Dave Pollard's environmental philosophy, creative works, business papers and essays. In search of a better way to live and make a living, and a better understanding of how the world really works.
(This
is the conclusion to a
three-part story. Part One is here;
Part Two is here)
Marisa
had just been making fun
of Dan. "All he can think of is that he can't get some young body
telling him he's the most wonderful sexual superstar in the world.
Really, you're so sad, Dan the Man. Ask yourself, please, why this is
so important to you? Can you not appreciate music or art if you can't
make it yourself? Why is so much of your self-esteem, your sense of
self, caught up in the fact that little girls want little boys (or in
some cases other little girls) to kiss them, rather than you? The
important thing is loving, giving, not what you get in return. If you
need something -- a young body or a big house or a fast car or to be
famous -- you will always be poor, because you will always have less
than what you need. Even if you get this thing you need you will find
you need something else that you don't have, and you will always be
unhappy. If you give a lot, generously, because it gives you pleasure
to do so, and if you need nothing, then you will always be rich and
always be happy."
Jack smiled. "Very wise. Thank you. I think the reason my friend has
such trouble believing you is that we humans stupidly invented money,
and with
money comes the belief that somehow money can buy everything you could
ever need or want, so it's OK to be needy and acquisitive. And then
having invented money we had to invent advertising to create more need
and want for things that money could be spent on, so it would become
scarce. Otherwise money wouldn't be worth anything. And we had to
create a hierarchy so that a few people would actually be able to buy
anything money can buy, so that the consumers would keep believing
anything can be bought and chasing more money and needing more. And the
more need
we've created the more unhappy and the more stingy we've become." He
sighed, and concluded, "Even with
love."
Verdad piped in: "I think you are mostly right -- money is a part of
it, this perception that everything, every fantasy, every escape, every
source of happiness, can be bought if you pay enough for it. But I
think, more than that, it's a matter of idealism. Idealist men are
often preoccupied with ideal sex
-- that perfect beauty and performance. Idealist women, I think, are
more concerned with ideal relationships
-- if you've ever read a romance novela you'll understand this (and if
you haven't, I'd recommend it). What idealist women
want in a man is just as unattainable as the 23-year-old perfect female
body the 50-year-old man craves. The idealist woman wants to
be courted forever by an adoring, beautiful, exciting, brave,
accommodating, protecting man. It's just as dangerous and foolish a
fantasy. It is about attention and appreciation that never ends, and
we've come to believe we can buy or otherwise obtain these things, so,
to the idealist, the impossible becomes possible, expectations are
always out of reach, and the idealist is always disappointed, always
wanting more. He is addicted to what he can't have. It is really sad."
Jack nodded. "I suppose. There's another important difference between
the ideal male and female fantasies you describe, though. The woman's
is connected, bonded, enduring, you know, the whole 'touching souls'
and 'happily ever after' thing. The man's is the opposite -- frivolous,
fun, free of responsibility, one-night, non-committal. What the woman
wants can't really be bought, but what the man wants can. The man can
actually buy his way out of responsibility. And lust is irrational --
we want to fuck who we want to fuck. We have no choice over it. It's
instinctive, hard-wired."
Marisa laughed: "You have a pretty warped view of what women want, and
what they are willing to give, Jack. And maybe what most men want too.
It's been said that men give love to get sex, and women give sex to get
love, but that's an oversimplification. Women aren't all that different
from men. If you put yourself in the position of a young woman, if you
can do that, I think you'd see it more clearly. Young women are much
like young men -- uncertain of ourselves, full of anxiety and hormones,
looking for love and for fun, and for relationships and careers to give
our lives meaning. Young women want to kiss beautiful young men, and
talk about things that only other young people can talk about. You and
Dan have no context to know what we want and care about, who we are and
what we need. Just as we have no context to understand you, so we
dismiss you as -- how you say -- "dirty old men". Of course we can talk
about philosophy and politics and the purpose of life with you -- and
that is wonderful, it's actually better talking with you about these
things because you have more experiences that we can listen to and
learn from, you have had more practice at living than we have. But
young women are not so different from older women either. The song is
not true: Girls don't
"just want to have fun". I love all the guys in our commune, and I'm
committed to them. We have responsibility to make our community work,
to look after each other, to be always honest and to work very hard and
to build relationships that will be durable."
Verdad hugged her friend, and added: "There's something else. We women
of all ages have a secret. We sustain each other. What we don't get
from men we love, we get from other women. So we expect less
from these men than men expect from women. The men we know who can't be
happy with one woman, who believe it is natural to have many
relationships with women, don't know that for many women, they can be
happy with one man because they get other things from the women they
love. That doesn't mean we have
to limit ourselves to one man, of course". She winked at Marisa. "But
we could."
"Can I throw something out here in defence of us 'dirty old men'"? Dan
asked. He got smiles all around. "There's a kind of self-reinforcing
thing to our sexual fantasies about young babes with perfect bodies and
perfect faces and an insatiable appetite for sex with us geezers and no
interest at all in conversation. That's the thing about fantasies. If
you never realize them, you never have to come face to face with the
realization that they're impossible. You two are something else -- I
think you must be university professors in disguise -- but I realize
full well that after a night with what seemed to
be my perfect fantasy I'd probably wake up with a woman with lots of
hang-ups, remorse, unresolved issues. Maybe deep-seated anguish, or a
hate-on for all men or some deep low self-esteem problem or unbearable
neediness, not to mention a jealous boyfriend with anger management
problems, or a sick relative sucking her dry emotionally and
financially. I do remember what it's like to be 23, and it's not a bed
of roses. Sometimes the fantasy is just better than the reality."
"So you're saying you keep this impossible fantasy even though you know
it's impossible?" asked Marisa. "And why? What are you running away
from that this dream has such attraction for you? This seems a recipe
to be forever unhappy. Perhaps it is time for you to grow up, if I may
say that to a man...er...who is older than me." She smiled a bit
apologetically.
Dan smiled back. "Well maybe men are just more idealistic on average
than women, but yeah, it's a really nice
fantasy, even though I know it's probably impossible. I know some
women, including some I've lived with, who have this fantasy about how
their relationship with some guy they met back in high school might
have turned out. It's a fairy tale, but it has a real hold on some
women. The "what might have been" guy is probably now an alcoholic or a
wife-abuser or in prison or something, but as long as the woman doesn't
know, she can keep holding this "might have been" fantasy guy up as the
model she judges everyone else by. I don't see this as much different."
Verdad nodded at Dan enthusiastically. "Yes, yes. Precisely. This is
why, at this time in my life, I'm happy to love a lot of men, and learn
from this, and avoid that kind of tragic fantasy. My motto is "no
laments". I want to be based in reality, live what is possible, and
while I am also an idealist, I do not care for fantasy. I can love a
guy and still see his faults, his scars, and just love him for what he
is, not for what he could be."
Marisa looked at her watch, and announced, "Please excuse us. Verdad
and I have to go. We have duties back at the commune. But this has been
wonderful, not at all what I had expected. You are true simpático
men, Jack and Dan". "I think both of you will learn to give up your
fantasies and discover that reality is better, happier, has more
meaning. I think you will find that women your own age can give you far
more pleasure and true companionship and durable happiness than you
believe, far more than anyone our age could give you. As a
good friend of mine once said 'We choose our own attractions. They are
in us and grow with us.' You will find I think you have more control
over your fantasies than you believe. We cannot grow up until we give
up our fantasies, our chasing after the impossible."
"Ah", said Verdad. "I have something else to give you, something our
friend Seppe made in the commune. Is either of you a gardener?" When
Jack nodded, she passed him a stone with these words engraved on it:
There are no shortcuts to
anywhere worth going.
"It is words by the diva Beverly Sills. Place it in your garden, Jack,
and when you and Dan are talking together about your struggles, you
will see it. It will give you strength. It will help you to move on.
It's time, I think, for you to move on."
With that the two young women rose, smiled, hugged the older men
(Marisa saying to each in Spanish and English, as she did, "Give more,
need less"), and they departed. The waiter came over with the bill, and
Jack and Dan just looked at each other, and shrugged. Jack paid the
bill and signalled his friend to follow him. "Time to move on", he said.
Many
thanks to my brother Alan, my sister-in-law Morva, dear friends Andrew
and Anona and Colleen and Melisa for their comments and ideas on this
story, and on its conclusion. Image: Lions Gate Studios, by my
neighbour Laura Tomona.
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