Emphasis Added
Make them listen. Make them understand.

January 2003
Sun Mon Tue Wed Thu Fri Sat
      1 2 3 4
5 6 7 8 9 10 11
12 13 14 15 16 17 18
19 20 21 22 23 24 25
26 27 28 29 30 31  
Dec   Feb


CATEGORIES









FAVORITE SITES







BLOGS I LIKE















Site Meter

Blogroll Me!


Proud to be a member of BlogSnob!

Rate Me on BlogHop.com!
the best pretty good okay pretty bad the worst help?


Is my Blog HOT or NOT?

Click here to visit Blogster.Net - Top Blogs!


Subscribe to "Emphasis Added" in Radio UserLand.

Click to see the XML version of this web page.

Click here to send an email to the editor of this weblog.
 

 

Sunday, January 05, 2003
 

The Envelope Please...

I've been seeing a lot of movies lately, and all I can say is that I'm glad I don't have to vote for the Oscars this year. Each of the last four films I've seen could legitimately contend for Best Picture, but how exactly could you choose between them?

·        Lord of the Rings: The Two Towers: Perfectly-realized fantasy epic, succeeds brilliantly in every respect and makes the difficult middle entry of the trilogy utterly compelling, coherent and complete.

·        Far From Heaven: Perfectly-realized postmodern deconstruction of a 50s melodrama, exploding the mythologies that fuel the sickly-sentimental view of that era (mostly by political conservatives), powered by the best female performance of the year (from Julianne Moore).

·        Gangs of New York: Sweeping, ambitious historical epic by America’s best-regarded director, featuring spectacular art direction and a wild, over-the-top performance by Academy favorite Daniel Day-Lewis.

·        The Pianist: Stark, unsentimental story of survival during the Holocaust, flawlessly conceived and executed from start to finish. Jaw-dropping acting by Adrien Brody, who is in every scene of the 2-1/2 hour film, and the crowning achievement in the 40-year career of director Roman Polanski.

Plus, my dark horse (accent on the dark):

·        Minority Report: Steven Spielberg’s incredibly bleak view of the future, somehow smuggled into the heart of the Hollywood mainstream – it even stars (a competent) Tom Cruise. Think it has a happy ending? Watch it again. The irony runs several layers deep.

In addition, there are a couple I haven’t seen that I have heard are worthy of consideration, including Adaptation, About Schmidt, Chicago and Ararat. I’ve even seen Robert Altman’s outstanding Gosford Park on some people’s lists, although I thought that came out in 2001. How exactly do you compare these films to each other and arrive at a winner? And how do you deal with the fact that the weakest of these entries could have won Best Picture in practically every year of the 1990s?


9:37:37 AM    Emphasize This! []


Click here to visit the Radio UserLand website. © Copyright 2003 Rob Salkowitz.
Last update: 2/17/2003; 12:00:30 PM.
This theme is based on the SoundWaves (blue) Manila theme.