Film reviews
Fish & game

Albert Brooks voices Marlin (below) and Ellen DeGeneres voices Dory (above) in "Finding Nemo."
Finding Nemo
"Finding Nemo," Pixar Studio's latest offering, is the summer's -- and perhaps the year's -- best film so far.
In "Finding Nemo," juvenile clown fish Nemo (voiced by Alexander Gould) is captured by a scuba-diving dentist, who adds him to the aquarium in his office. Nemo's father Marlin (Albert Brooks) embarks on a journey to save his son, meeting a variety of creatures -- and dangers -- along the way. Marlin is accompanied by the blue fish Dory (the show-stealing Ellen DeGeneres), who suffers from short-term memory loss and who thus provides most of the film's humor. (Those with short-term memory loss might be offended, but, luckily, they'll soon forget about it.)
I won't ruin the fun of "Finding Nemo" by rehashing its entire plot; not knowing what comes next is what makes the film enjoyable.
"Nemo's" visuals are stunning and its screenplay is remarkably airtight, causing Salon's reviewer to remark that the film "works terribly hard for every scrap of charm or humor it imparts." Not true; we're just not used to seeing such a tightly put-together film.
Well, actually, we are; "Nemo's" biggest fault is that it steals too much from Pixar's past films, which are also tightly wrapped. In "Toy Story," Pixar's first wide-release feature-length film, toys Woody and Buzz Lightyear find themselves cast from the safety of their 6-year-old owner Andy's bedroom and they must face the dangers of the outside world. Eventually they find themselves trapped in the bedroom of the rotten brat Sid, who lives next door to Andy and who dismembers toys and rearranges them, a la Dr. Frankenstein, into grotesque reconfigurations. It is up to the rest of the toys from Andy's bedroom to save Woody and Buzz from a sure and horrible mutilation at the hands of Sid.
Similarly -- too similarly -- in "Finding Nemo," while Marlin and Dory face various dangers in the vast ocean while trying to get to Nemo, the other captives in the dentist's aquarium work together to try to reunite Nemo and Marlin before the dentists gives Nemo as a gift to his spoiled brat of a niece Darla, who wears menacing braces and kills fish through neglect. Darla is a female Sid, and the journey that Marlin and Dory take to save Nemo is essentially the same journey that Woody and Buzz take to get back to the safety of Andy's bedroom.
Still, with its abundant humor, much of it geared toward adults, and its incredible visuals, "Finding Nemo" is highly entertaining. I dragged my animated-film-hating friend and former roommate Margie to it, promising her that if she didn't like it I'd reimburse her the price of her ticket.
I didn't have to reimburse her, and that's saying a lot.
My grade: A+
P.S. Stay throughout the end credits.

Canadian geese are a long way from home in a still from "Winged Migration."
Winged Migration
The documentary "Winged Migration" is a visual film, so words won't do it much justice. It must be experienced.
"Winged Migration" chronicles the migration and the habits of several species of birds, including ducks, geese, swans, penguins, puffins, pelicans, cranes, storks, macaws and birds of prey. According to the film's Website, five film crews filmed the birds over three years over seven continents.
Many of the aerial visuals are mind-blowing and we are left to wonder how the filmmakers got shots that look as though the birds were fully cooperating with them, like actors. (At the beginning of the film we are assured that it employs no special effects.) In one of the many poignant scenes, a gaggle of geese fly past the still-standing World Trade Center. In another scene, the geese look quite out of place in the desert Southwest.
Although it's rated G, "Migration" more appropriately should have been rated PG, as it is not for small children. The beauty of the birds' behavior is punctuated by some rather harsh doses of reality, such as a sea bird with a broken wing that becomes lunch for a crowd of crabs, baby birds in a nest in a field about to be hacked to pieces by approaching farm machinery, and geese that are minding their own business migrating until some NRA-card-carrying idiots blow them out of the sky after they've already come God-knows-how-many miles toward their destination.
Probably "Migration's" biggest flaw is that it alternates between narration and subtitles to tell us, every once in a while, what's going on. It should have picked one method or the other, and when narration or subtitles do break in, most often what they tell us isn't very interesting or critical to our appreciation of the film. The film probably could do without them altogether, as it's more of a meditative piece than it is the usual informative nature documentary.
"Winged Migration" would bore to tears those who crave car crashes, explosions and action sequences -- I found myself momentarily bored once or twice -- but it's also an an antidote to the usual summer movie fare. Those who appreciate animals and natural photography and have had enough car crashes, explosions and action sequences should find it worthwhile.
My grade: A-
5:42:18 PM
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