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Glory and Madness
We've been avidly looking for trendsany kind of predictive angles that might indicate where we're going and how we're getting thereand while this morning looked somewhat bleak, I think there are some bright notes emerging that are certainly giving me some cause for optimism. While a look around the blogosphere and the chief media outlets reveals no end of gloomy scenarios and dire predictions, with some anticipating worldwide holy wars and a collapsed global economy, ultimately the American vision is a positive one. We wouldn't be here if previous generations didn't believe we could overcome the impossible, and to an extent it simply isn't in our genes to expect the worst of all imaginable outcomes. We want the world to be a better place and we strive to make it so; an ideal reality won't happen by chance. The best news comes from Army Brig. Gen. Vincent K. Brooks, who briefed reporters this morning at U.S. Central Command field headquarters in Doha, Qatar.
Finally, the International Herald Tribune is running an op-ed this morning by John Vinocur, who reports from Paris that the public mood in France is showing signs of change. True, Chirac still has strong support...
Shuttered Vision I couldn't help but read a round-up of what comedians are saying about the war. Robin Williams has had some sharp commentary lately, and Greg Proops wonders about our punishing Iraq for possessing weapons of mass destruction, since "Apparently, ours are weapons of growth and nurturing." And I liked this from Brian Malow, who notes that audiences are desparate for comic truths about the war:
Photographers do this as well, when they give a voice to people who will speak to us in no other way. The Pulizer Prize for photography should go to the cameraman who took this picture, which defies explication and simply accuses. Today's entire blog entry, in fact, was inspired by ruminations on this image. Whether they use a television camera or a 35mm, the photographer is the unseen presence in every photographic perspective. The illusion is that this view is the most important of all possible angles, and therein lies our ability to deceive ourselves.Cameras are all over this war, making it the most intensely photographed conflict of all time and enjoining our participationemotionally as well as vicariouslyin every aspect of this ugly business.
But what of the photographers? Those whose fingers depress the shutter release make a conscious decision of what not to show us as they bracket their visions of glory and madness. We're missing the smells of cooking fires and cordite, our adrenaline isn't pumping and we don't hear the terse shouted commands and wailing women. All we get is a singular point of view, often controlled by apparatchiks on both sides of the fence who understand the importance of shaping our perceptions. None of this is new, of course, and many of you reading this are expert photographers in your own right and fully capable of expounding on these matters with far more verve than I. Nor am I suggesting that any of us are meekly gullible in our reception of this packaging. Simply this: Electronic eyes and ears are extensions of our consciousness and to the degree that we become familiar with them we may forget to ask the Breugelian question of whether we're becoming more compassionate or increasingly inured to the suffering of others. |
Photographers do this as well, when they give a voice to people who will speak to us in no other way. The Pulizer Prize for photography should go to the cameraman who took this picture, which defies explication and simply accuses. Today's entire blog entry, in fact, was inspired by ruminations on this image. Whether they use a television camera or a 35mm, the photographer is the unseen presence in every photographic perspective. The illusion is that this view is the most important of all possible angles, and therein lies our ability to deceive ourselves.
Some images are harder to find than others. This one, showing the former Baghdad telecommunications building and one of the injured staff who worked there, was exceptionally difficult to locate. By and large, it's the Arab press that works with the results of our efforts, we're being steered toward images that glorify and glamorize our armed forces. CNN, especially, seems to be in the business of producing military recruitment calenders as they silhouette men and machine against rosy sunsets.





