Dick Jones' Patteran Pages
A patteran is a coded configuration of leaves, sticks and stones left at the roadside by Gypsies to communicate with each other. This is my digital version, left for any passers-by...












































































Subscribe to "Dick Jones' Patteran Pages" in Radio UserLand.

Click to see the XML version of this web page.

Click here to send an email to the editor of this weblog.


12 June 2005
 

Meg’s zapped me with the film meme that’s running around like Asian ‘flu. Here’s my choice:

 

Total Number of Films Owned: Difficult to say because categorising them all has always been a sort of theoretical concept alongside hypothetical projects like, ‘If I had the money & the space, I’d buy a classic car & restore it’, or, ‘One day I’ll walk the entire length of the Pennine Way’. But I’d guess-timate something around the 3 -400 mark on video & another 50 – 60 on DVD.

 

Last Film Bought: Cold Mountain, which, in spite of Nicole Kidman’s default simpering throughout, I enjoyed very much.

 

 

Last Film Watched: See above.

 

 

Five Favorite Films That I Watch Frequently or That Mean A Lot To Me:

  • Brief Encounter – David Lean + Trevor Howard & Celia Johnson. If ever a film tapped into & communicated with heartbreaking intensity English emotional modesty, restraint &, ultimately, heroic self-sacrifice, this is the one. I weep each time I watch it.
  • If Lindsay Anderson + Malcolm McClaren & David Wood. Again, a quintessentially English film, this time tapping into that deep vein of heretical radicalism that was in full & joyous revival in 1967, the year in which its maverick director shot it. I cheer each time watch it.
  • The Wild Bunch Sam Peckinpah + William Holden, Robert Ryan, Edmund O’Brien & Ernest Borgnine.  The last Western.  In its bloody but elegiac wake no further Westerns should have been made (with the exception of Unforgiven). A rare & precious example of that most satisfying of syntheses, the human scale epic.
  • Battleship Potemkin Sergei Eisenstein + ???  My father took me to see this most influential of films when I was 12. Its stark images & terrifying action sequences entered my dreams & have haunted me ever since. Many years after seeing it that first time I learned about concepts like montage & the power of Truth over Reality, but it’s the sheer elemental power of the film, its creation of a world into which the viewer is immediately drawn, that exert their influence over me every time I watch it.
  • Some Like It Hot Billy Wilder + Marilyn Monroe, Tony Curtis, Jack Lemmon. In a final playoff, probably the funniest film ever made. Dream casting – although everyone on set hated MM - & two actors clearly enjoying themselves so  much they’d have done it for free.

Movie you would most like to see again if you could find it: Shadows - John Cassavetes + Ben Carruthers & Lelia Goldoni. An enormously atmospheric movie about a mixed-race relationship, set in New York Cit & released in 1959 (after an earlier mid-‘50s version was poorly received). Largely improvised, virtually plotless & defiantly hand-made, powered along by an intoxicating jazz score. When at the age of 15 I saw it at the National Film Theatre (again with my very hip father), it supplied the visual & aural context to the Beat novels & poetry that I was devouring at the time.  I’ve caught up with it occasionally in the years since, but have only just tracked down a decent copy on DVD.

 

Additional mop-up category for some of the other films that, had the wind been blowing from a different direction, I would have chosen instead of the above…

 

  • Lost in Translation (Sophia Coppola).
  • The Seventh Seal (Ingmar Bergman).
  • The Way to the Stars (Anthony Asquith).
  • Dead Man Walking (Tim Robbins).
  • Airplane (Jim Abrahams & David Zucker).
  • On the Waterfront (Elia Kazan).
  • The Lord of the Rings (Peter Jackson).
  • State & Main (David Mamet).
  • Un Coeur En Hiver (Claude Sautet)
  • A Canterbury Tale (Michael Powell & Emeric Pressburger).
  • Prospero’s Books (Peter Van Greenaway).
  • Kanal (Andrzej Wajda)
  • Schindler’s List (Stephen Spielberg).
  • Last Year at Marienbad (Alain Resnais.
  • The Searchers – John Ford.
  • Gadjo Dilo (Tony Gatlif).
  • Close Encounters of the Third Kind (Stephen Spielberg).
  • Apocalypse Now (Francis Ford Coppola).
  • Glengarry Glen Ross (David Mamet)

 I gotta stop…

 

By inflexible meme law, I’m supposed to sling this to three unsuspecting souls who probably commit more than enough time to preparing & posting their own material already. So I’m going to risk expulsion from the sanctum sanctorum of the Hard Core Memers & place it on the open market. Pick it up. whomsoever, but maybe link back here so we can all have a look.

 

 


9:44:44 PM    Mmm? []


Click here to visit the Radio UserLand website. © Copyright 2005 Dick Jones.
Last update: 01/07/2005; 23:32:50.
June 2005
Sun Mon Tue Wed Thu Fri Sat
      1 2 3 4
5 6 7 8 9 10 11
12 13 14 15 16 17 18
19 20 21 22 23 24 25
26 27 28 29 30    
May   Jul