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Shakedown Crews
If there's one thing we don't put up with around here, it's that line of academic literary criticism that hyperinflates the power of the written word until you aren't reading a book anymore, but rather a text that "informs" the reader who perforce "interprets" not the book, but its "messages." You know the kind of thing we're talking about. Which is why we're glad to see some clarity from a U.C. Berkeley Emeritus professor of Englishpretty much the last place we'd expect to find it. Frederick Crews has redeemed his institution by writing Postmodern Pooh, a sequel to his 1963 satire The Pooh Perplex: A Student Casebook. Basically, you take A.A. Milne's Winnie corpus and subject it to the rigors of high-end academic criticism, whereupon laughs richly abound.
Point-and-Click Narrative In last month's New York Review of Books, there was an article by Tim Parks titled, "Tales Told by the Computer," that explored some of the ways authors have been using hypertext to redesign the function of the novel. The link above only takes you to an abstract, unfortunately, but Parks's key idea is this:
Until then, however, we're stuck with Maxim and Elimidate. |
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Wind and Water
Put those two Chinese characters together and you get Feng Shui. Pronounced "feng-schway" by those in the know, this ancient system of "Ethan Allen" attracts interest every now and then by Westerners looking for that little something extra to enhance their homes and offices.
I Feel Safer Already Over in Michigan, the U.S. Border Patrol is getting ready to implement random, rotating checkpoints. They'll be looking for "illegal immigrants, terrorists and drug or weapon smugglers," or anything else they don't like. The Federalistas will have the power and authority to ask those they stop any questions they feel are appropriate, and require no probable cause.
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One thing we do know for sure about Feng Shui: It contributes to the financial well-being of consultants who will charge you big bucks to tune your surroundings into a harmonious balance of shape, texture, and color. The Seattle Times





