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		<title>Dave Pollard: Music, Film, Literature, Television and the Arts</title>
		<link>http://blogs.salon.com/0002007/categories/musicFilmLiteratureTelevisionAndTheArts/</link>
		<description>&lt;small&gt;Dave Pollard&apos;s essays and reviews of literature, the arts, and science.&lt;/small&gt;</description>
		<copyright>Copyright 2008 Dave Pollard</copyright>
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			<title>CCK08: Connectivism and the Challenge of Making Connections in Vast and Complex Networks</title>
			<link>http://blogs.salon.com/0002007/categories/musicFilmLiteratureTelevisionAndTheArts/2008/10/31.html#a2275</link>
			<description>&lt;table style=&quot;text-align: left; width: 100%;&quot; border=&quot;0&quot; cellpadding=&quot;2&quot; cellspacing=&quot;2&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td valign=&quot;undefined&quot; align=&quot;undefined&quot;&gt;&lt;img style=&quot;width: 250px; height: 227px; float: right;&quot; alt=&quot;invitation&quot; src=&quot;http://blogs.salon.com/0002007/images/invitation.jpg&quot; vspace=&quot;6&quot; hspace=&quot;6&quot;&gt;&lt;big&gt;&lt;big&gt;&lt;big&gt;W&lt;/big&gt;&lt;/big&gt;&lt;/big&gt;e&apos;re now 2/3 the way through the 12-week &lt;a href=&quot;http://ltc.umanitoba.ca:83/wiki/Connectivism#Week_8:_Power.2C_control.2C_validity.2C_and_authority_in_distributed_environments_.28October_27-November_2.29&quot;&gt;MOOC (online course) on Connectivism and Connective Knowledge&lt;/a&gt;.
Next week we get into the role of the teacher and the future of
education in an online, connected world, and I&apos;ll have a lot to say
about that. But while there has been some discussion about complexity
in this course, we have made little progress in dealing with the
ultimate question that I think this course raises:&lt;br&gt;&lt;br&gt;&lt;div style=&quot;margin-left: 40px;&quot;&gt;&lt;span style=&quot;font-style: italic;&quot;&gt;In
a world with a billion people online, connected in multiple and
unfathomably complex ways, how do you find, and then connect, with just
the right people to do what you need to do? &lt;/span&gt;&lt;/div&gt;&lt;br&gt;Here&apos;s a summary of some of the ideas I&apos;ve written about on this blog about how to do this:&lt;br&gt;&lt;ol&gt;&lt;li&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;Know yourself well&lt;/span&gt;,
so you really know what you&apos;re looking for in a partner (in enterprise,
in community, or whatever). You can&apos;t find the right people until you
know what you&apos;re looking for.&lt;/li&gt;&lt;li&gt;&lt;span style=&quot;font-weight: bold; color: rgb(153, 0, 0);&quot;&gt;Get attention by saying or doing something important or interesting&lt;/span&gt;.
Articulate an unrecognized need or a creative idea or a provocative
possibility or an intriguing offer. Do something bold and imaginative.
Make something truly novel that the world needs (a prototype will do).
This is not easy, but if you can get people&apos;s attention, you are more
likely to have the people you need to find, seek &lt;span style=&quot;font-style: italic;&quot;&gt;you&lt;/span&gt; out and connect with you.&lt;/li&gt;&lt;li&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;Craft an invitation.&lt;/span&gt;
Write up something compelling and send it out to as many people as
possible, asking them to forward it to others. The people who accept
your invitation will be the right people.&lt;/li&gt;&lt;li&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;Get out there and have a lot of conversations and collaborations.&lt;/span&gt;
Sometimes you have to kiss a lot of frogs before you find a prince. So
join groups that will expose you to people with common interests, and
converse and work with their members. The more people you talk with,
seriously, about things that matter to you, the more people you are
likely to find who share your passions and your purpose -- the people
you are meant to make a life or a living with, or just work together
with on an important project.&lt;/li&gt;&lt;li&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;Be loving and generous.&lt;/span&gt;
Great collaborations and partnerships have great chemistry. Open
yourself up to that chemistry, and let others know you are open to it.&amp;nbsp;&lt;/li&gt;&lt;li&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;Be attentive.&lt;/span&gt;
The people who can make a difference in your life, on your project, and
in the world are often not the people you would expect. Listen, watch,
feel what&apos;s being felt but not said, draw people out.&amp;nbsp;&lt;/li&gt;&lt;li&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;Seek diversity.&lt;/span&gt;
The wisdom of crowds demands diverse perspectives, ideas, ways of
thinking. Echo chambers are terrible places to generate new ideas and
ways of thinking.&lt;/li&gt;&lt;li&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;Draw on the strength of weak links.&lt;/span&gt;
The people you seek may well be two or three degrees of separation from
the people in your immediate networks. Ask the people you know who they
know that fit what you&apos;re looking for.&lt;/li&gt;&lt;/ol&gt;This is a big list, but
it&apos;s an unsatisfying one. A lot of people are doing these things, yet
finding people this way still seems very much a hit-and-miss
proposition. &lt;br&gt;&lt;br&gt;What else do you know that works? How do you find the right people? Where do you look?&lt;br&gt;&lt;br&gt;&lt;div style=&quot;text-align: right;&quot;&gt;&lt;small&gt;Category: &lt;a href=&quot;http://blogs.salon.com/0002007/stories/2003/05/13/artsLiteratureScienceTechnologyTableOfContents.html#11a&quot;&gt;Communication&lt;/a&gt;&lt;/small&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;</description>
			<guid>http://blogs.salon.com/0002007/categories/musicFilmLiteratureTelevisionAndTheArts/2008/10/31.html#a2275</guid>
			<pubDate>Sat, 01 Nov 2008 01:05:38 GMT</pubDate>
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			<title>Links of the Week - Saturday/Sunday October 25-26, 2008: The Sacred Places Edition</title>
			<link>http://blogs.salon.com/0002007/categories/musicFilmLiteratureTelevisionAndTheArts/2008/10/26.html#a2271</link>
			<description>&lt;table style=&quot;text-align: left; width: 100%;&quot; border=&quot;0&quot; cellpadding=&quot;2&quot; cellspacing=&quot;2&quot;&gt;
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&lt;tr&gt;
&lt;td valign=&quot;undefined&quot; align=&quot;undefined&quot;&gt;&lt;img alt=&quot;tom toles halloween&quot; src=&quot;http://blogs.salon.com/0002007/images/tomtoleshalloween.jpg&quot; vspace=&quot;6&quot; hspace=&quot;6&quot;&gt;&lt;br&gt;
&lt;small&gt;&lt;span style=&quot;font-style: italic;&quot;&gt;Cartoonist
Tom Toles shows us this year&apos;s scariest Hallowe&apos;en costume. Thanks to
my daughter Tiffany for the link.&lt;/span&gt;&lt;/small&gt;&lt;br&gt;
&lt;br&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;
The Power of Place:&lt;/span&gt; My friend Amy Lenzo is working on a four-woman
project called The Power of Place with the Collective Wisdom Initiative
&lt;a href=&quot;http://www.beautydialogues.com/2008/10/post-2.html&quot;&gt;to discover &apos;transformational&apos; meeting places, where collaborative work
just works better&lt;/a&gt;.
Bowen Island, which is the first such place that comes to mind for me,
is already on their map. Their plan is to identify the principles and
practices that make such space work (a kind of pattern language
exercise) and then see if they can be extended to create such places
virtually. Brilliant project! If you have thoughts on this, &lt;a href=&quot;http://www.collectivewisdominitiative.org/places.htm&quot;&gt;post your comments to CWI&lt;/a&gt;. Specifically they want to know:&lt;br&gt;&lt;ul&gt;&lt;li&gt;
Where are these meeting places
that have demonstrated their transformational influence?&amp;nbsp;&lt;/li&gt;&lt;li&gt;What are the characteristics and qualities they demonstrate? &lt;/li&gt;&lt;li&gt;
How do they contribute to experiences of transformation and
generativity?&lt;/li&gt;&lt;li&gt;
What is the potential of transformational meeting places&amp;#151; if
made visible worldwide &amp;#151; collectively committed to service in
the world?&lt;/li&gt;&lt;/ul&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;Being Poor: &lt;/span&gt;Three years ago John Scalzi wrote an extraordinary (and suddenly timely) article about &lt;a href=&quot;http://whatever.scalzi.com/2005/09/03/being-poor/&quot;&gt;the agony of poverty, and what it means, every day, to your sense of hope and self-esteem&lt;/a&gt;. Thanks to my Alaskan friend &lt;a href=&quot;http://www.chrislott.org/&quot;&gt;Chris Lott&lt;/a&gt; for the link.&lt;br&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;The Most Radical Thing You Can Do: &lt;/span&gt;&amp;nbsp;&lt;a href=&quot;http://www.orionmagazine.org/index.php/articles/article/3628&quot;&gt;The most radical thing you can do, says Rebecca Solnit in Orion, quoting Gary Snyder, is &lt;span style=&quot;font-style: italic;&quot;&gt;stay home&lt;/span&gt;&lt;/a&gt;.
Live there, create work there, connect there, build new bottom-up
authentic community there. Stop driving and flying and running away and
make things work right where you are. It&apos;s your right, and your
responsibility.&lt;br&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;Silence Like Scouring Sand: &lt;/span&gt;Also from Orion, Kathleen Dean Moore writes a lovely article on the attempt to make some places free from all human noise. &lt;a href=&quot;http://www.orionmagazine.org/index.php/articles/article/3627&quot;&gt;Just &lt;span style=&quot;font-style: italic;&quot;&gt;listen&lt;/span&gt;&lt;/a&gt;:&lt;br&gt;&lt;br&gt;&lt;div style=&quot;margin-left: 40px;&quot;&gt;&lt;small&gt;How
shall I describe the beauty of this place? It&amp;#146;s an open glade, like the
nave of a cathedral, carpeted in deep green moss and deer ferns. There
are huckleberry bushes, their bare green branches standing in the rosy
litter of their own fallen leaves. The bunchberry leaves have turned
red, but the wood sorrel is intensely green. From the forest floor, the
columns of the trees rise impossibly high, closing at last in a vaulted
green ceiling. Everything glitters with scattering rain. Even the air
twinkles, as if it were champagne.&lt;br&gt;&lt;br&gt;And what do I hear? A tiny
lisp&amp;#151;a bushtit maybe. Tick, tap, pock of waterdrops, different sounds
for every surface they strike. I hear a drop of water pop when it hits
a maple leaf forty feet way. There is the faraway rustle of the river.
Time passes, unmeasured. Then the quiet is filled with the clatter of a
bald eagle, a sound like stones shaken in a tin pot. Sitting on his
heels in the damp moss, Gordon grins, but doesn&amp;#146;t speak.&lt;br&gt;&lt;br&gt;Next to
him, almost hidden under the log, is a small metal canister. This is
the Jar of Quiet Thoughts. Gordon put it here, an invitation to people
who visit One Square Inch to record their responses to the silence. I
open the jar and pull out crumpled scraps of paper. Many wrote of love.
One couple came here to be married, a person came to pray, another
found deep connection here, in the call of a thrush. Others wrote of
wonder, to hear the voices of the deep quiet. I realize that One Square
Inch has become a sacred place&amp;#151;silence has made it so. Quiet is a kind
of reverence.&lt;br&gt;&lt;br&gt;A small wind shakes a huckleberry bush. A crow
calls from the crown of an alder. A hemlock needle falls on my
shoulder, and I turn, astonished to have heard it land.&amp;nbsp; &lt;/small&gt;&lt;/div&gt;&lt;br&gt;&lt;img alt=&quot;us financial debt gap&quot; src=&quot;http://blogs.salon.com/0002007/images/usfinancialdebtsgap.jpg&quot; vspace=&quot;6&quot; hspace=&quot;6&quot;&gt;
&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;&lt;br&gt;Deeper in Debt:&lt;/span&gt; My friend Rob Paterson has posted the scary chart above showing &lt;a href=&quot;http://smartpei.typepad.com/robert_patersons_weblog/2008/10/another-view-of-the-credit-squeeze---oooh.html&quot;&gt;the gap between household financial assets and financial liabilities in the US&lt;/a&gt;. That&apos;s minus &lt;span style=&quot;font-style: italic;&quot;&gt;$4 trillion&lt;/span&gt;, folks, and this was before the recent housing and stock market collapses. &lt;br&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;...But They Still Don&apos;t Get It:&lt;/span&gt; Bush economist Greg Mankiw admits that the IMF and other deniers of &lt;a href=&quot;http://www.nytimes.com/2008/10/26/business/26view.html?th&amp;amp;emc=th&quot;&gt;the possibility of another Great Depression on the horizon&lt;/a&gt;
are oblivious to the 1929 patterns forming, and the lessons of history.
I&apos;ve asserted, for the record, that I think such a depression is still
a couple of decades off, though we&apos;re going to have some grim times
ahead before then. What astounds me are the dreamers who still expect
the economy to bottom out, turn around, and resume perpetual growth
imminently.&lt;br&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;Shrinking Our Way to Survival:&lt;/span&gt; New research shows that, &lt;a href=&quot;http://www.commondreams.org/view/2008/10/24-5&quot;&gt;to
achieve CO2 reductions needed to avert climate catastrophe, we need to
shrink the global economy by between 1 and 3 1/2 percent every year
through 2050&lt;/a&gt;. The recent contraction in affluent nations, if we embraced it instead of panicking over it, could move us along that path, &lt;span style=&quot;font-style: italic;&quot;&gt;provided&lt;/span&gt;
(and this is a huge &apos;provided&apos;) the rich and powerful (who received
almost all the incremental wealth in the last 40 years), do most of the
shrinking over the next 40, and restore some level of equity to our
society and economy.&lt;br&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;Canada Dumps Toxic Asbestos in Struggling Nations:&lt;/span&gt; &lt;a href=&quot;http://www.treehugger.com/files/2008/10/canada-exports-promotes-asbestos.php&quot;&gt;Canada remains the only affluent nation that still hasn&apos;t banned the use and export of asbestos&lt;/a&gt;, which has horrific health consequences for both producers and users, and the &lt;a href=&quot;http://www.cbc.ca/health/story/2008/10/20/asbestos-editorial.html&quot;&gt;right-wing Canadian minority government is working hand in glove with the asbestos industry this week to keep it that way&lt;/a&gt;. Shameful. Thanks to Graham Clark for the link.&lt;br&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;The Law, American Style: &lt;/span&gt;So
let me get this straight: The &quot;tough on crime&quot; Bush administration
supports &quot;three strikes&quot; laws allowing repeat offenders to be
imprisoned for life, and supports capital punishment for a host of
crimes, but if they, in their absolute discretion, decide that
something in the law (like a prohibition on torture or extraordinary
rendition) is not to their liking they just need to write a &quot;signing
statement&quot; exempting themselves from it. So the President, charged with
upholding the law, is above the law, and the constitution doesn&apos;t apply
to him. &quot;&lt;a href=&quot;http://www.nytimes.com/2008/10/25/washington/25legal.html?_r=1&amp;amp;th&amp;amp;emc=th&amp;amp;oref=slogin&quot;&gt;The Bush administration has informed Congress that it is bypassing a
law intended to forbid political interference with reports to lawmakers
by the Department of Homeland Security&lt;/a&gt;.&quot; Can someone explain to me why for that reason alone this whole regime is not in jail?&lt;br&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;Credit Default Swaps: 55 Trillion Dollar Time Bomb:&lt;/span&gt;
Even the head of the SEC says the completely unregulated CDS market has
played a big role in the collapse of financial markets, and &lt;a href=&quot;http://www.nytimes.com/2008/10/19/opinion/19cox.html?th&amp;amp;emc=th&quot;&gt;could yet undo the trillion dollar patch we&apos;ve placed on the wound&lt;/a&gt;,
unless it&apos;s properly regulated, and fast. And even Alan Greenspan is
now basically admitting that &quot;self-regulated&quot; markets are &lt;span style=&quot;font-style: italic;&quot;&gt;un&lt;/span&gt;regulated, rogue markets, a colossal failure of policy and political will, and a catastrophic mistake.&lt;br&gt;
&lt;br&gt;&lt;br&gt;&lt;span style=&quot;font-weight: bold;&quot;&gt;Just for Fun:&lt;/span&gt; Two wonderful and inspiring and lovingly crafted songs on YouTube. From the UK&apos;s Imogen Heap, the &lt;a href=&quot;http://www.youtube.com/watch?v=eKZsZkH_MJc&quot;&gt;wonderful anti-procrastination song Headlock&lt;/a&gt;. And (thanks Patti for the link) from Tracy Chapman, the &lt;a href=&quot;http://www.youtube.com/watch?v=crTc1V34m8g&amp;amp;feature=related&quot;&gt;romantic and moving song The Promise&lt;/a&gt;.&lt;br&gt;&lt;br&gt;&lt;span style=&quot;font-weight: bold;&quot;&gt;Thought for the Week:&lt;/span&gt; From the writer&apos;s preface to the &lt;a href=&quot;http://74.125.95.104/search?q=cache:x8lKDUYSBNgJ:www.lordleebrick.com/learnmore.html+%22each+of+us+is+like+a+planet%22&amp;amp;hl=en&amp;amp;ct=clnk&amp;amp;cd=1&amp;amp;gl=ca&amp;amp;client=firefox-a&quot;&gt;controversial play Doubt by John Patrick Shanley&lt;/a&gt; (thanks to &lt;a href=&quot;http://treegroup.info/&quot;&gt;Tree&lt;/a&gt; for the link):&lt;br&gt;&lt;br&gt;&lt;div style=&quot;margin-left: 40px;&quot;&gt;What
is Doubt? Each of us is like a planet. There&apos;s the crust, which seems
eternal. We are confident about who we are. If you ask, we can readily
describe our current state. I know my answers to so many questions, as
do you. What was your father like? Do you believe in God? Who&apos;s your
best friend? What do you want? Your answers are your current
topography, seemingly permanent, but deceptively so. Because under that
face of easy response, there is another You. And this wordless Being
moves just as the instant moves; it presses upward without explanation,
fluid and wordless, until the resisting consciousness has no choice but
to give way.&lt;/div&gt;
&lt;/td&gt;
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			<guid>http://blogs.salon.com/0002007/categories/musicFilmLiteratureTelevisionAndTheArts/2008/10/26.html#a2271</guid>
			<pubDate>Mon, 27 Oct 2008 02:28:41 GMT</pubDate>
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			<title>This is Who I Am, Now</title>
			<link>http://blogs.salon.com/0002007/categories/musicFilmLiteratureTelevisionAndTheArts/2008/10/22.html#a2269</link>
			<description>&lt;table style=&quot;text-align: left; width: 100%;&quot; border=&quot;0&quot; cellpadding=&quot;2&quot; cellspacing=&quot;2&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td valign=&quot;undefined&quot; align=&quot;undefined&quot;&gt;&lt;img style=&quot;width: 450px; height: 333px;&quot; alt=&quot;dave pollard portrait 6&quot; src=&quot;http://blogs.salon.com/0002007/images/portrait6.jpg&quot; vspace=&quot;6&quot; hspace=&quot;6&quot;&gt;&lt;br&gt;&lt;big&gt;&lt;big&gt;&lt;big&gt;I&lt;/big&gt;&lt;/big&gt;&lt;/big&gt; confess that my &lt;a href=&quot;http://blogs.salon.com/0002007/2008/10/20.html#a2267&quot;&gt;rambling post&lt;/a&gt;
on Monday was my way of thinking through what I wanted to say in this
one. Over the past couple of years, after transforming the way I lived
as a result of my serious illness, I have learned an enormous amount
about myself, and in the process, about other people, about the way the
world really works, and about how we might live and make a living
better. As a consequence, this is who I am, now:&lt;br&gt;&lt;br&gt;I am, as I have
become fond of saying, a space through which stuff passes. Like all
animals, I am in substance a container, a water-filled bag of
self-organizing, self-managing, interdependent creatures that have
evolved this container as an effective means for &lt;span style=&quot;font-style: italic;&quot;&gt;their&lt;/span&gt;
survival, health, mobility, and comfort. This staggeringly-complex
container, including the brain and senses these creatures evolved as &lt;span style=&quot;font-style: italic;&quot;&gt;their&lt;/span&gt;
feature-detection system, is wonderful, and it brings them great joy. I
am happy for them, and honoured to represent them to the rest of the
world. They are very clever, these creatures who constantly tell &apos;me&apos;
what to do. They have a million years of knowledge in their DNA, and
they are almost invariably right in the billions of decisions they make
for me. This despite the fact that the unnatural world that has evolved
in the last few millennia is utterly different from the world their
knowledge is adapted to, so they need to be improvisational as well as
instinctive. And they are.&lt;br&gt;&lt;br&gt;What they tell me to do, most of the
time, is engage in nine activities that suit their purposes, allow me
to coexist with other humans in this terribly overcrowded and
overstressed world, and amuse me in the process. I told you they were
clever! These nine activities:&lt;br&gt;&lt;br&gt;&lt;table style=&quot;background-color: rgb(244, 244, 231); width: 90%; text-align: left; margin-left: auto; margin-right: auto;&quot; border=&quot;1&quot; cellpadding=&quot;2&quot; cellspacing=&quot;0&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style=&quot;text-align: center; font-style: italic;&quot;&gt;playing&lt;/td&gt;&lt;td style=&quot;text-align: center; font-style: italic;&quot; valign=&quot;undefined&quot;&gt;learning&lt;/td&gt;&lt;td style=&quot;text-align: center; font-style: italic;&quot; valign=&quot;undefined&quot;&gt;loving&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style=&quot;text-align: center; font-style: italic;&quot; valign=&quot;undefined&quot;&gt;conversing&lt;/td&gt;&lt;td style=&quot;text-align: center; font-style: italic;&quot; valign=&quot;undefined&quot;&gt;giving (ideas, &lt;br&gt;knowledge, competencies)&lt;/td&gt;&lt;td style=&quot;text-align: center; font-style: italic;&quot; valign=&quot;undefined&quot;&gt;self-managing&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style=&quot;text-align: center; font-style: italic;&quot; valign=&quot;undefined&quot;&gt;being present&lt;/td&gt;&lt;td style=&quot;text-align: center; font-style: italic;&quot; valign=&quot;undefined&quot;&gt;writing&lt;/td&gt;&lt;td style=&quot;text-align: center; font-style: italic;&quot; valign=&quot;undefined&quot;&gt;reflecting&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br&gt;I
used to do these and other things with specific goals and intentions in
mind, but I&apos;ve come to realize that I do best when I let go of outcomes
and just focus on practicing these nine things, making time and space
for them, getting a little better all the time -- and when I do, the
right outcomes seem to emerge automatically. So now I spend most of my
waking hours practicing these things. This is what I do.&lt;br&gt;&lt;br&gt;In
spending my life doing these things, I have grown astonishingly and
almost continuously happy. After fifty years mostly filled with anxiety
and depression, I am lighter than air, filled with joy every day. I am
becoming, inexorably, what I was always meant to be, and it is a
wonderful journey. The grief I feel for Gaia is always with me, a part
of me, but now it is my strength, my connection, my understanding, and
it no longer saps me. I know I cannot save the world from the dreadful
extinction that&apos;s begun, yet I know that what I do, now, is making a
positive difference, and has made and will make the world a better
place. It&apos;s all I can do, and I&apos;m proud of it, and of me.&lt;br&gt;&lt;br&gt;I have developed a consistent approach to doing all of these things, that seems to make me a better practitioner of them:&lt;br&gt;&lt;br&gt;&lt;table style=&quot;background-color: rgb(244, 244, 231); width: 90%; text-align: left; margin-left: auto; margin-right: auto;&quot; border=&quot;1&quot; cellpadding=&quot;2&quot; cellspacing=&quot;0&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style=&quot;vertical-align: middle;&quot;&gt;&lt;span style=&quot;font-style: italic;&quot;&gt;Sense:&lt;/span&gt; &lt;br&gt;
            &lt;span style=&quot;font-style: italic;&quot;&gt;&lt;/span&gt;
            &lt;/td&gt;&lt;td valign=&quot;undefined&quot; align=&quot;undefined&quot;&gt;&lt;small&gt;Observe, listen,
pay attention, focus, open up your senses, perceive everything that has
a bearing on the issue at hand. Connect.&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td valign=&quot;undefined&quot; align=&quot;undefined&quot;&gt;&lt;span style=&quot;font-style: italic;&quot;&gt;Self-control:&lt;/span&gt;&lt;/td&gt;&lt;td valign=&quot;undefined&quot; align=&quot;undefined&quot;&gt;&lt;small&gt;&lt;span style=&quot;font-style: italic;&quot;&gt;&lt;/span&gt;Don&apos;t prejudge or jump to conclusions. Don&apos;t lose your cool. Focus.&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td valign=&quot;undefined&quot; align=&quot;undefined&quot;&gt;&lt;span style=&quot;font-style: italic;&quot;&gt;Understand: &lt;/span&gt;&lt;/td&gt;&lt;td valign=&quot;undefined&quot; align=&quot;undefined&quot;&gt;&lt;small&gt;Make sure you have
the facts and appreciate the context. Things are the way they are for a
reason. Know what that reason is. Sympathize.&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td valign=&quot;undefined&quot; align=&quot;undefined&quot;&gt;&lt;span style=&quot;font-style: italic;&quot;&gt;Question: &lt;/span&gt;&lt;/td&gt;&lt;td valign=&quot;undefined&quot; align=&quot;undefined&quot;&gt;&lt;small&gt;Ask, don&apos;t tell. Challenge. Think critically.&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td valign=&quot;undefined&quot; align=&quot;undefined&quot;&gt;&lt;span style=&quot;font-style: italic;&quot;&gt;Imagine:&lt;/span&gt;&lt;/td&gt;&lt;td valign=&quot;undefined&quot; align=&quot;undefined&quot;&gt;&lt;small&gt;Picture, hear, feel what &lt;span style=&quot;font-style: italic;&quot;&gt;could be&lt;/span&gt;. Be visionary. Every problem is an opportunity. Anything is possible.&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td valign=&quot;undefined&quot; align=&quot;undefined&quot;&gt;&lt;span style=&quot;font-style: italic;&quot;&gt;Offer:&lt;/span&gt;&lt;/td&gt;&lt;td valign=&quot;undefined&quot; align=&quot;undefined&quot;&gt;&lt;small&gt;Consider. Give something away. Create options, new avenues to explore. Suggest possibilities. Lend a hand. Help. &lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td valign=&quot;undefined&quot; align=&quot;undefined&quot;&gt;&lt;span style=&quot;font-style: italic;&quot;&gt;Collaborate:&lt;/span&gt;&lt;/td&gt;&lt;td valign=&quot;undefined&quot; align=&quot;undefined&quot;&gt;&lt;small&gt;Create something
together. Solve a problem with a collective answer better than any set
of individual answers. Learn to yield, to build on, to bridge, to adapt
your thinking.&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br&gt;My
&quot;sweet spot&quot;, what I do uniquely well and love doing which is of use to
others, is to facilitate self-understanding and self-change, in myself
and others, by imagining possibilities. Imagining possibilities greatly
enriches the quality and pleasure of all nine of the things I do. What
is then done with those possibilities is not of great concern to me --
I&apos;m an idealist, not a realist, and I&apos;m not very practical, coordinated
or good with details. I&apos;m a dreamer, which can be a problem. I&apos;ve been
known to walk into trees.&lt;br&gt;&lt;br&gt;I&apos;m also somewhat self-preoccupied. I
love to love, and be in love, and give things to people, and play, and
converse, and these are very social activities, but I confess they&apos;re
very selfish. Being loved, being understood, having the things I give
to people appreciated, are not really important to me at all. If the
people I love and converse with and play with don&apos;t get what they want
from interaction with me, then that&apos;s fine, I will find others to be
with, no problem, and I hope they find what they seek from others, too.
I&apos;m like a child, impatient, easily distracted. Love (all five types of
it) is the addiction the creatures who make up &apos;me&apos; have chosen to give
me -- there is never too much of that exquisite chemical rush of
arousal, euphoria, bliss, affection, delight, pleasure and
appreciation. Yet strangely, for reasons that I can&apos;t fathom, I don&apos;t
really &lt;span style=&quot;font-style: italic;&quot;&gt;like&lt;/span&gt; people that much
-- given a choice, I generally and consistently prefer the company of
wilder creatures. The truth is I love the people I imagine those I love
to be, not who they really are (if I could ever know who they really
are). Yet those I love rarely disappoint me as I learn more about them
-- my ability to imagine them as more lovable still is limitless and
incorrigible. &lt;br&gt;&lt;br&gt;I do have a problem with neediness. Although no
one believes me when I say it, I don&apos;t think I have any (one-on-one
social) needs myself. And for whatever reason, I tend to disengage when
I am with others who profess or appear to need something from me
personally. Call it a fear of intimacy or commitment or responsibility,
it is what it is. I don&apos;t want to be needed; it makes me feel trapped.
I have to be free. Perhaps it&apos;s because I&apos;m working hard to become more
authentically myself, to be nobody-but-myself, so that when someone
needs or expects something from me I fear they&apos;ll make me
everybody-else in the process of being what they need or expect me to
be. I try to warn people about this (I tell them I am polyamorous, and
lazy, explain about compersion, and warn them of my selfishness and
insensitivity and intolerance of neediness and expectation) but I still
end up hurting people, which does make me unhappy. I try to be
absolutely honest and yet gentle with others, and I have no tolerance
for dishonest or cruel people. Maybe I need to wear a sign.&lt;br&gt;&lt;br&gt;That&apos;s
not to say that I don&apos;t need other people in order to be healthy and
happy and to do many of the nine things I do. I just don&apos;t need any &lt;span style=&quot;font-style: italic;&quot;&gt;specific&lt;/span&gt;
person to do these things. The more people I love, talk with, and am in
community with, the happier and more social I become. I like to spread
myself around, probably too thin for others&apos; benefit, but then I
already admitted I&apos;m selfish. That doesn&apos;t prevent me from being
generous, but only if you don&apos;t need or expect it of me. Let&apos;s play,
talk, learn, share, love together, but then let me go and I&apos;ll let you
go. I&apos;ll see you again when our paths next cross, and we can do it all
again. And I need time alone, too, to reflect and recharge, and time in
nature, away from the cities and suburbs and farms that become each day
more alien and atrocious to me.&lt;br&gt;&lt;br&gt;Last month I wrote:&lt;br&gt;&lt;br&gt;&lt;div style=&quot;margin-left: 40px;&quot;&gt;I am just &lt;a href=&quot;http://blogs.salon.com/0002007/2008/06/19.html#a2177&quot;&gt;the space through which stuff passes&lt;/a&gt;, a part of the unfathomably complex dance of all-life-on-Earth. A part of that dance, it seems to me, is learning &lt;span style=&quot;font-style: italic;&quot;&gt;to improvise which of that passing-through stuff to touch, and which to just let go&lt;/span&gt;.
It&apos;s not a choice, so much as a knowing, a collective and connected
knowing, an instinctive and sensual knowing. &quot;Ah, I know how I can make
&lt;span style=&quot;font-style: italic;&quot;&gt;this&lt;/span&gt; better, or clearer, or more interesting, or more useful, or more innovative, or more fun -- &lt;span style=&quot;font-style: italic;&quot;&gt;there!&lt;/span&gt;&quot; Like the expert who just knows, from practice, where the puck or ball is going to be, I&apos;m learning, perpetually, to be &lt;span style=&quot;font-style: italic;&quot;&gt;there&lt;/span&gt;, to do that stuff I do that helps just a little bit, to know what to do and to have fun doing it.&lt;br&gt;&lt;br&gt;The
wild creatures whose world I increasingly share understand this well,
and it will take a lifetime of practice to become half as wise as they
are in the arts of living, and making a living, and being of use, and
being happy, without even trying. Just being the space, and touching
the right stuff in just the right way as it passes through.&lt;/div&gt;&lt;br&gt;This is who I am, now.&lt;br&gt;&lt;br&gt;&lt;div style=&quot;text-align: right;&quot;&gt;&lt;small&gt;Category: &lt;a href=&quot;http://blogs.salon.com/0002007/stories/2003/05/13/artsLiteratureScienceTechnologyTableOfContents.html#14b&quot;&gt;Human Nature&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/small&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-weight: bold;&quot;&gt;Postscript:&lt;/span&gt; &lt;span style=&quot;font-weight: bold;&quot;&gt;Where I&apos;ll Be This Weekend Oct 24-26:&lt;/span&gt; &lt;a style=&quot;font-style: italic;&quot; href=&quot;http://www.connectingforchange.org/&quot;&gt;Bioneers By the Bay Sustainable Enterprise Conference in New Bedford MA&lt;/a&gt;&lt;span style=&quot;font-style: italic;&quot;&gt;. If you&apos;re going to be there let me know!&lt;/span&gt;&lt;br&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;</description>
			<guid>http://blogs.salon.com/0002007/categories/musicFilmLiteratureTelevisionAndTheArts/2008/10/22.html#a2269</guid>
			<pubDate>Thu, 23 Oct 2008 03:10:12 GMT</pubDate>
			<comments>http://rcs.salon.com/rcsComments/comments?u=2007&amp;amp;p=2269&amp;amp;link=http%3A%2F%2Fblogs.salon.com%2F0002007%2F2008%2F10%2F22.html%23a2269</comments>
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			<title>What Makes Us &quot;Us&quot;</title>
			<link>http://blogs.salon.com/0002007/categories/musicFilmLiteratureTelevisionAndTheArts/2008/10/20.html#a2267</link>
			<description>&lt;table style=&quot;text-align: left; width: 100%;&quot; border=&quot;0&quot; cellpadding=&quot;2&quot; cellspacing=&quot;2&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td valign=&quot;undefined&quot; align=&quot;undefined&quot;&gt;&lt;img style=&quot;border: 1px solid ; width: 550px; height: 334px;&quot; alt=&quot;chemistry of love 2&quot; src=&quot;http://blogs.salon.com/0002007/images/chemistryoflove2.jpg&quot; vspace=&quot;6&quot; hspace=&quot;6&quot;&gt;&lt;br&gt;&lt;big&gt;&lt;big&gt;&lt;big&gt;L&lt;/big&gt;&lt;/big&gt;&lt;/big&gt;ast year I wrote a 2-part article on &lt;a href=&quot;http://blogs.salon.com/0002007/2007/11/05.html&quot;&gt;The Chemistry of Love&lt;/a&gt;.
It describes (a) the four self-reinforcing chemicals that make us &quot;fall
in love&quot; emotionally (phenylethylamine, dopamine, norepinephrine* and
oxytocin), (b) the chemicals that produce erotic feelings (testosterone
and estrogens), and (c) the &quot;attachment&quot; chemicals that keep us
attracted to love partners after the &quot;falling in love&quot; chemicals wear
off (endorphins).&lt;br&gt;&lt;br&gt;For most creatures, including humans, nature
cycles us through these chemicals to encourage us to procreate
regularly, responsibly, and (to encourage diversity of the gene pool)
polyamorously. The cycle lasts approximately four years:&lt;br&gt;&lt;ul&gt;&lt;li&gt;the
&quot;falling in love&quot; hormones are secreted at the start of this cycle, and
they endure only long enough to maximize the probability of procreation
(any longer than that and they would detract from our paying attention
to the needs of the community)&lt;/li&gt;&lt;li&gt;the erotic hormones are synchronized to the reproductive cycle of the lovers, to maximize the probability of conception&lt;/li&gt;&lt;li&gt;as
the effect of the &quot;falling in love&quot; hormones naturally wears off,
endorphins (opiates) are produced to replace them, as the ecstasy of
early love is replaced by the attachment drug, to encourage temporary
pair-bonding for the benefit of the young offspring&lt;/li&gt;&lt;li&gt;for the
normal four-year breast-feeding cycle of the young, the mother produces
hormones that prevent pregnancy and increase attachment to the child&lt;/li&gt;&lt;li&gt;at
the end of the four-year cycle, as the young are weaned and able to
walk on their own, the endorphins wear off, and the cycle begins again,
with attraction to new and different lovers (this is probably why four
years after marriage is when divorce peaks)&lt;/li&gt;&lt;/ul&gt;In other words, we
are &quot;programmed&quot; by our bodies to fall hopelessly in love approximately
every four years, with multiple and diverse partners, and, if that
falling in love produces offspring, to hone in on a partner-bond (not
necessarily between the parents of the child, which indigenous humans
would not be able to identify in any case) until the end of that
four-year cycle, and then to break that partner-bond and start over
again with a new round of falling in love. &lt;br&gt;&lt;br&gt;Our bodies do this
&quot;programming&quot; to us because this is the most successful formula for
creating healthy and enduring communities, in balance with
all-life-on-Earth. It has taken them a long time to evolve this
formula. Living organisms, humans included (as Stewart &amp;amp; Cohen have
&lt;a href=&quot;http://blogs.salon.com/0002007/2005/12/30.html#a1390&quot;&gt;explained&lt;/a&gt;),
are a complicity of the separately-evolved creatures in our bodies
organized for their mutual benefit. And our brains, our intelligence,
awareness, consciousness and free-will, are nothing more than an
evolved, shared, feature-detection system jointly developed to advise
these creatures&apos; actions for &lt;span style=&quot;font-style: italic;&quot;&gt;their&lt;/span&gt;
mutual benefit. Our brains, and our minds (the processes that our
neurons, senses and motility organs carry out collectively) are &lt;span style=&quot;font-style: italic;&quot;&gt;their&lt;/span&gt; information-processing system, not &apos;ours&apos;.&lt;br&gt;&lt;br&gt;Our
bodies self-manage (or, if you prefer, control &apos;us&apos;) through two
complex networks: nervous (electromagnetic) and endocrine (hormonal).
The two networks have co-evolved to deal with different challenges and
needs. Both networks are excellent learners. Throughout the body,
especially in the brain and digestive system, the two have learned to
work together very effectively. As a consequence of mutually-beneficial
communication and collaboration, most species have developed &lt;span style=&quot;font-style: italic;&quot;&gt;cultures&lt;/span&gt; -- sets of agreed-upon shared beliefs and behaviours.&lt;br&gt;&lt;br&gt;If you think erotic love is all about sex, you&apos;re mistaken. The term is
taken from the god Eros, and he wasn&apos;t (originally) the god of sensual
love. He was the god of &lt;span style=&quot;font-style: italic;&quot;&gt;playful&lt;/span&gt;
love. This past weekend, as I went for a long walk in the woods in the
autumn sunshine, the love I felt for Gaia was pure eroticism. Watching
the wild birds soar, feeling the bark of the trees and the wind,
running through the leaves and into a strand of forest so thick that no
sun reached its floor. I&apos;ve had the same feeling flirting, or playing
outside in the rain, or in clever, playful banter with dear friends of
both genders. No question in my mind that the rush of testosterone
imbues each of these arousing experiences with love and delight. And
the best sex (whether with or without a partner) is likewise, I think,
joyful, light, unhurried and playful. So much of the sex that is
depicted in stories and films strikes me by contrast as desperate,
cathartic, escapist, even violent. Not playful, or erotic, at all. Like
the difference between a sip of a fine wine and the addict&apos;s quivering
injection of enough narcotic to stem the pain and anxiety of withdrawal.&lt;br&gt;&lt;br&gt;As
I teased out the subtlety of erotic love, and realized it was more (and
more complex) than I had thought, I began to think about whether
intellectual, sensual and aesthetic love might, similarly, be more
complex. Can they be teased apart from the emotional love that the
potent chemical cocktail I described earlier provokes?&lt;br&gt;&lt;br&gt;To take
an example from public consciousness, I will confess to a certain
infatuation with the artistry of both Sarah Polley and Johnny Depp. I
find both actors beautiful. I am irresistibly drawn to people who are
very intelligent (without being arrogant about it), people who are very
talented, and people who are very passionate (in an un-needy,
independent way). Both actors strike me as having these qualities, and
both have a huge fan base who would probably say they &apos;love&apos; them. &lt;br&gt;&lt;br&gt;What
is the chemistry here? I think the aesthetic love, the love of beauty,
is the same, and probably stems from the same chemical stirrings, as
the love one feels for one&apos;s favourite music, poetry or other works of
art. Being emotionally &quot;in love&quot; certainly intensifies aesthetic
appreciation (when it doesn&apos;t completely distract from it), but I
believe they are two different types of love with different chemical
catalysts.&lt;br&gt;&lt;br&gt;Intellectual love, likewise, I think, is something
apart from these other loves. The spark of imagining, creating,
appreciating an idea or argument or learning or having an aha!
realization creates a delight that is quite different from that of
falling in love or appreciating beauty. It is, I think, a form of
pattern creation or pattern recognition that fires the synapses of the
brain, and hence might be more a chemistry of the nervous system than
the endocrine. Learning brings joy and a chemical reward for the same
reason we feel elation when we fall in love or recognize beauty --
because our bodies want to reinforce that behaviour for Darwinian,
survival advantage. We love learning and ideas because they are good
for us.&lt;br&gt;&lt;br&gt;And finally, I suspect that sensual love, teased apart
from the aesthetic, emotional, intellectual and erotic, is also
chemically induced and a reward for behaviour our bodies want to
reinforce. Pleasant tastes and smells, especially, tickle our &apos;taste
buds&apos; but I am sure also provoke a neural message that says &quot;yes,
please, more of this&quot;. &lt;br&gt;&lt;br&gt;No question that, in this chemical
soup, the different forms of love are conflated, merge into one in our
romantic consciousness, and reinforce each other. But they are,
nevertheless, the result of different chemical reactions and can exist
in isolation.&lt;br&gt;&lt;br&gt;The reason for our catastrophic population explosion is simply that (1)
we acquired technology that allowed us to keep babies alive without
mother&apos;s milk (and hence accelerate the renewed fertility of mothers
after childbirth), and (2) we acquired technology that allowed us to
kill off our natural predators and diseases, which would in a healthy
system kill off enough of us, mostly painlessly, to keep our numbers in
balance and cull out the weak. In so doing, we screwed up a million
years of effective evolutionary development in a mere thirty thousand
years, and as a consequence have precipitated the sixth great
extinction event in our planet&apos;s known history, including our own
extinction. Oops.&lt;br&gt;&lt;br&gt;Unfortunately, as our species began to overpopulate and desolate the Earth, we had to evolve a &lt;span style=&quot;font-style: italic;&quot;&gt;new&lt;/span&gt;
culture, the stress-responsive, hierarchical, constraining,
passive-consumer culture we call &apos;civilization&apos;. Without these cultural
constraints -- this obedience to hierarchy, this managed scarcity, and
this becoming-everybody-else conformity -- we could not live together
under such horrifically crowded, constantly struggling, unhappy
circumstances. There is now a war of wills going on inside us --
between the will of our body, to do what it has been programmed to do
over a million years of constant learning, and the will of our culture,
to do what we must do just to survive in our terrible modern and
unsustainable world. There is no reconciling the two, which is why we
are so ill with the symptoms of this war -- chronic diseases caused by
chronic modern stress our body is not equipped to cope with, and the
mental illness that plagues every creature denied the freedom to be
nobody-but-herself.&lt;br&gt;&lt;br&gt;This is who we are -- a joyous complicity of
the creatures in our bodies, now wracked with the stress of having to
be everybody-else, of having forgotten who we are and where we belong
and how we are a part of all-life-on-Earth, connected.&lt;br&gt;&lt;br&gt;And still
we are driven by the beat of that ancient drum to fall in love, anew,
every four years a new beginning, a new ecstasy, that bliss, that
desire, that spasm of pure joy that eclipses so briefly all the grief
and loss and sorrow and anger and shame we feel. &lt;br&gt;&lt;br&gt;It is all we can do.&lt;br&gt;&lt;br&gt;&lt;small&gt;* incorrectly spelled as neopinephrine in the earlier articles&lt;br&gt;&lt;br&gt;&lt;/small&gt;&lt;div style=&quot;text-align: right;&quot;&gt;&lt;small&gt;Category: &lt;a href=&quot;http://blogs.salon.com/0002007/stories/2003/05/13/artsLiteratureScienceTechnologyTableOfContents.html#14b&quot;&gt;Human Nature&lt;/a&gt;&lt;/small&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;</description>
			<guid>http://blogs.salon.com/0002007/categories/musicFilmLiteratureTelevisionAndTheArts/2008/10/20.html#a2267</guid>
			<pubDate>Tue, 21 Oct 2008 03:58:59 GMT</pubDate>
			<comments>http://rcs.salon.com/rcsComments/comments?u=2007&amp;amp;p=2267&amp;amp;link=http%3A%2F%2Fblogs.salon.com%2F0002007%2F2008%2F10%2F20.html%23a2267</comments>
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			<title>Saturday Links for the Week: October 18, 2008</title>
			<link>http://blogs.salon.com/0002007/categories/musicFilmLiteratureTelevisionAndTheArts/2008/10/18.html#a2266</link>
			<description>&lt;table style=&quot;text-align: left; width: 100%;&quot; border=&quot;0&quot; cellpadding=&quot;2&quot; cellspacing=&quot;2&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td valign=&quot;undefined&quot; align=&quot;undefined&quot;&gt;&lt;img alt=&quot;Colleen&apos;s Dog&quot; src=&quot;http://blogs.salon.com/0002007/images/ColleensDog.jpg&quot; vspace=&quot;6&quot; hspace=&quot;6&quot;&gt;&lt;br&gt;&lt;small style=&quot;font-style: italic;&quot;&gt;Photo: &lt;a href=&quot;http://www.communicatrix.com/&quot;&gt;Colleen&apos;s&lt;/a&gt; dog, just because just looking at him makes me smile.&lt;br&gt;&lt;/small&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;What Moves the Artist:&lt;/span&gt; Most of my circles, and my readers, are artists in one way or another, so I was intrigued by Malcolm Gladwell&apos;s &lt;a href=&quot;http://www.newyorker.com/reporting/2008/10/20/081020fa_fact_gladwell?currentPage=all&quot;&gt;portrait of two forms of artistic genius&lt;/a&gt; -- the &lt;span style=&quot;font-style: italic;&quot;&gt;conceptual prodigy &lt;/span&gt;(e.g. &lt;a href=&quot;http://pablo-picasso.paintings.name/blue-period/&quot;&gt;Picasso&lt;/a&gt;), who peaks early, and cares about outcome, versus the &lt;span style=&quot;font-style: italic;&quot;&gt;experimenting slogger&lt;/span&gt; (e.g. &lt;a href=&quot;http://www.ibiblio.org/wm/paint/auth/cezanne/st-victoire/&quot;&gt;C&amp;eacute;zanne&lt;/a&gt;), who peaks late, and is preoccupied by learning and process. TS Eliot, my favourite poet, made the transition, and though &lt;a href=&quot;http://www.bartleby.com/198/1.html&quot;&gt;Prufrock&lt;/a&gt; (written at age 23) is his most loved work, the &lt;a href=&quot;http://www.tristan.icom43.net/quartets/&quot;&gt;Four Quartets&lt;/a&gt; (written a quarter century later) is, in my opinion, far more accomplished. In a piece a couple of weeks ago &lt;a href=&quot;http://crooked5280.blogspot.com/2008/10/whats-done.html&quot;&gt;PS Pirro wrote&lt;/a&gt;
&quot;I visualize the end product, but not the daily process. That&apos;s my
error. Because one page at a time, one sentence at a time, it&apos;s the
doing that matters. What&apos;s done is just... done.&quot; I am like her -- I
have tried to make the transition from the flashes of brilliance in &lt;a href=&quot;http://blogs.salon.com/0002007/stories/2003/02/21/fiveUnfinishedCanvasses.html&quot;&gt;my young writing&lt;/a&gt; (with much inactivity and some ghastly and embarrassing stuff in between) to the &lt;a href=&quot;http://blogs.salon.com/0002007/stories/2003/03/22/theBox.html&quot;&gt;more careful, studied work&lt;/a&gt; I do today. My great learning from Bowen Island was: &lt;span style=&quot;font-style: italic;&quot;&gt;There is only the practice&lt;/span&gt;.
The genius of the prodigy is electric, inspiring, lyrical,
transformative, but the genius of the patient and present practitioner
is ultimately more connective, recognizable, and even (I suppose I
should say this with an apologetic shrug) -- &lt;span style=&quot;font-style: italic;&quot;&gt;useful&lt;/span&gt;. &lt;br&gt;&lt;br&gt;&lt;span style=&quot;font-weight: bold; color: rgb(153, 0, 0);&quot;&gt;The &lt;span style=&quot;font-style: italic;&quot;&gt;Real &lt;/span&gt;Battle for American Hearts and Minds: &lt;/span&gt;The anonymous political pundit who guest-posts on Joe Bageant&apos;s blog has another brilliant &lt;a href=&quot;http://www.joebageant.com/joe/2008/10/not-new-ideas-b.html#more&quot;&gt;analysis of what&apos;s happening in the &apos;heartland&apos;&lt;/a&gt;. Excerpts:&lt;br&gt;&lt;br&gt;&lt;div style=&quot;margin-left: 40px;&quot;&gt;The primary motivating factor in the development of the religious right
is a defensive response to the challenges posed by the power of popular
consumer and entertainment culture and &lt;span style=&quot;font-style: italic;&quot;&gt;not &lt;/span&gt;a backlash against
progressive or liberal ideas and social movements...



&lt;p&gt;When it comes to predicting the outcome of this struggle, there
should be no doubt which side will ultimately prevail in this fight.
Religious fundamentalism here and abroad is no match for the powers
of popular, consumer and entertainment culture. The reason for that is
very simple: popular consumer culture is the most powerful and
attractive ideology in human history.[Unlike all other religions and ideologies] it demands  &lt;span style=&quot;font-style: italic;&quot;&gt;no sacrifice&lt;/span&gt; from its
faithful. It demands only that you purchase and consume and that you become
passively entertained...&lt;/p&gt;&lt;p&gt;If progressives are serious about winning victories that can realign
our politics, they must find a way to marry the legitimate criticism of
the decadence of popular culture with criticism of the decadence of an
economic system that creates the savage inequalities we see in America
today. Once that is done, the entire project of the right collapses
under the weight of its own contradictions. &lt;/p&gt;&lt;/div&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;Writing in Circles: &lt;/span&gt;Pohangina Pete writes poetically about &lt;a href=&quot;http://pohanginapete.blogspot.com/2008/10/road-to-whanganui.html&quot;&gt;how complexity touches us&lt;/a&gt;.&lt;br&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;Winged Pilgrimage: &lt;/span&gt;Cassandra writes rhapsodically about the annual migration of the snow geese and &lt;a href=&quot;http://cassandrapages.typepad.com/the_cassandra_pages/2008/10/deux-pelerinage.html&quot;&gt;asks whether our pilgrimages might have been inspired by our observation of birds&lt;/a&gt;,
the dinosaurs&apos; flying descendants. I think it is entirely possible.
Having made two pilgrimages this year, on the heels of saying I would
trade places with a chickadee in a heartbeat, I think what we must
realize is that for most birds migration is not an automatic instinct,
it is a choice, a decision that flight to another climate is worth the
many dangers that flight brings with it. Migration is a conscious
movement, one dictated by necessity and the drive to survive. Our own
pilgrimages are no less so. Excerpt:&lt;br&gt;&lt;br&gt;&lt;div style=&quot;margin-left: 40px;&quot;&gt;My
own inarticulateness, in the face of the emotions the geese arouse in
me, tells me I&apos;m in the place that contains fire and the great
waterfalls; the sound of the hermit thrush and the flash of a school of
bright minnows; a silent shaft of sun on moss in a dark woodland. The
snow geese fly in that space of porosity between myself and the rest of
nature, following a map imprinted in my own marrow, a route stretching
forward beyond language, and back to a time before tongues.&lt;/div&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;And Wheeled Pilgrimage:&lt;/span&gt;
Cheryl is chronicling her amazing pilgrimage around the perimeter of
Australia with pictures and stories of the people she&apos;s meeting and the
astonishingly beautiful places she&apos;s discovering. If you&apos;ve never been
to Australia, &lt;a href=&quot;http://beingfearless.gaia.com/blog/2008/10/camp_life&quot;&gt;reading this blog will give you a flavour for life &quot;down under&quot;&lt;/a&gt;.&lt;br&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;Stories of Transformation:&lt;/span&gt; Jen points us to a remarkable TED talk about &lt;a href=&quot;http://jenlemen.com/blog/?p=523&quot;&gt;Stories of Transformation, by Chris Abani&lt;/a&gt;,
that shows us why stories are so powerful and illuminating. In one
story he explains how his mother broke down when a Portuguese woman at
an airport where Chris&apos; family was fleeing the horrors and atrocities
of the Biafran war, emptied her suitcase to give her and her family
everything she had packed, to help them begin to rebuild their lives.
Her explanation for this breakdown after stoically coping with all the
outrages and terrors of war:&lt;br&gt;&lt;br&gt;&lt;div style=&quot;margin-left: 40px;&quot;&gt;You
can steel your heart against any kind of trouble, any kind of horror,
but a simple act of kindness from a complete stranger will unstitch you.&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;span style=&quot;font-weight: bold;&quot;&gt;Just for Fun:&lt;/span&gt; &lt;a href=&quot;http://drawn.ca/2008/10/14/stop-motion-taller-than-trees/&quot;&gt;Taller Than Trees&lt;/a&gt;, a delightful stop motion animation short by Joseph Mann. Thanks to &lt;a href=&quot;http://ourdescent.wordpress.com/&quot;&gt;Our Descent&lt;/a&gt; for the link. And in a sillier vein, &lt;a href=&quot;http://virtualteahouse.com/blogs/beth/default.aspx&quot;&gt;Beth Patterson&lt;/a&gt; points us to &lt;a href=&quot;http://www.palinaspresident.us/&quot;&gt;Palin as President&lt;/a&gt; (click on the items in the oval office and make sure you have sound on).&lt;div style=&quot;margin-left: 40px;&quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;span style=&quot;font-weight: bold;&quot;&gt;Thought for the Week: &lt;/span&gt;Forget
What &quot;Is&quot; (and What Is Wrong) Now and What/Who Caused It, and Just
Start Over: From Jack Martin Leith, commenting to Geoff Brown and
expanding upon Peter Block&apos;s argument that we need to stop looking at
things as &lt;span style=&quot;font-style: italic;&quot;&gt;problems&lt;/span&gt; to be &apos;fixed&apos; (and people as their &apos;cause&apos;) and start over with a fresh sheet of paper looking at&amp;nbsp;&lt;a href=&quot;http://www.yesandspace.com.au/?p=350&quot;&gt;&lt;span style=&quot;font-style: italic;&quot;&gt;what we want to create now&lt;/span&gt;&lt;/a&gt; (not &lt;span style=&quot;font-style: italic;&quot;&gt;solutions&lt;/span&gt;, not &lt;span style=&quot;font-style: italic;&quot;&gt;future state&lt;/span&gt;, not incremental approaches)&lt;span style=&quot;font-style: italic;&quot;&gt;&lt;/span&gt;:&lt;br&gt;&lt;br&gt;&lt;div style=&quot;margin-left: 40px;&quot;&gt;Solutions imply problems, in the way that &lt;span style=&quot;font-style: italic;&quot;&gt;yes&lt;/span&gt; implies &lt;span style=&quot;font-style: italic;&quot;&gt;no&lt;/span&gt; and &lt;span style=&quot;font-style: italic;&quot;&gt;day&lt;/span&gt;
implies &lt;span style=&quot;font-style: italic;&quot;&gt;night&lt;/span&gt;. It&amp;#146;s not a shift from problems to solutions we need, but from
problem solving to creating what we want - and making what we want
&lt;span style=&quot;font-style: italic;&quot;&gt;not&lt;/span&gt; &lt;em&gt;&lt;/em&gt;our desired &lt;span style=&quot;font-style: italic;&quot;&gt;future&lt;/span&gt;, but our desired &lt;span style=&quot;font-style: italic;&quot;&gt;present&lt;/span&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;</description>
			<guid>http://blogs.salon.com/0002007/categories/musicFilmLiteratureTelevisionAndTheArts/2008/10/18.html#a2266</guid>
			<pubDate>Sun, 19 Oct 2008 03:52:10 GMT</pubDate>
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			<title>Saturday Links for the Week -- October 11, 2008</title>
			<link>http://blogs.salon.com/0002007/categories/musicFilmLiteratureTelevisionAndTheArts/2008/10/12.html#a2261</link>
			<description>&lt;table style=&quot;text-align: left; width: 100%;&quot; border=&quot;0&quot; cellpadding=&quot;2&quot; cellspacing=&quot;2&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td valign=&quot;undefined&quot; align=&quot;undefined&quot;&gt;&lt;img style=&quot;width: 476px; height: 276px;&quot; alt=&quot;mindful wandering by maren yumi&quot; src=&quot;http://blogs.salon.com/0002007/images/mindfulwanderingmarenyumi.jpg&quot; vspace=&quot;6&quot; hspace=&quot;6&quot;&gt;&lt;br&gt;&lt;small style=&quot;font-style: italic;&quot;&gt;photo by &lt;a href=&quot;http://www.flickr.com/photos/360o/117321051/&quot;&gt;Maren Yumi&lt;/a&gt;&lt;/small&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;Mindful Wandering:&lt;/span&gt; The coined term (by &lt;a href=&quot;http://bgblogging.wordpress.com/2008/09/19/thoughts-as-we-near-the-fall-equinox-the-time-of-between/&quot;&gt;Barbara Ganley&lt;/a&gt;) is &quot;&lt;a href=&quot;http://cogdogblog.com/2008/10/03/slow-blogging-on-the-fast-train/&quot;&gt;slow blogging&lt;/a&gt;&quot;, but I much prefer the term my friend Chris Lott uses: &quot;&lt;a href=&quot;http://www.chrislott.org/2008/10/08/i-am-a-slow-blog/&quot;&gt;mindful wandering&lt;/a&gt;&quot;.
The idea is to see blogging, which is really just a new way of
recording your thoughts in a diary, as a meditative practice, taking
the time to ponder the meaning of what you&apos;re reading, thinking and
writing, letting your mind meander in thoughtful and creative ways to
&quot;make sense&quot; of it. I find that some of my best blog posts are those
I&apos;ve stopped and restarted several times, allowing time for thoughts to
percolate and new ideas to emerge. Letting your readers follow your
thought process, putting yourself in context, can greatly enrich the
value of what you write, at least for those readers with the patience
to allow themselves to be immersed in &quot;where you are&quot; as you are
writing, to enter, as much as is possible in a diary, into intimate,
tacit conversation with you. Some of the bloggers in my gravitational
community (listed at right) are very proficient at diarizing their
mindful wandering: Colleen has been doing this delightfully, day by
day, &lt;a href=&quot;http://www.communicatrix.com/2008/10/seattle-day-12.html&quot;&gt;chronicling her month-long retreat in Seattle&lt;/a&gt;. Beth&apos;s blog is &lt;a href=&quot;http://cassandrapages.typepad.com/the_cassandra_pages/2008/10/awake-and-alone.html&quot;&gt;another great example&lt;/a&gt;.&lt;br&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;An Audience Without A Reason to Care Is Just a Bunch of People That You Have to Clean Up After:&lt;/span&gt; Justin Kownacki explains the &lt;a href=&quot;http://justinkownacki.blogspot.com/2008/10/audience-without-reason-to-care-is-just.html&quot;&gt;need to engage your audience with something more than spectacle if you hope to build a relationship that endures&lt;/a&gt;, and goes on to tell you how to do it. If you haven&apos;t been watching his hilarious online series &lt;a href=&quot;http://www.somethingtobedesired.com/main.aspx?control=episodes&amp;amp;season=5&quot;&gt;Something to Be Desired&lt;/a&gt;, check it out.&lt;br&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;The Effort is Worth It: &lt;/span&gt;Justin
also directs us to Seth&apos;s blog post on our growing propensity (in light
of the billions made and lost by lazy, greedy, incompetent financial
brokers) to believe luck has more to do with what comes of our life
than effort. &lt;a href=&quot;http://sethgodin.typepad.com/seths_blog/2008/10/is-effort-a-myt.html&quot;&gt;Seth prescribes a diet of less mindless activity, more effort on important things&lt;/a&gt;, more exercise, more volunteerism, more time meaningfully spent with those you love, and more financial frugality. I&apos;m there.&lt;br&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;Community Effort That Pays Off: &lt;/span&gt;&lt;a href=&quot;http://treegroup.info/&quot;&gt;Tree&lt;/a&gt; pointed me to this &lt;a href=&quot;http://www.sustainablecorvallis.org/workgroupproposals&quot;&gt;amazing list of initiatives and proposals by the work groups of the Corvallis (Oregon) Sustainability Coalition&lt;/a&gt;.
It&apos;s an ambitious and inspiring list in 12 sectors of public life:
community inclusion, economic vitality, education, energy, food,
health, housing, land use, natural areas, transport, waste reduction,
and water use -- let&apos;s hope the town council will listen and implement
them. If you have (or should have) a program like this in your
community, this would be a great list to get you started. Geoff Brown
came up with a &lt;a href=&quot;http://www.winkipod.com.au/?p=9&quot;&gt;similar list for St Kilda Australia&lt;/a&gt;, as part of the Sustainable Living At Home community activism project.&lt;br&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;Story-Telling Resources:&lt;/span&gt; From the same vector as the above links, Barbara provides a veritable &lt;a href=&quot;http://bgblogging.wordpress.com/2008/09/16/working-on-community-storytelling-projects/&quot;&gt;host of useful links on storytelling&lt;/a&gt;, and CogDog Alan Levine provides (with a caveat on not getting preoccupied with tools), &lt;a href=&quot;http://cogdogroo.wikispaces.com/StoryTools&quot;&gt;50+ tools that enable storytelling&lt;/a&gt;. Thanks to &lt;a href=&quot;http://treegroup.info/&quot;&gt;Tree&lt;/a&gt; for the links. BTW, a &lt;a href=&quot;http://www.anecdote.com.au/archives/storytelling/&quot;&gt;great everyday site for story-telling guidance and ideas&lt;/a&gt; is my friend Shawn Callahan&apos;s Anecdote site.&lt;br&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;Why We Fall for Greenwashing:&lt;/span&gt;
Cataclysmia explains the dangerous appeal of corporate greenwashing --
that it reassures us that we don&apos;t have to change. It is human nature
to be resistant to change, to only change when we must, and we are
under siege these days to change in so many ways that &lt;a href=&quot;http://cataclysmia.org/?p=242&quot;&gt;when a corporation, cynically, dishonestly, tells us that they&apos;re good corporate citizens we are inclined to want to believe it&lt;/a&gt;. &lt;br&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;Explaining the Financial System Collapse:&lt;/span&gt; Six of the best articles on the current mess:&lt;br&gt;&lt;ul&gt;&lt;li&gt;Market Oracle has a &lt;a href=&quot;http://www.marketoracle.co.uk/Article1444.html&quot;&gt;smart, easy-to-understand synopsis of the cause for the recent market collapse&lt;/a&gt;, including the still-worrisome issue of Credit Default Swaps.&amp;nbsp;&lt;/li&gt;&lt;li&gt;And here (thanks to Michael Serres for the link) is &lt;a href=&quot;http://digg.com/business_finance/Subprime_Explained_Google_Docs_Funny_Cartoon_Powerpoint&quot;&gt;a cartoon version of the same explanation&lt;/a&gt;.&amp;nbsp;&lt;/li&gt;&lt;li&gt;When
it comes to solutions, I&apos;ve been arguing for a post-industrial Natural
Gift/Generosity Economy for years now, and (thanks to &lt;a href=&quot;http://kaleforce.wordpress.com/&quot;&gt;David Parkinson&lt;/a&gt; and several others for the link) Charles Eisenstein sums up &lt;a href=&quot;http://www.realitysandwich.com/money_and_crisis_civilization&quot;&gt;how our equating money with value led us to this disaster,&lt;/a&gt; and why we need a Gift Economy to prevent a recurrence.&amp;nbsp;&lt;/li&gt;&lt;li&gt;Herman Daly explains &lt;a href=&quot;http://www.theoildrum.com/node/4617&quot;&gt;all the dominoes that had to be lined up (and need to be put back) to allow this folly to continue&lt;/a&gt;.&amp;nbsp;&lt;/li&gt;&lt;li&gt;Paul Krugman explains why just buying banks&apos; bad debts is unwise and that &lt;a href=&quot;http://www.nytimes.com/2008/10/10/opinion/10krugman.html?_r=1&amp;amp;th&amp;amp;emc=th&amp;amp;oref=slogin&quot;&gt;a better strategy is to take equity in (i.e. nationalize)&lt;/a&gt; the faltering banks as the UK did this weekend.&amp;nbsp;&lt;/li&gt;&lt;li&gt;And this is especially true when &lt;a href=&quot;http://links.mkt138.com/servlet/MailView?ms=MjU3MTUzNgS2&amp;amp;r=MjE3MjI0NTQ4OAS2&amp;amp;j=MTAwMTc1MDYzS0&amp;amp;mt=1&amp;amp;rt=0&quot;&gt;some of the bailout beneficiaries just use the proceeds for an extravagant executive party&lt;/a&gt;. &lt;/li&gt;&lt;/ul&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;The Attempts to Steal the Election Continue:&lt;/span&gt;
If you can&apos;t defeat the opponent by heavily-financed character
assassination, outright lies, gerrymandering, or rigging voting
machines, well, then, &lt;a href=&quot;http://www.nytimes.com/2008/10/09/us/politics/09voting.html?_r=1&amp;amp;th&amp;amp;emc=th&amp;amp;oref=slogin&quot;&gt;just don&apos;t let supporters of your opponents vote&lt;/a&gt;. In politics, it seems, the end &lt;span style=&quot;font-style: italic;&quot;&gt;always&lt;/span&gt; justifies the means.&lt;br&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;More on Soldiers in the US Streets:&lt;/span&gt; Patrick Leahy weighs in on &lt;a href=&quot;http://www.commondreams.org/view/2008/10/08-1&quot;&gt;the decision to deploy a US army unit to the &apos;homeland&apos;&lt;/a&gt;. This has stirred up no small hysteria, but I&apos;m still not sure what it really means.&lt;br&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;And the Fuse of the Population Bomb Still Burns On:&lt;/span&gt; The Bush Administration&apos;s &lt;a href=&quot;http://www.commondreams.org/view/2008/10/06-2&quot;&gt;anti-family-planning ideology has greatly worsened the lives of as many as a billion women&lt;/a&gt; deliberately deprived of inexpensive family planning information and tools.&lt;br&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;The Problem with Monogamy:&lt;/span&gt; Daisy gets it: &quot;It&apos;s absolutely clear that &lt;a href=&quot;http://revolutionaryact.org/2008/10/the-problem-with-monogamy-or-against-the-nuclear-family/&quot;&gt;no one is meant to love and be loved by just one person&lt;/a&gt;,
and that we slowly kill ourselves when try to make this happen. No one
can meet all of another person&apos;s needs, and there is no reason to
expect anyone to do so...The natural outcropping of this, when we do it
daily &amp;#151; when we form &lt;span style=&quot;font-style: italic;&quot;&gt;many&lt;/span&gt; diverse loving relationships, as many as will grow, and treat their maintenance as important work &amp;#151; is &lt;span style=&quot;font-style: italic;&quot;&gt;community&lt;/span&gt;.&quot; Sigh. Someday, perhaps, the whole world will understand.&lt;br&gt;&lt;br&gt;&lt;span style=&quot;font-weight: bold;&quot;&gt;Just for Fun: &lt;/span&gt;It didn&apos;t really happen, but this &lt;a href=&quot;http://www.snopes.com/photos/signs/dogheaven.asp&quot;&gt;&apos;sign feud&apos; between two churches over dogs&apos; souls&lt;/a&gt; is delightful nevertheless. Thanks to my new colleague Miranda for the link. &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;img style=&quot;width: 600px; height: 429px;&quot; alt=&quot;wild horses chernobyl&quot; src=&quot;http://blogs.salon.com/0002007/images/wildhorseschernobyl.jpg&quot; vspace=&quot;6&quot; hspace=&quot;6&quot;&gt;&lt;br&gt;&lt;small style=&quot;font-style: italic;&quot;&gt;Image: wild horses near Chornobyl&lt;/small&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;font-weight: bold;&quot;&gt;Thought for the Week:&lt;/span&gt; Thanks to Sarah Burridge for putting me on to &lt;a href=&quot;http://www.poets.org/viewmedia.php/prmMID/15480&quot;&gt;the poetry of Robert Pinsky&lt;/a&gt; (by quoting the sixth line of this poem):&lt;br&gt;&lt;br&gt;&lt;div style=&quot;margin-left: 40px;&quot;&gt;&lt;small&gt;&lt;span style=&quot;color: rgb(0, 102, 0); font-weight: bold;&quot;&gt;The Horses&lt;/span&gt;&lt;br style=&quot;color: rgb(0, 102, 0); font-weight: bold;&quot;&gt;&lt;br&gt;Barely a twelvemonth after&lt;br&gt;The seven days war that put the world to sleep,&lt;br&gt;Late in the evening the strange horses came.&lt;br&gt;By then we had made our covenant with silence,&lt;br&gt;But in the first few days it was so still&lt;br&gt;We listened to our breathing and were afraid.&lt;br&gt;On the second day&lt;br&gt;The radios failed; we turned the knobs, no answer.&lt;br&gt;On the third day a warship passed us, headed north,&lt;br&gt;Dead bodies piled on the deck. On the sixth day&lt;br&gt;A plane plunged over us into the sea. Thereafter&lt;br&gt;Nothing. The radios dumb;&lt;br&gt;And still they stand in corners of our kitchens,&lt;br&gt;And stand, perhaps, turned on, in a million rooms&lt;br&gt;All over the world. But now if they should speak,&lt;br&gt;If on a sudden they should speak again,&lt;br&gt;If on the stroke of noon a voice should speak,&lt;br&gt;We would not listen, we would not let it bring&lt;br&gt;That old bad world that swallowed its children quick&lt;br&gt;At one great gulp. We would not have it again.&lt;br&gt;&lt;br&gt;Sometimes we think of the nations lying asleep,&lt;br&gt;Curled blindly in impenetrable sorrow,&lt;br&gt;And then the thought confounds us with its strangeness.&lt;br&gt;The tractors lie about our fields; at evening&lt;br&gt;They look like dank sea-monsters crouched and waiting.&lt;br&gt;We leave them where they are and let them rust:&lt;br&gt;&quot;They&apos;ll molder away and be like other loam.&quot;&lt;br&gt;We make our oxen drag our rusty plows,&lt;br&gt;Long laid aside. We have gone back&lt;br&gt;Far past our fathers&apos; land.&lt;br&gt;&lt;br&gt;And then, that evening&lt;br&gt;Late in the summer the strange horses came.&lt;br&gt;We heard a distant tapping on the road,&lt;br&gt;A deepening drumming; it stopped, went on again&lt;br&gt;And at the corner changed to hollow thunder.&lt;br&gt;We saw the heads&lt;br&gt;Like a wild wave charging and were afraid.&lt;br&gt;We had sold our horses in our fathers&apos; time&lt;br&gt;To buy new tractors. Now they were strange to us&lt;br&gt;As fabulous steeds set on an ancient shield&lt;br&gt;Or illustrations in a book of knights.&lt;br&gt;We did not dare go near them. Yet they waited,&lt;br&gt;Stubborn and shy, as if they had been sent&lt;br&gt;By an old command to find our whereabouts&lt;br&gt;And that long-lost archaic companionship.&lt;br&gt;&lt;br&gt;In the first moment we had never a thought&lt;br&gt;That they were creatures to be owned and used.&lt;br&gt;Among them were some half a dozen colts&lt;br&gt;Dropped in some wilderness of the broken world,&lt;br&gt;Yet new as if they had come from their own Eden.&lt;br&gt;Since then they have pulled our plows and borne our loads,&lt;br&gt;But that free servitude still can pierce our hearts.&lt;br&gt;Our life is changed; their coming our beginning.&lt;/small&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;</description>
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			<pubDate>Sun, 12 Oct 2008 22:37:33 GMT</pubDate>
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			<title>CCK08 Week Five: Groups vs Networks vs Communities</title>
			<link>http://blogs.salon.com/0002007/categories/musicFilmLiteratureTelevisionAndTheArts/2008/10/10.html#a2260</link>
			<description>&lt;table style=&quot;text-align: left; width: 100%;&quot; border=&quot;0&quot; cellpadding=&quot;2&quot; cellspacing=&quot;2&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td valign=&quot;undefined&quot; align=&quot;undefined&quot;&gt;&lt;img style=&quot;width: 350px; height: 360px;&quot; alt=&quot;collective decision making&quot; src=&quot;http://blogs.salon.com/0002007/images/collectivedecisionmaking.jpg&quot; vspace=&quot;6&quot; hspace=&quot;6&quot;&gt;&lt;br&gt;&lt;big&gt;&lt;big&gt;&lt;big&gt;W&lt;/big&gt;&lt;/big&gt;&lt;/big&gt;eek 5 of the &lt;a href=&quot;http://ltc.umanitoba.ca/wiki/Connectivism#Week_5:_Connectives_and_Collectives:_Distinctions_between_networks_and_groups__.28October_6-12.29&quot;&gt;Connectivism MOOC&lt;/a&gt;
is about the distinction between groups and networks. One of the key
readings for the week was written by my friend Stephen Downes &lt;a href=&quot;http://www.downes.ca/post/42521&quot;&gt;when he was obviously high on something&lt;/a&gt; (possibly New Zealand, which will do that to you). &lt;br&gt;&lt;br&gt;The point of the lesson is to distinguish &lt;span style=&quot;font-style: italic;&quot;&gt;groups&lt;/span&gt;, which are apparently inherently homogeneous and hierarchical, from &lt;span style=&quot;font-style: italic;&quot;&gt;networks&lt;/span&gt;, which are apparently neither. Members of both are connected to each other. George Siemens &lt;a href=&quot;http://elearnspace.org/media/CCK08_Wk5/player.html&quot;&gt;asserts&lt;/a&gt;
that most organized collective activity (like education) fails to
recognize the identity of the selves within the collective. Rather than
groups vs networks, he distinguishes collectives (in which the self is
subsumed) from connectives (in which autonomy of self is retained).
&amp;nbsp;&quot;As we integrate our ideas and concepts with others&apos;&quot; he says, &quot;and we
extend them into some kind of collective activity, there is an
important protection of self in which we retain our identity and our
contributions.&quot;&lt;br&gt;&lt;br&gt;I thought this dichotomy rather interesting in
the context of the diagram above (which Chris Corrigan and I
collectively, or perhaps connectively, created) of the dynamic of
decision making which moves from individual engagement and cognition
through collective conversation and consensus and thence to individual
action, following a Scharmer &quot;U&quot; pattern.&lt;br&gt;&lt;br&gt;Are we not, I thought, iteratively and simultaneously collective &lt;span style=&quot;font-style: italic;&quot;&gt;and &lt;/span&gt;connective,
producing some &quot;work product&quot; that is collective, that of the
integrated group, and some that is connective, the individual
acceptance of responsibility and resultant actions, whether they be
done alone or with others?&lt;br&gt;&lt;br&gt;George goes on to warn that groups
will coerce individuals with deviant ideas to conform to the group
norm, with the result that groups stifle innovation. Networks are
positioned as the compromise in the continuum from highly diverse
independent individuals and conforming, structured groups.&lt;br&gt;&lt;br&gt;This
model doesn&apos;t jibe with what I&apos;ve observed in workplaces throughout my
life. Using the terminology of the Wisdom of Crowds, my experience has
been that:&lt;br&gt;&lt;ul&gt;&lt;li&gt;&quot;crowds&quot; &lt;span style=&quot;font-style: italic;&quot;&gt;that are diverse&lt;/span&gt;
have particular talents (decision-making and prediction among them)
that are better than that of either &quot;expert&quot; individuals or non-diverse
groups;&lt;/li&gt;&lt;li&gt;innovation works best when there is a balance between creative thinkers and critical thinkers; and&lt;/li&gt;&lt;li&gt;groups
and networks that do not share a common understanding of an issue spend
most of their time and energy trying to find a common context, and
often never get around to applying their abilities to finding solutions
to the issue.&lt;/li&gt;&lt;/ul&gt;Can groups be dangerous? Of course. Groupthink
has ruined many once-great companies. Cults are one of the scourges of
civilization. Mobs, of organized criminals, religious zealots or
drunken college students, can cause havoc and heartache and ruin lives.
&lt;br&gt;&lt;br&gt;But groups of people with a shared purpose and shared set of
values and principles have also, as Margaret Mead has said, achieved
important changes that would not have been possible any other way. They
are what we call &lt;span style=&quot;font-style: italic;&quot;&gt;communities&lt;/span&gt;. &lt;br&gt;&lt;br&gt;Networks
are useful for the reasons explained in Granovetter&apos;s &quot;Strength of Weak
Ties&quot;. They are &apos;farm teams&apos; for the communities that you do your most
important work with, the &apos;trade routes&apos; between communities. They are
often delightful, stimulating, and helpful when you need something in a
hurry. But to me, networks are too loose, too fragmented to be
communities or to
accomplish any of the important things that communities can do.&lt;br&gt;&lt;br&gt;Communities are connective &lt;span style=&quot;font-style: italic;&quot;&gt;and&lt;/span&gt;
collective and only they can fully enable the powerful activities
depicted in the graphic above. As I&apos;ve said before, love, conversation
and community are the essence of what it means to be human, alive,
connected, part of all-life-on-Earth.&amp;nbsp;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;</description>
			<guid>http://blogs.salon.com/0002007/categories/musicFilmLiteratureTelevisionAndTheArts/2008/10/10.html#a2260</guid>
			<pubDate>Sat, 11 Oct 2008 02:13:25 GMT</pubDate>
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			<title>Play</title>
			<link>http://blogs.salon.com/0002007/categories/musicFilmLiteratureTelevisionAndTheArts/2008/10/08.html#a2258</link>
			<description>&lt;table style=&quot;text-align: left; width: 100%;&quot; border=&quot;0&quot; cellpadding=&quot;2&quot; cellspacing=&quot;2&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td valign=&quot;undefined&quot; align=&quot;undefined&quot;&gt;&lt;img style=&quot;width: 591px; height: 363px;&quot; alt=&quot;norbert rosing bear dog&quot; src=&quot;http://blogs.salon.com/0002007/images/norbertrosingbeardog.jpg&quot; vspace=&quot;6&quot; hspace=&quot;6&quot;&gt;&lt;br&gt;&lt;big&gt;&lt;big&gt;&lt;big&gt;J&lt;/big&gt;&lt;/big&gt;&lt;/big&gt;ohan Huizinga, who wrote a book on the subject, defined &lt;span style=&quot;font-style: italic;&quot;&gt;play&lt;/span&gt; as follows: &lt;br&gt;&lt;br&gt;&lt;div style=&quot;margin-left: 40px;&quot;&gt;a
free activity standing quite consciously outside &amp;#145;ordinary&amp;#146; life as
being &amp;#145;not serious&amp;#146; but at the same time absorbing the player intensely
and utterly&lt;br&gt;&lt;/div&gt;&lt;br&gt;Other books have urged the incorporation of
more play into health and fitness routines, school activities, work
activities, and of course social activities. Play is more engaging,
easier to persevere with, more relaxing and stimulating and creative.
It helps you to &lt;a href=&quot;http://blogs.salon.com/0002007/2005/05/18.html&quot;&gt;think differently&lt;/a&gt;.&lt;br&gt;&lt;br&gt;We
use the term to mean many things: hobbies, games, dancing,
role-playing, roughhousing and other unstructured physical exercise
(alone or socially), story-telling and other imagining and innovating
activities, joking, flirting and other empathic activities, using toys,
and a variety of sports and recreational activities. We say we &apos;play&apos; a
musical instrument. We contrast it to work, which is &apos;serious&apos;
activity. Yet for many play is fiercely competitive, and for them it is
only &apos;fun&apos; if you win. Is this still play?&lt;br&gt;&lt;br&gt;A few years ago I wrote about Tom Robbins&apos; concept of &apos;crazy wisdom&apos;:&lt;br&gt;&lt;br&gt;&lt;div style=&quot;margin-left: 40px;&quot;&gt;Robbins
describes his personal experiences with near-suicidal depression, and
how he was able to pull himself back from the brink of what he calls
Weltschmerz (What a wonderful word! -- per dictionary.com it means
&quot;Sadness over the evils of the world, especially as an expression of
romantic pessimism.&quot;) The trick was to rediscover &lt;span style=&quot;font-style: italic;&quot;&gt;playfulness&lt;/span&gt;,
or what the Tibetan Buddhists call Crazy Wisdom. Robbins says it is
&quot;the wisdom that evolves when one, while refusing to avert one&apos;s gaze
from the sorrows and injustices of the world, insists on joy in spite
of everything&quot;.&lt;/div&gt;&lt;br&gt;Hmmm. For many people I know, what should
properly be play (i.e. joyous and fun) is instead essential therapy for
coping with their Weltschmerz:&lt;br&gt;&lt;ul&gt;&lt;li&gt;Our commercial entertainments are ultra-violent and escapist (to inure us to the pain of everyday modern living?)&amp;nbsp;&lt;/li&gt;&lt;li&gt;Comedies
are cruel put-downs of caricatures, whose sole function seems to be to
make those with low self-esteem feel that at least someone is stupider
or more ridiculous than they are.&amp;nbsp;&lt;/li&gt;&lt;li&gt;Sports are either so
competitive as to provoke fights and tantrums, or so &apos;extreme&apos; as to
provoke near-cardiac arrest. This is supposed to be &lt;span style=&quot;font-style: italic;&quot;&gt;fun&lt;/span&gt;? And what exactly is a &apos;spectator sport&apos; anyway -- vicarious play?&lt;/li&gt;&lt;li&gt;Video
games are addictive, needing no imagination and little real social
interaction, and seem to test one&apos;s capacity to manage chronic
excessive adrenaline flow rather than evoking anything that could be
called real pleasure.&amp;nbsp;&lt;/li&gt;&lt;li&gt;In fact, a lot of &apos;recreational
activities&apos; (what exactly is being &apos;recreated&apos; here?) are addictive --
gambling, drug use, overeating, and shopping probably being the big 4
-- and I don&apos;t believe that when you can&apos;t stop doing something it&apos;s
still &apos;play&apos;.&amp;nbsp;&lt;/li&gt;&lt;li&gt;Sex is portrayed as desperate, cathartic, even
painful. Is this a realistic portrayal what happens in most of the
world&apos;s bedrooms -- a stress-busting, power-displaying, skill-testing,
sleep-inducing &apos;workout&apos;, when it should be play, fun, and full of
laughter? If so, no wonder it&apos;s disappeared from so many relationships,
and has driven so many to consume performance-enhancing drugs.&amp;nbsp;&lt;/li&gt;&lt;li&gt;I suspect exactly the same can be said of the dating &apos;game&apos;.&lt;/li&gt;&lt;li&gt;&quot;Work
hard play hard&quot; is presented as the model for leaders. But to me if you
work that hard, you&apos;re probably not working smart. And isn&apos;t gentle
play more fun? &lt;/li&gt;&lt;/ul&gt;In short, I think we&apos;ve lost the practice, and forgotten the meaning, of &lt;span style=&quot;font-style: italic;&quot;&gt;play&lt;/span&gt;. &lt;br&gt;&lt;br&gt;While I agree with John Perry Barlow that &lt;a href=&quot;http://blogs.salon.com/0002007/2008/09/22.html#a2248&quot;&gt;we should not pursue happiness&lt;/a&gt; for its own sake, I do think we should make more time for play. &lt;br&gt;&lt;br&gt;How
might we do this? I think most of us could probably learn from the
masters -- young children. Engaging with them, making stuff up with
them, or just playing non-competitive games like hide &amp;amp; seek, can
re-teach us the value of imagining just for fun. And the key to real
play&lt;span style=&quot;font-style: italic;&quot;&gt; is&lt;/span&gt; imagination. And with children of course, the sillier the better.&lt;br&gt;&lt;br&gt;Practicing
a piece of music a thousand times is work, and while it is admirable if
it leads to excellence, it is hardly play. Improvising with other
musicians, on the other hand, just jamming and making it up as you go
along is play -- just look at the faces of those participating and
you&apos;ll know that immediately. &lt;br&gt;&lt;br&gt;Companion animals (and even
watching wild creatures) can also teach us about play. It&apos;s how young
creatures learn, effortlessly and safely and joyfully, but even older
creatures indulge often in play, especially when they&apos;re around the
young. &lt;br&gt;&lt;br&gt;Other improvisational activities -- dancing, flirting,
role-playing -- balance imagination (breaking the rules and making
stuff up) with the social and physical constraints (&apos;rules&apos;) of each
activity. The tension between them -- knowing when to do what&apos;s
expected and when to interject the unexpected -- is what makes them
playful. The role-playing I do in the virtual world Second Life is most
enjoyable when it&apos;s creative, whimsical, clever -- our island is mostly
natural but has a kitschy flying submarine. Likewise, carnivals and
masquerade parties and murder mystery evenings give you the chance to
be someone else -- to get outside yourself and flex your imagination.&lt;br&gt;&lt;br&gt;What other ideas do you have that could help us all put more play into our lives?&lt;br&gt;&lt;br&gt;&lt;div style=&quot;text-align: right;&quot;&gt;&lt;small&gt;Category: &lt;a href=&quot;http://blogs.salon.com/0002007/stories/2003/05/13/artsLiteratureScienceTechnologyTableOfContents.html#14b&quot;&gt;Being Human&lt;/a&gt;&lt;/small&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;</description>
			<guid>http://blogs.salon.com/0002007/categories/musicFilmLiteratureTelevisionAndTheArts/2008/10/08.html#a2258</guid>
			<pubDate>Wed, 08 Oct 2008 21:55:19 GMT</pubDate>
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