Dick Jones' Patteran Pages
A patteran is a coded configuration of leaves, sticks and stones left at the roadside by Gypsies to communicate with each other. This is my digital version, left for any passers-by...



























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19 September 2003
 

A picture named la chartreuse de la verne.jpg

 

 

 

LA CHARTREUSE DE LA VERNE

 

 

 

 

 

God stepped on my shadow today.

I felt the tug of his foot fall

here in the charterhouse courtyard

at the bright-hot pitch of noon.

 

From the valley, a blue updraft

of dust and seeds and wings.

In the cork-oaks and olive trees,

cicadas stirred their bones.

But inside that black splash

of no light, I stood alone.

 

From the deep, cool limewashed chapels,

into the fallen cloisters, through

the tangled, pungent maquis binding

graveyard crosses to the ground,

Certainty paces with her novice, Hope.

 

Shadows abound here – hard, black

manifestos, chiselled out of the light

that infects the world.  In the sacristy

ghost windows lie embedded in the flagstones,

conduits to another place.  But Certainty

steps lightly, followed close by Hope,

immaculate. Doors can be closed and shutters

drawn together.  Lectio divina, mandatum

and the silence of the night.

 

Here, where I wander strung between

solstice and equinox, I am either trapped

inside this shadow or I trail it over stones

like an unshed skin.  Man or master,

what I know is that where the light falls

I shall interrupt it, cast my cruciform

over the earth from dawn to dusk.

Old engine sun will charge my fuse

for free.  I will stalk myself in black,

uncertain, short on hope, until God climbs

back into the machine, and then

beyond where all is shadow. 

 

 

 

 


11:27:31 PM    Mmm? []

DEAR DIARY…

 

A rehearsal this afternoon with the three lace workers – or rather the three middle class 16-year-olds who are playing them.  They have only the sketchiest sense of the historical context of their characters – 1840 might as well be 1640 or 1940 for all their awareness of the specific social, political, cultural circumstances of the time.  Information supplied by me is listened to politely, but as I deliver it my role as director working with them recedes & my role as didactic teacher returns.  

 

But it’s remarkable how each girl is able to begin to take on the lineaments of these characters – Ayla as Fanny, the passionate teenager so in love with Jacob, her lover, & so sure of his love for her; Megan as Mercy, the team leader, consumptive & bitterly aware of having missed her opportunity for love & escape & thus jealous of Fanny; Tala as Alice, gauche & good hearted & desperate to conceal her failing sight.  And they approach these portrayals not with the superficial sophistication & savoir-faire of 21st century adolescents but with a sensitivity & understanding that is a curious compound of intuition & observation.  As they assimilate the Devon accents with increasing confidence & begin to explore voices for their characters, all the flip veneer that they all affect peels away.

 

How thin & insubstantial is the subculture that prevails amongst young people.  If the circumstances that demand that spurious street-wisdom, that over-emphatic sexuality, that edge of aggression simply don’t obtain, something much more authentic begins to emerge.  Casting a play within school is always something of a gamble: apparent substance in an audition may well reveal itself simply as slick style after a few rehearsals.  The director has to develop an acuteness of perception that will recognise even from a poor reading & low-key self-representation qualities that transcend mere artfulness.

 

Tomorrow I must search the Internet for a local lace-making circle so as to find someone to teach them the processes.  Considering the plethora of Craft Fayres in the area each summer, each full of earnest middle class spinners, weavers, carvers & potters, that shouldn’t be too difficult.

 

#

 

I am both charmed & alarmed to observe the latest addition to Reuben’s growing armoury of winning smiles.  He has developed a sort of louche, knowing, lopsided smirk, generally accompanied by a casual tilting back of the head & a casual lounging back in the seat.  (The smile can, in fact, only be activated from a seated position).  He practised it this afternoon at Isabel’s 1st birthday party: while the other babies hit each other with a range of soft & hard toys, Reuben lounged & smirked at the increasingly uneasy adults. 

 

#

 

Zoë & I spent our somewhat rushed weekend in Hamburg with brother/son Lindsay & it was, of course, great to see him.  He & Katrin made us very welcome.  On Saturday we wandered the streets of the city, seeing much more of it than had been possible on previous visits.  I wasn’t very impressed: the tall yellow & grey 6 & 7 storey terraces of offices & shops seemed characterless &, for all their pretensions to 18th century classicism or 19th century art nouveau, they seemed markedly 20th century.  Which, of course, they all are.  During the War we firebombed the heart out of the city, leaving only patches & scraps of old Hamburg standing.    


1:16:14 AM    Mmm? []


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