The Hinterland
Rants from the hinterland. A Denver writer and pretend anthropologist rips into artistic treason and random acts of ethical violence.
May also contain gushes of enthusiasm.

Monday, October 17, 2005


Losing steam in Rome

Those Desperate Housewives were still dull this weekend, though maybe starting to gell a bit. Maybe. Nothing like the joy of last season, though.

Meanwhile, Rome was a fun guilty pleasure for the first month, but has grown kind of tiresome to sit through. The more they focus on the lives "two ordinary soldiers'" the harder it is to watch. Bad, bad idea.

This is going to sound harsh, but . . . That's a technique for really talented people.

Ouch. I even winced at that. But as I watch week after week, it's the thought I keep returning to. In really gifted hands, it could have been brilliant: two storylines running side by side, one of sweeping historical scope, the other forgotten but powerfully intimate.

Ahhhh, how that might have shaken us and moved and provoked unforeseen reflections as we sat there captivated week after week.

But you need a really great story for that. Great acting, great diologue, great directing, great everything. This is a hack soap job. Great sets and costumes--or at least expensive ones--and a single great story, the one cribbed out of the history books.

Much of the acting is passable, sometimes even good, but the more important of the ordinary soldiers is made entirely of wood. And his storyline. Ugh. Nothing.

It's important to grasp what it is you're doing, I think. Cheesy melodrama can be fun. But if you're making cheesy melodrama, stick to the elments that make enjoyable cheese.

Who in this production decided they were making Lawrence of Arabia?

Which by the way, stuck to an important historical story. The of watching this series in the early weeks came from watching history unfold. Really good soapy history. Too bad they didn't stick to that.
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