Excerpt of The Departure by Michael Parker

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Sunday, June 12, 2005

I was tagged by Mike over at Chew Toys to complete a little survey on films. Here is my response:

Total Number of Films Owned: About 30.

Last Film Bought: Marc Forster's Finding Neverland. The noteworthy performances of Johnny Depp, Kate Winslet (she's amazing), Julie Christy, Dustin Hoffman, Radha Mitchell, and a group of brilliant child actors, especially Freddie Highmore as Peter, highlight a truly thoughtful and moving script.

Last Film Watched: At the theaters, the last film I watched was Robert Rodriguez’ fantastic film Sin City.

While I was recovering from my operation, I watched the following films on DVD:

The Final Cut (with Robin Williams, Mira Sorvino, and Jim Caviziel)– Intriguing concept and story of a memory cutter (someone who edits the memories of deceased people and prepares a Re-memory film for the funeral, memorial) who learns that he himself has the implant that captures every moment of your life. His very life is on the line when he wins the contract to edit the memories of the controversial CEO of EyeTech, the company who makes and installs the implants.

Finding Neverland

Pride & Prejudice (The A&E version, directed by Simon Langton; starring Colin Firth and Jennifer Ehle as Mr. Darcy and Elizabeth Bennett.) This is a phenomenal production and a delight to watch. Clocking in at just over six hours, this is the best adaptation of Jane Austin’s incredible work. Oh, and by the way, there is another adaptation hitting the cineplex this fall. Do you think it can even remotely come close to this version?

Napoleon Dynamite. In this my third watching of this film, I’ve definitely been able to unplug the personal reflection machine inside of me and watch this for the pure fun of it. You see, I saw so much of Napoleon in my high school self that it was most torturous to watch the first time. Nonetheless, Napoleon is an amazing little film that might easily be one of the most influential films in recent memory. I can’t tell you how many teens and kids have taken on the lingo from the film, spewing out lines. Teens dress up and do their hair like the characters for parties. In fact, there are Napoleon Dynamite parties.

You’ve probably seen the Napoleon line of clothing that is on the racks at Hot Topic.

In this watching, I greatly enjoyed Napoleon’s antics– the way he gazes out of that ugly mop of a hair-do to the way he dresses; from his passive-aggressive replies and mannerisms to his chicken-liver attempts at courage. Napoleon has come to be the Everyman of teen angst.

If you have not yet seen this film, here is my plug. Get past how the characters look and you’ll find an oddly endearing and meaningful Everyman’s-type tale that has heart and a decent message, one about coping with the pain of growing up, trying to capitalize on opportunities, and developing future dreams by going after them now. As Napoleon said to Pedro (when Pedro confided in him that he didn’t know what to say in his campaign speech to the student body): "Just tell 'em you'll make their wildest dreams come true."

Beauty and the Beast. Alright. I admit. All the kids at the beach house were watching this and I crashed their party. This is a classic. No doubt about it.

Five Favorite Films That I Watch Frequently or That Mean A Lot To Me:

The Princess Bride

Harry Potter and the Prisoner of Azkaban

Dr. Strangelove

Oh Brother Where Art Thou?

Shrek and Shrek 2

The Incredibles

The Lord of the Rings Trilogy

Whale Rider

Russian Ark

Northfork

Love Actually

Among my favorites otherwise:

This is a very long list and one of these days I’ll get around to posting all of my favorite films. So for this post, I’ll just list the films that come immediately to mind:

Anything from last year’s top ten lists: here, here, and here.

Dr. Strangelove

Crouching Tiger, Hidden Dragon

Gosford Park

Oh Brother Where Art Thou?

Fargo

Sin City

Lost In Translation

Magnolia

The Hours

Eyes Wide Shut

Apocalypse Now (Redux)

Star Wars

American Beauty

Being John Malcovich

The Three Kings

Gladiator

The Insider

Road to Perdition

Schindler’s List

Shakespeare in Love

Elizabeth

Hamlet (Kenneth Brannagh)

Howard’s End

The Remains of the Day

A Room With A View

Ghandi

The Silence of the Lambs

Ordinary People

Adaptation

Spirited Away

Waking Life

Kill Bill Volumes 1 and 2

Pulp Fiction

Alien

Aliens

The English Patient

Cold Mountain

Saving Private Ryan

The Thin Red Line

Thelma & Louise

The Blair Witch Project

Das Boot (Germany)

Nosferatu (Germany)

Moulin Rouge

Romeo + Juliet

Miraculously, I want to see, and have not seen: Revenge of the Sith, Robots, Kingdom of Heaven, Crash, The Sea Inside, The Hitchhiker’s Guide To The Galaxy, Madagascar, The Bridge on the San Luis Rey,

Movie you would most like to see again if you could find it: Cradle Song (Spain). J and I saw this beautiful film at the 1995 Sundance Film Festival. Directed by Jose Luis Garci, Cradle Song is a story about a convent who finds a newborn left on their steps. They raise her, only to have to say goodbye when she falls in love and chooses to marry her handsome suitor. I echo the analysis written by Christian Gaines, writing in the Sundance film festival guide-- the strength of the film "lies in the consistent beauty Garci has created inside of the convent. The nuns go about their daily routines and observe strict rules, yet their personalities remain irrepressible. This is a film of breathtaking images. Light not only transforms the convent into an enchanting labyrinth of chambers with golden highlights but also signifies the freedom beyond the leaded windows. Like a good fairy tale, Cradle Song transports us to a serene world of truth, beauty, and innocence."

I want you to know that both J and I were bawling at the end. Having been invited in to see the relationship build between the nuns and Teressa, we felt as torn as the nuns when Teressa parted. Very powerful film, indeed.


7:20:52 PM   | COMMENT [] | TRACKBACK []

The boxoffice is in a slump. I'm sure you've heard the news before.  But reviewing the films being released this summer and fall, and for the holiday season, I don't think the box-office folks should worry.  But despite box-office hits, there is a crop of highly intriguing dramas that I can't wait to see.  Here is a list of the films I want to check out. (Where I will get the money to see all of these is beyond me!)

June & July Releases

Christian Bale is going to do this up right you know-- Batman Begins; Tom Cruise’s newest role in War of the Worlds; a highly touted zombie film from Australia called the  Undead; Heights; another superhero film along the lines of X Men, Fantastic Four; Ingmar Bergman’s last film Saraband, Terrance Mallick’s The Beautiful Country; and I don't want to miss the Sundance film festival double winner (Audience Award and Special Grand Jury Prize for Best Documentary) Murderball, which is a documentary about the tensions that arise in the Paralympic Basketball match-up between teams USA and Canada at the Greece Olympics.

For all of you runners, here is a film that is opening in August– Saint Ralph. It is about an awkward Catholic school boy (Butcher) who enters and runs the Boston Marathon, thinking that a victory there will be the miracle his mother needs to awaken from her coma. Check out the film here.

For you poets and literature types, the upcoming release of Yes, by Sally Potter might be a film you should check out. Why? Because the entire screenplay, written by Potter, is in verse. And word on the street is that it is quite "exquisite." Yes is about a married woman who falls in love with a chef and their passionate affair takes them on a journey to Belfast, Beirut, and Havana. Might this be a possible Best Original Screenplay nominee? Check out the sight here.

August Releases

Bill Murray’s latest film Broken Flowers; The Skeleton Key; John Singleton’s Four Brothers; Disney’s animated film Valiant; the John Turturo musical Romance & Cigarettes; Terry Gilliam’s The Brother’s Grimm;

September Releases

John Madden’s Proof; Johnny Depp’s latest Oscar buzz role in The Libertine; Liev Schreiber’s Oscar buzz film Everything is Illuminated; Tim Burton’s newest clay-mation film Corpse Bride; and Roman Polanski’s Oliver Twist.

October Releases

Wallace & Gromit’s film debut in The Curse of the Were-Rabbit; Cameron Crowe’s Elizabethtown; Marc Forster’s new film Stay; Gore Verbinski’s The Weatherman; Meryl Streep’s latest Prime.

November Releases

Chicken Little; the adaptation of Alan Moore’s graphic novels titled V for Vendetta; Sam Mendes latest Jarhead; Chris Columbus’ adaptation of the huge Tony award winning musical Rent; Harry Potter and Goblet of Fire; Zathura; Harold Ramis’ film Ice Harvest, starring John Cusack, Billy Bob Thornton, and Dennis Quaid.

December Releases

The Chronicles of Narnia; Peter Jackson’s much anticipated remake of King Kong; the Oscar buzz film All the King’s Men;


5:01:45 PM   | COMMENT [] | TRACKBACK []

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