Excerpt of The Departure by Michael Parker

  HOME

Wednesday, January 14, 2004

J and I watched Dr. Strangelove on DVD the other night hoping that it would have commentary on it.  No such luck.  Well, we greatly enjoyed the movie anyway. It has the greatest lines that seem so fitting at this junction in this Bush Administration.

Consider these lines between the General who has gone mad and Captain Mandrake, played by Peter Sellers:

GENERAL RIPPER: Do you remember what Clemenceau once said about war?

CAPT. MANDRAKE: I don't think so, sir.

RIPPER:  He said war was too important a matter to be left to Generals...but today, war is too important to be left to politicians...I can no longer sit back and allow Communist infiltration, Communist indoctrination, Communist subversion, and the international Communist conspiracy to sap and impurify all of our precious bodily fluids!!!

Just replace "Communist" with "Terrorist" or "Democratic" and you have updated the script to fit today's threat.  Maybe at the upcoming State of the Union, we'll hear Bush say: "For the sake of all that is holy, let us save our precious bodily fluids!"


8:19:16 PM   | COMMENT [] | TRACKBACK []

Have you ever played the Six-Degrees of Kevin Bacon movie trivia game.  The object is to spit out the name of an actor and attempt to connect them to Kevin Bacon within six degrees or less. For example, if the actor is Keanu Reeves, the degrees of familiarity would look like this: Keanu Reeves stars with Jack Nicholson in the film Something's Gotta Give > Jack Nicholson starred with Kevin Bacon in A Few Good Men.  

It seems you can play this type of game with the current administration.  Someone has ties to someone else stretching back decades. Today's new revelation, at least it was for me, was in regards to Rummy's early ties with Cheney. TomPaine published the article "Same Folks, Different Strokes," by Laura Flanders, author of the forthcoming book Bushwomen: Tales of a Cynical Species. In the article, she describes how Rummy and Cheney ended up working together and how they fought to rid the U.S. of it's government-funded projects to fight poverty (and other subversive elements, of course).

According to a 2001 New Yorker article, what impressed Rumsfeld most about the young Dick Cheney was the job he'd been doing for a group of congressman, including George H.W. Bush, who were developing legislation to cut off federal funding to troublesome universities. Cheney sat in on campus meetings and gathered information on faculty involvement in anti-war protests and their relationship to groups like Students for a Democratic Society. At OEO, Rumsfeld and Cheney embraced as their mission not to direct the office, but to discredit its programs and ultimately to dismantle the agency. From a federal funding service, they turned OEO into a tool of federal surveillance. 

Federally funded community groups found themselves investigated for alleged misuse of public money and accused of subversive activities. By 1972, the OEO was near death (it was disbanded officially under President Ford) and government-funded community action had became one of the red-hot, hot-button undesirables of LBJ's Great Society. The legacy persists, echoing through every bitter debate over Congressional appropriations for grassroots projects from public broadcasting to the NEA..... 

The continuum, however, is not so hard to make out. "Maximum feasible participation" has been anathema to the Bush crew from the start.

Forty years ago, the War on Poverty and its anti-poverty empowerment programs were the dreaded threat. Publicly endowed "community action" just might have empowered poor and marginalized Americans by giving them the means to organize and advocate for themselves.

The very same men who rolled that program back are now pursuing Washington's unchallenged  dominance of the world. Same folks, different strokes; the 40th anniversary of the War on Poverty is a good time to consider the many ways in which today's wars for global supremacy began at home.


7:51:25 PM   | COMMENT [] | TRACKBACK []

Blog banner taken from the oil painting "The Departure" (40"x 30") by Michael Parker, 1999.


January 2004
Sun Mon Tue Wed Thu Fri Sat
        1 2 3
4 5 6 7 8 9 10
11 12 13 14 15 16 17
18 19 20 21 22 23 24
25 26 27 28 29 30 31
Dec   Feb

Click on one of the calendar days to read my journal posting for that day.

E-MAIL ME
Film Page

PREVIOUS POSTS


FAVORITE BLOGS
  

Archives

[Macro error: Can't call the script because the name "monthlyArchiveLinks" hasn't been defined.]
MUSIC REVIEWS

Mario Frangoulis
Sarah Brightman's 'Harem' Spectacular
Switchfoot: The Beautiful Letdown
The Reinvention of Madonna

NEWS
  Salon
  LiberalOasis
  New York Times
  Slate
  Tom Paine
  Mother Jones
  The Guardian
  CNN
  The Washington Post

  - Start your own blog
  Subscribe to this blog in   Radio:
Subscribe to "Michael Parker's Journal" in Radio UserLand.
Click to see the XML version of this web page.
Updated Salon Blogs

Salon Rankings


© Copyright 2005 Michael Parker. Click here to send an email to the editor of this weblog.
Last update: 3/31/2005; 7:44:28 PM.
Powered by