Dick Jones' Patteran Pages
A patteran is a coded configuration of leaves, sticks and stones left at the roadside by Gypsies to communicate with each other. This is my digital version, left for any passers-by...




















































































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Sunday, February 22, 2004
 

IM KRIEG GEBOREN...

Although I have no personal recollection of the Second World War, by virtue of growing up in the years immediately following it, it has been the defining influence over my life.  My parentsí generation had their memories of 20 years of troubled peace in between the Wars.  As a child I sat for hours with their photograph albums peering into those monochrome freeze-frames full of jovial strangers & the half-familiar, younger grinning faces of my parents.  Even then, with those portentous events so close at hand, I was aware of the poignancy of that optimism.  But I had only the War immediately before my birth.  My earliest impressions of a world outside the Balham, South London flat are of bombed sites, the gable ends of terraced houses shored up with timbers, the big white-painted arrows on walls indicating the route to the nearest air-raid shelter.  And so many Sunday lunchtime conversations, especially those with wartime friends, turned back to tales of the Blitz at the beginning of the War & the flying bombs at the end.   

 

So for me the Second World War has none of the historical objectivity of the First.  There is no notion of its being contained within a span of years, characterised by a set of cultural social, political, specifics that, for all the empathy one might feel for those who suffered, lock it into a time frame that is distant, removed, alien. The War is part of my personal mythology & its immanence affects me still.  It is the place from which I came; I have no sense of a time that preceded it or a time that, with the passage of the years, has superseded it.

 

Over a number of years I have written poems that have attempted to capture something of this indissoluble connection to the mighty events that took place immediately before my birth.  They have cropped up more or less unbidden amongst the general crop & I have come to see them as part of a slowly evolving pattern.  Only recently I started to collate them, revising some of them as further material emerged, but trying overall to perceive some order so that at some point I might lay them end to end.

 

I recently revised a poem that actually belongs to a different & planned sequence called A Dream of Aeroplanes.  But its concern with an experience of the Second World War & a deeper sense of its belonging geographically to the part of Kent in which I was born have me seeing it as being part of the larger sequence. 

 

A Dream of Aeroplanes: 1940 

 

A fire next time, I read.  And when it came

it was sky-borne.  Some had said at first

that out of it might come a cleansing;

out of the sky might fall a fire 

 

bright and holy, prophecy fulfilled.  September,

and I trimmed the ivy round the lych-gate.

It was lifting tiles clear of the joists

and my gardener was still in France.

 

That was about as close as the war

had come ñ censored letters, rumours,

like an invisible tide you can hear at the edge

of the world. Little to see beyond uniforms,

 

gas masks in boxes, gummed paper stretched

over windows.  And then, that afternoon, flying west

and in and out of cloud, the planes, a geometry

of crosses.  I watched and all around

 

the earth stood still.  The organ voice

of their passing scattered rooks, rippled

the water in the rain-butt, rattled a latch.

And then we carried on, conscious only of a sniff

 

of autumn in the air, the planes forgotten

in an empty sky.  That evening we were told

of the bombing ñ docks ablaze, the tram wires down,

parish halls as hospitals.  But still it came

 

from the wireless voices, morning papers and

the travellersí tales at the village bar.  Birds trilled;

I picked a sprig of yarrow for my hat, and rain

rushed across the lead roof of the transept.

 

The the Messerschmidt came.  Not quite, as they say

in comics ëout of the suní: it was a dismal morning

stacked with cumulus.  But we can all remember

from our kitchens, hayricks, lonely bedrooms

 

(I was in the vestry hanging surplices) the sound ñ

a falling cadence, like a voice that begins

in the throat but canít find words.  ëDespairí,

it would have said.  We heard it, all of us.

 

But no one saw the plane come down,

just the gout of fire that coiled and spun above

the oasthouse.  Then, when they searched

the fields around, the Home Guard amateurs

 

(the lads who filled my pews at evensong),

they found a booted leg, bloodless, like a spare part

brought along in case of need.  Little Sammy Scase

took the joystick home and his granddad scraped

 

the handle clean.  (ëVisceraí, the vet said later

in the milking parlour). Then it rained again

and the army came to haul away the wreckage.

And no-one paid for Vincentís oasthouse.

 

 


10:54:16 PM    Mmm? []

SUNSET BEHIND WESTON


10:20:20 AM    Mmm? []



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