Dave Pollard's environmental philosophy, creative works, business papers and essays. In search of a better way to live and make a living, and a better understanding of how the world really works.
Janet
Fitch, the author of the novel White Oleander, writes in this month's
Vogue magazine (not available online) about her ten days of
self-initiated silence, and the astonishing effect it had on her. She'd
been thinking about a meditation retreat, but when her family wanted to
go on a ski trip she wasn't keen on, she decided this was her chance to
try a week of simple silence without the chants and poses.
She
began by setting her phone to take messages instead of ringing, and
telling callers she would not return calls until the end of the ten
days. Then she began going for walks and just waving, instead of
talking with, people she encountered who she knew. So far so good.
But
she discovered that she was filling the conversational space with
reading. So she stopped reading. Writing, offline, was OK, as was
listening to instrumental music, but no reading at all: no books,
newspapers, magazines, radio, television, movies. That's when things
really started to change. She found she was taking the time to pay
attention, to restart things she had dropped, to discover new interests
and talents, to cook well instead of indifferently. "It was the
absolute attention I had read about in Zen texts: I had the time to
perform each action with a perfect, slow gracefulness."
When I
spend time in the forest, my heart rate initially leaps and then slows.
My senses perk up, and when there is no stream of language messages
coming into my brain, I begin to hear other sounds, languages with no
words. I begin to sense with my other senses, including the
subconscious. I become aware, of my body, of all-life-on-Earth, of what
is real, here, now. What Glenn Parton calls "the machine in our heads"
stops.
I think it is important, in our rush to find meaning and
purpose and direction, through love and conversation and community,
through social discourse of all kinds, that we allow time, perhaps
every day, to be wordless.
But I think Janet was wrong to allow herself to keep writing. Although it's creative, writing is still a conceptual process. Being completely wordless for a long period allows you to be a perceptual
animal instead. To grasp, to learn with the senses instead of the
brain. To be concrete not abstract. To be real. To live in the world,
not in your head.
For now, for awhile at least, I intend to
spend my six hours of presence/reflective time each weekend wordlessly.
No reading, writing, or listening to words.
I'm going to practice being wild.
Thanks to Cheryl for sending me an edited transcript of the article.
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