Dave Pollard's environmental philosophy, creative works, business papers and essays. In search of a better way to live and make a living, and a better understanding of how the world really works.
Take
a look at this
article from salon.com, written by UC Prof Mike
Davis. The words that came to mind when I read it were
succinct, witty, provocative, and well-researched. He manages to
capture the essence of what has led our civilization to the brink of
collapse in just two pages, packed with data, rhetorical questions and
persuasive argument. This is the kind of writing that moves people to
action, to change their minds, and to pass along the essay or
its contents in conversations with others, virally.
Davis is, I expect, preaching to the largely converted. His work is rhetoric, which
despite its modern negative connotations means simply persuasive, effective oratory
(the word predates the printing press and hence initially referred to
speech, not writing). Whereas some people believe that debate is the
best means of persuasion, I have come to believe that most people will
only accept an assertion or idea if they're ready for it. If they're
not, a debate will only tend to polarize their view, put them off. Rhetoric at its
worst can inflame ignorance, but at its best it can inform and
stimulate those who are already inclined to believe something, so that
they can then decide how to act on it, and pass on their learning,
rhetorically, to others who are so inclined.
A rhetorical question
is not
(necessarily) one for which the answer is self-evident, but rather one
presented for persuasive effect, to provoke thought consistent with the
arguments the speaker has just made or is about to make. It is intended
to evoke emotion, either positively or negatively. If the audience is
ignorant, inclined to groupthink, insecure, frightened or incapable of
critical thinking, it can be dangerous ("Are we going to let these
people take what we worked so hard for?")
If the audience is informed, independent, self-confident and
thoughtful, however, such questions are powerful and useful, because
they force you to think, and sometimes to challenge conventional
wisdom, to think
differently.
They are often preceded or followed by another useful device, the
rhetorical or oratorical pause.
Such a pause (which many speakers are afraid to insert into oratory in
case it merely causes audience discomfort) is intended to cause
tension, to force the audience to try to anticipate what will come
next, or to reflect on what has just been said that was presumably
important.
Davis' article is so compelling, I think, because of a combination of new information, provocative questions, and great rhetoric.
Recently I've been listening, paying more attention to conversations:
their flow, their pacing, their iteration of ideas and comprehension
and meaning, the power politics often present inside them, their
effectiveness. Because Generation Millennium has somewhat rediscovered
(texting notwithstanding) the oral culture of the pre-Gutenberg era,
I've been listening to them practice conversation. Their ability to
achieve comprehension (largely by successive approximation,
iteratively, Q&A, action and reaction, until consensus is
reached) is extraordinary: very effective and hopelessly inefficient,
but done so quickly that it succeeds. But it is the opposite of
rhetoric. Good rhetorical oratory rarely contains the most frequent two
words in Gen Millennium speech: "I
mean".
I also find that modern conversation contains few rhetorical questions
or pauses: There is simply no time for them. And there is little time
for information. When information is presented that is new, and not
consistent with the worldview of the listener(s), and not
presented in the context of a simple "A or B" dichotomy ("Is Obama
better or worse at...?"), it is as if the audience simply doesn't know
what to make of it. If you listen to this
speech (thanks to David Parkinson
for the link) you can see how new information that makes an
oversimplified debate more complex leaves the audience (in this case
mass media talking heads) utterly dumbfounded. If the new information
doesn't fit, it is discounted, ignored, considered as outrageous, an affront. You didn't answer our simple
dumb question!
Which of course it is: It is
intended as an affront (literal meaning of affront: in your face).
While this may not work in the context of dumbed-down mass media
reporting, it can be extremely effective when the audience has the
patience, curiosity and self-confidence to be affronted.
Generation Millennium has learned one traditional (and now rare)
conversational skill: storytelling. They have discovered that the
easiest way to create a context for understanding is to tell a
straightforward ("and
then...") story, instead of preparing and presenting an
analysis. They 'get' that if they
understood what happened, and what should be done about it, then so
will the audience if they hear an accurate narrative that 'recreates'
the speaker's learning.
Recently I've learned of another effective means of communicating
information in a presentation or conversation: the use of simple
visuals. I would highly commend to you Dan Roam's new book The Back of the Napkin,
which explains how to use elementary visuals, skilfully sketched by
hand on a napkin or whiteboard while the audience watches, to convey
information and to persuade (the illustration above is from that book, and a video explaining the ideas in the book is here). It draws on the fact that we are all
programmed, in our pre-civilization DNA, to learn, discover and
understand visually, not by reading text. One of my most popular conference presentation subjects is Adding Meaning and Value to Information (largely through visuals), and most of my presentations now have no bullet points, just pictures that I talk to.
So
in short I think there are five techniques that can be used to make a
point effectively, in a conversation, presentation or written article:
Present new information, clearly and articulately.
Ask provocative questions.
Tell memorable stories.
Use visualizations to convey meaning.
Employ
powerful rhetoric -- be clear, logical, clever, funny, well-paced,
original, truthful, concise, provocative, and passionate.
All of these things take practice.
There is no better way to get better at them than by putting yourself
out there, and asking your audience for their honest assessment of what
you did well and how you could do better.
How would you score
yourself on the use of each of these five techniques? I think I'm
pretty good at #1. I don't do #2 nearly enough, or well enough. I'm
still poor at #3 (I need to craft and memorize my stories). I'm getting
better at #4 but I need to practice sketching,
and making my visualizations clearer and less dense. Dan Roam says:
"All good pictures do not need to be self-explanatory, but they need to
be explainable." And my rhetorical skills need a lot of work: I still
often lack the courage of my convictions, and I tend to be too serious
and too long-winded.
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