Dick Jones' Patteran Pages
A patteran is a coded configuration of leaves, sticks and stones left at the roadside by Gypsies to communicate with each other. This is my digital version, left for any passers-by...




















































































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Monday, August 25, 2003
 

A picture named no home.jpg

 

 

 

NO HOME BUT THE STRUGGLE

 

 

 

You tread the edge

of this bright world

gingerly, unsteadily as if

for you it lay in shadows.

 

Old red heat grown dull

in the world still glows

in you: a bust of Uncle Joe

watches you dine

 

(cold commons in the kitchen

with the morning news)

and that photograph in passe-partout ñ

the comrades in the trenches

 

outside Burgos, 1936, all fags

and grins and black and white

bandannas.  The flatís upstairs ñ

steeper every month ñ above

 

an Asian supermarket.  Great confusion

yesterday when you asked

in early morning stupor

(stunned by a dream of Ronnie Gold

 

drunk in an alley after Cable Street)

for the Daily Herald.

Consternation too when leaning

on stick and counter you recalled

 

young Harry Patchett who,

in September í39, sung the Internationale

to his public as he clipped

their tickets on the 131

 

to Dalston Junction.  Poor Salim ñ

too polite to interrupt ñ smiling

towards the shelves of catfood

planning reorientation round

 

a centralised display. Competitionís fierce

with Tesco by the roundabout.

Belts to be tightened, profits trimmed

this fiscal year.  Family first,

 

family first. Oh, yes, they took

your family first: both grandparents

left the ghetto in a lorry ñ

Lodz had become too crowded

 

and they needed workers

somewhere east of the city.

Three years on you knew

the truth.  You stood outside

 

The Eagle by Whitechapel Underground,

the letter in your hand,

and wept without a sound;

wept not just for a photograph

 

of Papi and Baba, stiff and grim

in some Carpathian valley,

but for a sea that parted

once again, but a different sea

 

a red, unfathomable tide in flood,

now and forever. You wept without

a sound, even as Whitechapel fell

about your ears in 1944.

 

And youíre weeping now

with a squeezy bottle of Domestos

in your hand, weeping

for another world

 

that never really wobbled

out of night and into dawn:

Uncle Joe, the Catalonian comrades,

Harry Patchett, Ronnie Gold,

 

the red blood of the Party

beating deep and strong,

all gone, all gone to ashes. 

Salim looks around for his mother.

 

What to do?  He seems always

so sad, this solitary pensioner

who drops his coins, forgets

to pay his bills.  ìAnd whereî,

 

his angry mother whispers,

ìare his sons?  Do they

not care that heís shaving

in cold water?  What

  

of his church?  Can they not

take him in?î They help him

to the door. He smells of piss.

They shake their heads

 

and lock up for the night.

Such times with fortune hostage

to the flagship enterprises. What

a world, such changes, revolution

 

turning on a dollar dropped.

Solly under a street light,

sodium shadows falling long

and ragged over the paving stones

 

that Hitler missed.  What

a world, implacable, unchanging.

Solly treads the edge

of this dark world unsteadily.

 


4:21:00 PM    Mmm? []



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