Dick Jones' Patteran Pages
A patteran is a coded configuration of leaves, sticks and stones left at the roadside by Gypsies to communicate with each other. This is my digital version, left for any passers-by...




















































































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Monday, August 4, 2003
 

A picture named old aircraft.jpg

 

 

 

 

Flightpaths - 1913

 

 

 

 

 

 

The strangest of times: a skein of geese

crossing the bedroom window, heading west

and no body of water within seven miles.

I am playing the cottage pagan - lying late

amongst the Sunday morning bells.

Heaven is a cloudless sky

in late September, harvest past,

leaves on the turn. 

 

At first I think I hear the binder,

wheels beating, turning at the headrow,

but the fields are bare.

Such a beating, a clattering.

More geese searching for a lake

in this land of furrows?  Or

the rector in his Wolsely

come to seek me out?

 

And then my window darkens

into the shape of wings, jagged wings ñ

Weston mill uprooted, reeling across the fields? 

Certainly a hurricane of sorts

in the throat of this beast

squatting low over the beeches,

dabbling its feet in leaves, roaring

in a black updraft of rooks.

 

An aeroplane, fearful in the untried air ñ

nothing like the rising bird

it mocks,  This is a man,

dressed in wire and canvas,

climbing out of the long grass.

This is a godless man ascending,

out of the dust, towards the light.

 

 

 

 

 

 

 

 

 

 


6:44:34 PM    Mmm? []

A picture named cambridge crowd.jpgA picture named eliza carthy.jpg

 

WHEN THE MODE OF THE MUSIC CHANGES (2.)

Eliza Carthy (left)  Punters (right)

 

Acts of the day (just in case they show up in Poughkeepsie, Tombstone, Santa Cruz or wherever you reside) were: Grada, Flook & Shooglenifty.  I note with interest - & a little disgruntled regional chauvinism - that all three are, either by personal origin or musical emphasis or both, Celtic. 

Grada gave us jig'n'reels & much more. It's fascinating how a medium such as Irish dance music can have such a strong musical signature & yet ring so many melodic & rhythmic changes. They didn't displace Dervish for me, but they came from so distinctly different a direction that it was possible to perceive & appreciate them for their own qualities.  Once again, the powerful, flexible pulse upon which Irish dance music so depends came from the bouzouki & the guitar, but Grada had a demon bodhran player who coaxed textures & rhythms out of the hoop & goatskin that should only be possible on an entire drumkit.

Flook started off some years ago as a band showcasing flutes.  Whilst two duelling flutes (small Sarah Allen on huge tenor flute & tall Brian Finnegan on standard size) remain the dominant focus, once again a guitarist with a powerful right hand (Ed Boyd) & a bodhran player (John Joe Kelly) provide necessary earthing. Even a pair of hard-driven flutes have to operate in the top register & the blend of the breathy & the percussive was in perfect balance.

Scottish band Shooglenifty live in a kind of musical parallel universe all their own. Ostensibly handling largely Scottish traditional or traditionally influenced material, they then soak it in tinctures from all kinds of disparate sources.  There are no vocals so no verbal points of reference to localise the sound.  Motoring along on top of a rock rhythm section (Quee Macarthur, bass guitar & James Mackintosh, drums), wild-haired Angus Grant attacks the fiddle, Garry Finlayson plays banjo & Malcolm Crosbie guitar.  Such is the closeness of the mesh & the homogeneity of the sound, it's difficult to identify & expose the informing elements. But if rock & roll had had its origins in the Highlands instead of Memphis, Tennessee, it would have sounded like Shooglenifty. 

All over now for another year & the ciy walls are still intact.  But - Robbie Williams, Britney Spears & every boy band that ever drew coy breath notwithstanding - what a great time to be alive & in the midst of what's going on in music.

 


12:21:52 AM    Mmm? []



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