How
to be an artist: Jen Lemen
provides the 25 steps
to persevere and become an artist.
The step that goes with the picture at right: "Beware of words you put
on paintings. Two and a half years ago I made a postcard that I thought
would be lovely for random unknown sad people. It only took two years
for me to realize the person the postcard was meant for was me." This
is one for your fridge door (or to attach to your easel). There is no mastery;
there is only the practice.
Symbols
of the self: Gregory Lent is
writing a series on the symbols we use to represent ourselves. So far
he has three: The
tree (emergence),
the lotus (awareness),
the buddha (grace).
We
can be anything we can imagine ourselves to be.
Dow
at 4000, 60% drop for $US:
Just a part of Jim
Kunstler's gloomy predictions for 2009.
The
year of letting go: Geoff
Brown and I often seem to be in sync in the directions our lives are
headed. As the old year ended, I wrote about how
I had finally begun to learn to let go,
to give up control of my life, my feelings, my relationships, and most
of all my efforts to live up to others' expectations of me -- to be raw
and authentic and nobody-but-myself. This is the natural culmination of
my progression from setting intentions to simply doing the
nine things I am meant to do --
playing, learning, loving, conversing, giving ideas, time,
knowledge and capacity, self-managing, being present, writing
and reflecting -- and practicing doing them better, letting go of
outcome and trusting the process, trusting others, living in the
moment. And now Geoff has
declared "letting go" as his theme,
his approach, what he's pledged to pay more attention to in 2009. Stay
tuned -- you'll probably see Geoff and I riffing back and forth on this
(perhaps in a podcast) in the weeks to come.
Turning
across the walls: Nancy White
has often written and spoken about the importance of building bridges
-- between disconnected communities rich and poor, local and far away,
men and women, younger and older etc. Now she's thinking about "the
place between boundaries in communities or networks"
the place where nomads and bridge-builders and curious creatives hang
out, and about "how we navigate across them, and connect, disconnect
and reconnect with ideas, content and people in those transversing
practices". I'm trying to figure out how to picture these spaces
between boundaries -- big or cramped, thick-walled or amorphous -- and
how to visualize "transversing" (= latin, turning across).
What do they look like, do you think?
What's
at the core of skillful facilitation?:
Tree Bressen tries to name it: Love,
magic, energy, spirit, soul, presence.
She also uses the word gravity (=latin, heaviness),
keeping things on solid ground. At Art of Hosting we learned how to
juggle, which is also a useful metaphor for facilitation. To me the
core of facilitation is active attentive coaching,
helping a group in real time to keep moving forward towards their
intended goal. Think of a
parent teaching a child how to ride a bicycle.
Tree points out that a key purpose of facilitation is to help others
build resiliency, an essential survival skill for this complex and
turbulent century. Lots more wisdom in this post, too.
Heart
Poems: Cassandra
points us to a
lovely vignette about a heart,
and then to her colleague Dave Bonta's equally poetic heart-felt
reprise. Such brilliant lyrical
conversation is only possible thanks to the blogosphere.

The
world's smartest bird: Pete
McGregor's astonishing photographs
of
the NZ kea, and lots of other birds.
Just
for fun: Sheepdogs
protect penguin colony. Thanks
to Graham
Clark
for the link.
Thoughts
for the week:
Passing
the Millennium at Gurnard's Head by Dick Jones
PASSING THE MILLENNIUM AT
GURNARD’S HEAD
Those three horsemen spotted by the prophets
balked the jump. Their hour came and went:
no hooves beating down the dry stone walls,
just a bitter wind wrapping up the house.
Inside, ‘Auld Lang Syne’ and that choral counting
backwards, chanting out this year like it was
just another dead leaf burden to be kissed
into the fire. And then it was (implausibly) 2000
and they broke open the magnums. We stepped
outside, took the muddy path to the field’s edge.
So quiet at first. The wild world’s calm indifference:
cattle hunched clumsy by the bulky walls;
an owl that hooted once; the whisper of the gorse,
thorn against thorn, stones rasping underfoot.
And then, sensed first as restless space, then heard
as a presence inside silence, the black Atlantic,
breathing deep, breathing deep across the parabola
and beyond. While Gurnard’s Head gazed inland,
uninvolved, one more optimistic tide clambered
over cobbles way below. Out in the long darkness
it pulled, pulled, lingering on rocks and sand:
‘Reverse the narrative’, it seethed.
‘Turn back time
return to source’. The message cackled
in the shingle, boomed along the shore. We waited
in the rattling night one full hour into the millennium.
But nothing shifted, tilted, slipped or fell away.
Wind and sea, implacable land, unyielding
dark. So we climbed back up the slope
to the silent house, slept briefly and woke to a
blustery dawn. And a voice inside the wind laughed
in formless vowels; and a brief shape-changing
cloud-face grinned across the unaltered world
The
End of the World, by João Cabral de Melo Neto (tr. James
Wright)
THE END OF THE WORLD
At the end of the melancholy world
men read the newspapers.
Men indifferent to eating oranges
that flame like the sun.
They gave me an apple to remind me
of death. I know that cities telegraph
asking for kerosene. The veil I saw flying
fell in the desert.
No one will write the final poem
about this particular twelve o'clock world.
Instead of the last judgment, what worries me
is the final dream.
Goldfish
Dream, by Sam Candide
GOLDFISH DREAM
Routine makes a perfect survival tool
for when you are lost in fog,
but when the fog begins to lift
it seems an endless death of sameness.
Memories of dreams offer some relief,
when they will linger and be fastened
like butterfly shards in the book of dreams.
Last night's dream was a bewildering epic
of magical realism, realer and more magical than most.
Embedded in the horror and distress I fought through,
most of the dream was a central image
that seemed unrelated
to the complicated plotlines on either side:
I remembered I owned a goldfish;
I looked over (in the dim scary house I was trapped in)
and noticed it barely surviving in its bowl.
It was fat and gleaming, yet it gasped and listed a little:
how long since I'd fed it anything?
Interspersed with the other plots and diversions, then--
my quest for fish-food.
I found food for cats, food for dogs, none for fish.
At last I stood across the street from a large supermarket,
waiting for the cross traffic to part, when lo! there came the fish
swimming in midair up the street, over the tops of the cars.
It swelled, it was like a Macy's parade balloon
untied and on a mission.
As it approached it got larger and larger,
and I realized my fish had died in its little bowl
and this was its spirit.
I called out Wait! Wait! I'm getting
you food!
Give me one more minute!
But the goldfish soul was oblivious,
and as it drew even with me
it lifted higher into the air and made for heaven,
growing larger and more transparent the higher it got
until it had dissipated completely,
like a fading golden cloud.
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