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| Nov Jan |
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Daniel X. O'Neil
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Tuesday, December 3, 2002 |
December 3, 2002
By THE ASSOCIATED PRESS

DETROIT, Dec. 2 — Eugene
T. Gregorie, the first design chief of the Ford
Motor Company and the creator of the Lincoln
Continental, died on Sunday in St.
Augustine, Fla., where he lived. He was 94.
Mr. Gregorie, who was known as Bob,
also designed what would become the 1949
Mercury, which was driven by James Dean in "Rebel
Without a Cause," and the 1936 Lincoln
Zephyr, which the Museum of Modern Art in New York called "the first
successfully streamlined car in America."
After working for ship
design companies in New York, Mr. Gregorie moved to Detroit in 1929
to work in the auto industry.
He was immediately hired by General
Motors but lost his job a few months later at the start of the Depression.
Mr. Gregorie was 22 when he was hired in 1931 by Edsel
B. Ford, president of Ford and son of the founder, Henry
Ford.
"Gregorie's primary attribute was he could translate what Edsel Ford wanted
into three-dimensional designs,"
said Jim Farrell, a lawyer in Roseburg, Ore., who has written extensively about
the history
of Ford's automotive designs. "He could sit
and sketch while Edsel talked in his office."
In 1935, Edsel Ford made Mr. Gregorie the chief
of Ford's new design department.
"The difference between Gregorie and every other chief designer is that
he himself did all the design work, as opposed to his staff," said Henry
L. Dominguez, a General Motors engineer and the author of "Edsel
Ford & E. T. Gregorie."
His designs included the Lincoln Continental,
which was introduced in 1939. Ford announced earlier this year that it would
stop making the Continental as part of a companywide
restructuring.
Mr. Gregorie left the company soon after Edsel
Ford's death in 1943. He returned in 1944 at the request of Henry Ford II,
but left again two years later when he found himself frequently at
odds with top management.
At 38, Mr. Gregorie moved to St. Augustine and turned to sailing and designing
yachts.
Mr. Gregorie is survived by his wife, Evelyn, and three nieces.
Copyright
2002 New York Times Company (Registration required)
9:37:29 PM
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December 1, 2002
By STEVEN HELLER
Philip
B. Meggs, a scholar of graphic
and advertising design who wrote the first
full history of the field, from the time of Gutenberg
to the postmodern
era, died on Nov. 24 in Richmond,
Va. He was 60.
The cause was leukemia, said his
wife, Libby Phillips Meggs.
Mr. Meggs, who began
his career as a designer
specializing in corporate
identity and promotion, became the
first educator both to teach graphic design and to write its history.
Soon after joining the faculty of Virginia
Commonwealth University in Richmond in 1968,
Mr. Meggs found that his layout
and typography students lacked a fundamental
knowledge of graphic design's past and its relationship to art, architecture,
industrial design and popular culture.
He believed that a student's ability to practice graphic design as more than
a commercial service or craft
would be limited by ignorance
of historical context. He eventually developed the first academic curriculum
to start with the invention
of the printing press and movable
type, continue through the modern era and conclude with the
influence of the computer. His history classes also critically addressed
formal, theoretical and aesthetic issues that were ignored by most programs.
With the initial success of his courses, Mr. Meggs received a grant in the late
1970's from the National
Endowment for the Arts for a series of traveling lectures for any college
or university that asked for them. Becoming an itinerant design historian necessitated
developing standardized syllabuses, and they later became the core of his 1983
book, "A
History of Graphic Design." It is still required reading in courses
around the country.
Born on May 30,
1942, in Florence,
S.C., Philip Baxter Meggs attended
Virginia Commonwealth University, receiving a master of fine arts degree in
1964. He worked as a senior designer for Reynolds
Aluminum and as art director of A.
H. Robins Pharmaceuticals before starting his teaching career. From 1974
until 1987 he was chairman of Virginia Commonwealth's department of communication
arts and design.
In addition to preparing three revised editions of his textbook, Mr. Meggs wrote
articles for Print magazine and wrote
or edited a dozen other books, including "Typographic
Design: Form and Communication," "Type
and Image: The Language of Graphic Design" and "Revival
of the Fittest: Digital Versions of Classic Typefaces."
Mr. Meggs was not trained as a historian, but his original research on once-forgotten
pioneers, movements and styles, as well
as a series of essays on book design and contemporary practitioners, became
the foundation for broader scholarship.
"He was the first person I ever heard talk about design history in a way
that seamlessly, warmly and elegantly connected past and present," said
the designer Paula
Scher. "He made me feel like I was part of a movement of my time, not
an irrelevant practitioner grinding out trivial works for yet
another bureaucratic corporation."
This year Mr. Meggs was given the Educator
Award of the hall
of fame of the Art
Directors Club of New York.
In addition to his wife, Mr. Meggs is survived by his parents, Wallace and Elizabeth
Pruitt Meggs of Florence; two brothers, William J. of Greenville, N.C., and
Wally of Laurens, S.C.; a sister, Beth Meggs Lever of Lexington, S.C.; a son,
Andrew, of Tustin, Calif.; and a daughter, Elizabeth, of Richmond.ml
Copyright 2002 New York Times Company (Registration required)
1:19:25 AM
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