small. The press release doesn't mention it, but it appears to be roughly the same size. It's also still way too expensive.
I tried a friend's Kindle 1 and hated having a paragraph or two at a time instead of the whole page. Maybe I'd get used to it. I doubt it.
I think the main thing holding back ebooks is they have to meet and beat all the key aspects of the reading experience. Only techhounds (and people with specific circumstances, like reading a lot of books at once) are going to swap to a new way of reading that is almost as good as the old way.
It needs to be the size of a book, except thinner, preferably. It's perfect there, as thin as a magazine. It needs to be lighter than a paperback, so it feels similar in your hand, but better, easy to hold up hours of reading. It's a winner there, too: 10.2 ounces.
Most importantly, it needs to be as easy to read as a book. The Kindle 1 was in the ballpark, but not there. I'll have to see the new one in person to evaluate. (Anyone here held one yet?)
And every page needs to be as rewarding as a book page. Major bomb there. The screen is about 1/3 the size of a book. Completely unacceptable. (And there's all sorts of wasted space.)
I'm not sure what it is about having more available, but it's important for the pleasure of the experience. Jeff Bezoz's team seems to have put that one through the rationality test, figured out that you can only scan a few lines at a time anyway, so it makes no difference. Wrong. Imagine a book fed to you one line at a time. Ugh.
Perhaps it's just the conditioning of hundreds of years of a book page holding a certain amount of info. Regardless, we've been conditioned.
Otherwise, there seems to be a lot to love. But not enough for mass market yet, I'd say. Make it like a book, people.
As a writer, I've been excited about ebooks for years. I expect and hope the printed book to stay around in some form for most of my life, but I believe that once publishers make reading easier and cheaper and more available, they can bring a lot more people into the reading fold.
(Half the cover price of a book goes to the retailer, and another big chunk goes to printing, shipping and warehousing. Ebooks allow the writer and publisher to make as much money per copy at about 1/3 of the cover price--or, as is actually happening, somewhat less money per copy, but at a much lower price to the consumer. If ebooks eventually all sell for $10, we'll sell a hell of a lot more books. That's good for everyone.)
Which brings me to the price. One of the best long-term features of the ebook is how it will allow books to be priced reasonably. Yet here we have a huge economic barrier standing in the way of the whole revolution: $359 for the device
$359? Come on. If they want this thing to take off, it needs to be under $100. They need to bite the bullet on some up-front costs and make it happen.
"Brace yourselves:" a column in today's Westword, begins: "The tenth anniversary of the attack on Columbine High School arrives this April -- and it will be accompanied by a media avalanche that will hopefully add enough perspective about these horrific events to at least partially offset the pain many locals will feel at being forced to relive one of the grimmest periods in metro Denver's history."
Westword is Denver's alt weekly, and Michael Roberts is the leading media critic in town. The deluge will be a lot stronger and more sustained here. But you'll get your share, too, if you're in earshot of this blog.
Hopefully he's right and some of that coverage will lead to real understanding. And of course I'm hoping it will direct some people toward my book. I'm grateful to Michael for the second sentence and what followed:
"The book likely to receive the most attention is Columbine by Dave Cullen, a local author whose writings about the killings have appeared in Salon and other nationally known media outlets. The tome is being issued by Twelve Books, an innovative, and relatively new, publishing company that puts out one book per month, thereby allowing the firm to put all of its resources behind a single project. Christopher Buckley's Supreme Courtship is among the house's success stories thus far -- and it's already contracted with ailing senator Ted Kennedy to publish his autobiography."
(Unfotunately, they pictured a locally-produced and distributed book also coming out, but you can't have everything. And hopefully his book will do well, and shed some light, too. I have not seen a copy yet.)
I think this is officially the first news or feature story to appear about my book. I'll try to avoid posting about all of them. LOL.
I was sure I wanted the largest screen possible, but when I pulled it out of the box, I thought I might have gone too far this time. It's gigantic.
It's almost exactly the size of two sheets of letter paper pasted side by side. (So once you flip it open, it's like four sheets.) It won't fit in my jumbo compter bag, or my backpack. Not even close.
And when I set it on my lap, it felt like a ridiculous thing to have on your lap. I felt like I was a starfleet commander on the bridge of the Enterprise or something.
(Or opening up a baby grand piano and setting it on your lap?)
It took me about a week to get used to. Now, I can't imagine what I thought the problem was. If they could make a lightweight baby grand that I could support on my lap, and I played the piano, why would I settle for something inferior on my lap when I could have the real thing.
The screen is gigantic: nearly as big as my 20-inch flatscreen desktop, which I always thought was huge. Both of them allow me to have two pages of a Word doc open side by side, or all sorts of windows. I really love it.
I have not had to cart it around yet. That may get annoying. But I think it will be worth it, because I love having the whole damn thing here when I want it.
Everyone should have one.
(I know, not everyone. Most of you would prefer life light and easily mobile. I'd rather hump it and have the tools I want. Everyone like me should have one.)
Thanks to Thanks to VSL (Very Short List), for featuring this remix of Hollywood's current #1 Dickhead.
I'm skeptical about remixes, but this one is brilliant. The music, the timing, the images . . . all perfect. (And wait for the cameo. I won't spoil it.)
Remixes are often one-note, and get old very fast, but this keeps building and gets better as it goes. And it wisely ends with us wanting more, at 2:46.
It's by LA composer RevoLucian.
I also enjoyed VSL's summary of the event:
Bale’s outburst took place last summer, during the filming of Terminator Salvation. It was directed at cinematographer Shane Hurlbut (who’d committed the sin of walking into the actor’s sight line), reportedly just days before Bale’s mother and sister filed a complaint against him with cops in England.
Enjoy the video. It's nice to see something good come out of an incident so vile.
---
Meanwhile, I'm kind of appalled at the number of people sticking up for Bale, even if it's the minority. That view seems to be that he was an artist working, and distracting him was a major offense. Huh? I'm an artist, working, and I hate distractions, too. But if blow up like he did for the first ten seconds, I'm a jerk. If I keep it up for five minutes, I'm one of the biggest assholes alive.
Who else gets deferred to like that? Actors and their work are so precious that they're allowed to treat others like shit if they're annoyed?
Hero-worship in this country is out of control.
---
BTW, if you don't know VSL, they feature one book, film, song, or other pop culture artifact per day. They choose GREAT stuff. You can always find a link in my blogroll to the left.
The shitty part about a new laptop is loading all your old stuff--it didn't even come with a google toolbar.
The good part is having to load those things, and using the opportunity to wander a bit and discover all the new shit people like google have come up with.
Like Google Calendar. (Go to Google and click on the "More" tab up top.)
Why did I wait this long?
The problem with my old calendar app was that it never remembered any of my defaults (like when/if to remind me by email and text), and was annoyingly slow to add events. It only took a minute or less, but I knew it could be a third of that, and it was frustrating. (Plus, I had to log into the site first.)
So I never entered most of my stuff. That's a deal breaker.
The google calendar is almost exactly the way I would have designed it. Everything I could think of to automate is. I did one Settings run-through and now all my events are created that way by default, but are easily changeable, too. It's fast as hell, and I can just keep the calendar window open all the time--or get there with one click, no login.
I got my first prepublication review for COLUMBINE this week. It's from Kirkus Reviews (2/15).
Most of it is glowing, with a few jabs. I agreed with my publicist that I would post only his edited version:
Comprehensive, myth-busting examination of the Colorado high-school massacre . . .
“We remember Columbine as a pair of outcast Goths from the Trench Coat Mafia snapping and tearing through their high school hunting down jocks to settle a long-running feud. Almost none of that happened,” writes Cullen, a Denver-based journalist who has spent the past ten years investigating the 1999 attack. In fact, Eric Harris and Dylan Klebold conceived of their act not as a targeted school shooting but as an elaborate three-part act of terrorism . . . Drawing on a wealth of journals, videotapes, police reports and personal interviews, Cullen sketches multifaceted portraits of the killers and the surviving community. He portrays Harris as a calculating, egocentric psychopath, someone who labeled his journal “The Book of God” and harbored fantasies of exterminating the entire human race. In contrast, Klebold was a suicidal depressive, prone to fits of rage and extreme self-loathing. Together they forged a combustible and unequal alliance, with Harris channeling Klebold’s frustration and anger into his sadistic plans . . . Poignant sections devoted to the survivors probe the myriad ways that individuals cope with grief and struggle to interpret and make sense of tragedy . . .
Carefully researched and chilling.
---
Cary, my publicist, also sent out a press release with the following, including confirmed tour dates:
---
Several prominent national magazines are currently scheduled to feature the book.
---
Dave’s book tour is still coming together, but so far includes the following (all events in evening):
April 7—Tattered Cover, Denver, LoDo (16th St. @ Wynkoop), 7:30 p.m.
April 13—Barnes & Noble, Upper West Side, Broadway @ 82nd Street, NYC
April 15—Politics & Prose, Washington DC
April 16 & 17—Books & Books, Coral Gables, FL (one event at the store, another at a school with teachers, parents and students)
April 27—University Bookstore, Seattle
April 29—Books, Inc., San Francisco
April: Borders has just scheduled four more events around Colorado. These four are tentative, with dates and locations awaiting final confirmation:
April 8th at Park Meadows (8557 Park Meadow Center)
April 9th at Northglenn (241 W 104th St)
April 10th at Boulder (1750 29th St)
April 21st at Colorado Springs (2120 Southgate Rd)
Memorial event in Littleton, CO (possible).
Events may also be scheduled in Los Angeles and Portland, as well as additional events in Colorado.
I've tried really hard to be a good boy--perhaps He'll grant me one. He's been known to smite people, but I don't think He takes requests on that. Seriously, though, I rarely feel the vindictive urge, but I would love to see them smote right now. I can't imagine they're contributing to society much.
So it happened Thursday night, I guess--a much milder replay of my car break-in from two weeks earlier, though this time, it really hacked me off. I've mentioned that I've been riding such a wave of great developments on my book that I didn't even get in a bad mood over the earlier break-in. It just couldn't get me down.
I still have not even reported it the first one, much less gotten anything fixed. Just couldn't quite bear to deal with it. I guess I was afraid all the annoyance of the calls and estimates and so forth would bring me down.
So this time they widened the hole in the broken window (what was the purpose of that?) and tossed all the worthless crap around again looking for something. (See inset picture for the old view. The big pic is the latest.)
This time, they got almost nothing. They left all the same stuff, including the black olives that I still have not brought in. But I was having a worse week, and the prospect of it continuing out in to the future was too much.
Also, I was/am really frustrated with myself, because I think I left my Discover card and Sam's Club card (which is also a credit card) in the car. I was being careful about having nothing in the car, but I was supposed to stop by Sam's on the way home from the gym, so I put both in my car compartment while I go in. I ran long and didn't make it to Sam's, but forgot to take the cards out and into the apt when I got home. That was the night they struck again. Damn!
I'm glad I didn't get it fixed, at least. Last night, they busted the whole a bit wider--(why was that necessary?) and went in to check for more.
The worst part is that they found the cards, so now they'll assume I'll keep being a ripe target and keep returning. Ugh. (A few summers ago, I was hit three times over the course of about a month.)
The inconsiderate bastards once again left a door ajar, so the dome light stayed on and the battery died. (That perplexed me for awhile, but I think they were trying to avoid slamming it to be quiet.)
Here's the odd detail I don't get. They locked the door with the smashed window when they were done. The only unlocked door was the opposite rear door that was left ajar. And they went into the front seat to get the credit cards. They might have climbed over the seats, but it would have been easier to unlock the front door and go in that way. If they did, they locked it when they were done. How odd. Any theories?
A friend also suggested that with the dome light on and a broken window for half the night, other passersby might have been drawn to it and gone through my car as well.
So there was more frustrationg because I got a friend to jump it when I discovered Friday evening as I went to the gym. That was no biggie, but I thought driving to the gym would recharge it and I'd be fine. It was nearly dead when I came out two hours later. God.
It was 8:30 p.m. in the gym parking garage. I called a friend, who wasn't home, and I didn't want to bug the guy at the front desk. I thought about other friends, but didn't want to bother them.
I decided to wait for someone to come out. The first guy said no, he was in a hurry. The next guy who drove up saw me lurking, maybe thought I was a panhandler, and stayed in his car, waiting me out. I moved to the stairwell door, to wait for the next person to exit, or at least the next guy.
A woman came out, and at first I let her pass, then thought What difference does it make?--forgetting, in my frazzled state why it makes a difference. She said yes, but looked nervous and I immediately regretted asking her.
As she pulled her car up, I was sure she was afraid this might be a set-up to mug her or something. I saw the broken window, which I had not explained, and she would notice. Lots of danger signs. Maybe I was trying to steal the car? Although that would make me the world's dumbest car theif: stealing a beat-up 18-year-old car that wouldn't run, and getting help from a witness to get it out of there.
I decided assuring her that I was not a mugger or theif would only add to the impression that I was. I considered telling her to never mind and I'd wait for a guy, but that might just insult her more.
She pulled up, plainly nervous, and stayed in her car, with the doors locked. She wasn't sure how to get the hood open. I motioned for a release under the dash somewhere, and tried to describe through the window she opened a crack. She found it, I got it up, and attached everything as fast as I could. I've done it so many times, I finally know the correct order.
I got us both on our way quickly. She smiled and drove off.
I was still agitated that the car might continue to fail. And I next planned to use it to go out clubbing Saturday night. That would be great to find it dead at 2 a.m., leaving the club, in a bad part of town.
I don't know what the hell caused the failure in the gym, but it didn't repeat. And oddly, no one charged anything on either credit card. Isn't that what they were after? They left open the compartment where I keep them, and they again left my membership card for the bathhouse, though it's still expired.
(It's possible that the "stolen" cards are actually in my apt somewhere, though I spent 40 minutes searching the damn place.) Sam's was really annoying, because on the phone they said I could get a new card at the store and shop immediately, but the damn woman at the desk insisted my credit was cancelled and I had to reapply, and was then rejected. Huh? So I couldn't get groceries, because they only take Discover and their own card. (I forgot that you can actually use cash for groceries, and I had enough in my wallet for the essentials.)
It's all little crap, nothing major, but this time it's getting to me. Plus, all the decisions about what to do.
I've sort of gotten used to no music or NPR, though I miss it a lot. And we've had this incredible weather where it's been over 70 and in the 60s more than half the time, and no rain, so the big hole has been no issue. We had a few short cold snaps, where it was really cold in there--one open window can make it really cold when it's close to zero. Denver rarely gets that cold, but I have a feeling a broken window will cause problems. I can't leave it there indefinitely.
Maybe I'll just to move to NYC right away, where I hear they've got the whole crime thing under control now. Hahaha.
This seems to be question day for me. I'm not sure why. I'm tired of not knowing.
So Saturday is still my main club night as we only have one real gay danceclub in Denver these days, and Fridays are out as I'm not a lesbian. (Nor am I wild about sleeping with one.)
I try to adhere to the gayboy code, so every Saturday I try to avoid having bad breath after 10:30. It's OK to exhale curry during the daytime, but God help you on the dancefloor. (And gum and mints only work for a few minutes. They don't have that many mints at Tracks.)
So I try to eat bland foods in the afternoon, but I really don't know what the cutoff time is. Anyone know? How come everyone doesn't know this? None of my friends seem very confident of their answers. Is it just us?
I've heard onion can stay with you for a full day, and garlic for three (in your bloodstream, which your lungs continue to breath out). I don't know whether I picked that up from a reliable source, though, and/or whether those were trace amounts.
I generally get there around 10:30, and they drive us out onto the sidewalk around 1:45. (Bastards! Prudes.)
Today, for example, I was going for lunch at 1:40, and really wanted some spicy noodle from the Vietnames/cajun takeout place. (Yes, that's really a place. Amerasian couple. It works.) Is that too late? Nine hours to metabolize? I took a chance, but didn't really know.
Oh, and how long does coffee breath last? Is that just in your mouth--meaning if I brush my teeth is it over--or does it get in your bloodstream, like spices? In that case, my question is more specific. I like a little jolt before I go out, around nineish. (Does "ninish" take the e? Which is gramatically correct? Hehehe.) I brush right after. Is that OK, or do I need to stick to red bull.
Red bull seems to metabolize more slowly, and keeps me awake six hours later. Plus, Im under the impression that my (liver?) can metabolize both of them concurrently, so that I can get a double jolt by combining them, yet get rid of the two in less time than a double dose of just one. Is that true?
See what I'm dealing with? All these unknowns, they're just driving me crazy.
Please to inform.
Thanks. The Denver gayboys thank you as well. What a pleasure for them, not to smell my stinky breath.
My laptop died nearly a year ago, and I need a new one. I have my eye on the HP HDX18t, because it has such a big screen. But I've been waiting for the best discount, and not sure when the best time to buy is.
I read a PC mag article awhile back that said the three best times of the year are usually back-to-school, pre-christmas and when they unload their unsold xmas inventory in late jan or Feb. This year might be different, though, as most retailers are deeply discounting everything, and low sales mean lots of inventory.
I have priced it several times on the HP site, and if I got everything the same, it dropped $160 between Dec. 29 and yesterday, Jan. 15.
So i don't know if the time is now. I could really use it. Or should I wait 2, 3, 4 weeks.
How will I know when the optimal time has arrived? Any ideas?
thanks.
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Sept. Update. I did end up buying that laptop a couple weeks later, when I they ran a discount for something like 30% off.
I'm going to upload posts from the past 6-8 months which I previously posted on OpenSalon, because the technology is so much simpler there. (I started this blog in 2001 or 2002, and I'm still on that dreaded Radio Userland software.)
Here goes. I'm going to date them. And I'll cull some of the trivial ones out.