Poetry
of Dana Pattillo (He uses Dr. Omed's Patented Oil of Prosody, and you can too!)
Last updated:
4/27/2008; 10:16:00 PM


April 2008
Sun Mon Tue Wed Thu Fri Sat
    1 2 3 4 5
6 7 8 9 10 11 12
13 14 15 16 17 18 19
20 21 22 23 24 25 26
27 28 29 30      
Aug   May



Subscribe to this blog in Radio:
Subscribe to "Poetry" in Radio UserLand.

Click to see the XML version of this web page.

E-mail this blog's author, Dr. Omed:
Click here to send an email to the editor of this weblog.
 

Sunday, April 27, 2008

 Today is 12.19.15.5.1, 8 Imix 4 Wo.
 
JONAH, UP A TREE, EARLY 1980S
 
DR. OMED, FROM THE SAME ROLL OF FILM (REMEMBER FILM?)
 
1699 shopping days until 13.0.0.0.0, 4 Ahau 3 K'ank'in.
Friend Jonah of Love During Wartime posted a poem back on April 12th, which I think is a very fine "last" poem, as he calls it, if indeed it were to be his last. I like the humor and the history in it. Jonah and I have been friends for thirty years, so I have a headstart on the rest of you. But you'll catch the drift, if the drift doesn't catch you first. I think all poets start writing their last poems at some point, some when very young, others when in their dotage. Last looks back "o'er travelled roads," as Whitman had it, after he rehearsed himself into the role of the "good grey poet." Rimbaud wrote his last poem, Une Saison en Enfer, threw down his pen and abandoned his muse at what--age 19? So I ask my fellow poets--Have you begun the work on your last poem(s) yet? I think I was about 39 when I started writing my first last poems--my first real last poems. Accomplishing the virtue of lastness in poetry is a not straightforward pursuit, it is devious, tricky, and oblique. It helps if you have reached middle age and your brain function has begun to decay. Metaphors have to be jury-rigged, and they must "shine in use." Here's the last of Jonah, and may there be many more lasts for him:
 
MY LAST POEM
 
My last poem
will walk under storm-green skies
past haunted duplexes
through echoing culverts
through knee-high grass.
It will walk from New Jersey Pine Barrons
and coast up Gravity Hill;
it will walk from mother's horror
to father's death;
it will walk from the myth of Saturn
to the mouth of the whirlwind.
It will walk all this way
to sit on my chest,
some cat-like Buddha,
to flip through the uneven pages
of my unjustified heart.

My last poem and my first poem
will sit on the front porch
and tell tall tales
about the neighbors.
They'll compare rhetoric
and the scope of their rhythm.
"You've got a charming rhyme scheme,"
my last poem will say;
"You've got a mysterious metaphysic,"
my first poem will reply.
And they'll write sketches of the wind
while drinking green tea
with a pinch of fresh mint
and a spoon-full of local honey.

My last poem
may have forgotten every cherished image;
it may have lost
its connection to each borrowed symbol
and 40 years worth of repetends.
It may find itself confronted
by each unfinished stanza,
every half-begun epic,
each muse in passing
and muse in waiting -
each shopgirl, waitress,
movie star, pew mate,
class mate, anima projection -
all the false goddesses
and true harridans,
all the true goddesses
and faithless lovers.
It may have forgotten
their names in eternity.
It may have lost its breath
and its measured lines.
It may not want a song
or need one more sip of beer.

My last poem
will shake your hand and greet you.
It will welcome you like an old friend.
It will walk with you anywhere.

10:05:04 PM    comment []

Sunday, August 19, 2007

WOLF ROSARY

Hail, Mother of Howls,
we who have ears hear you.
By the chill down the long bones,
by the quaver of the pulse,
we know your song,
and we know this song has no words.
Forgive us our words.

Hail, Bitch of Bitches, Alpha to all packs,
Blessed are you among she-wolves,
and blessed are the litters you whelp,
the river of wolves that runs in our blood.

Hail, Mother Fang, you bite deep
into our brains, past the clot of memory
and language, you bite deep
and we know again
the smell of your must
and the taste of beestings;
we know again
the tang of iron in hot blood;
the communion of snarls
over a fresh killl;
we know again
the taste of snow in deep winter
trickling to a hunger-knotted stomach.
Fangs of your fang,
tongues of your tongue,
feral children alone in the night,
we give voice,
and what music we make!
We know the song has no words.
Forgive us our words.

Hail, Bitch of Bitches, Alpha to all packs,
Blessed are you among she-wolves,
and blessed are the litters you whelp,
the river of wolves that runs in our blood.

Note: The above is work-in-progress, or rather, liturgy-in-progress. As some of you know, Mrs. Dr. Omed has charged me with the task of composing what I like to call an Atheist Feminist liturgy, a body of work that will eventually comprise a sort of Book of Common Prayer for the unchurched--those who live their lives outside any church and without reference or recourse to god, or what the churched think of as god.

Wolf Rosary was written for a friend who was recently diagnosed as Bipolar—a Manic Depressive. The metaphor she and her husband use to refer to Bipolar Disorder is Lycanthropy—she is a lycanthrope, a werewolf. Since I have survived to my jubilee year (49) with full blown Manic Depression (and without diagnosis or treatment until age 37), I feel a bit like a hoary old village elder to all the bipolar lycanthropes round about. Want to see my teeth? I still got 'em.


5:29:39 PM    comment []

Tuesday, July 10, 2007

The Willendorf Polka
O, you can't have her, I will keep her
She's not too fat, not too fat,
Not too fat to be my Venus,
Not too fat for me.
 
My love is prehistoric,
And so caloric, not to mention ad valoric—
An order older than the Doric
and so much more heroic…
 
O, you can't have her, I will keep her
She's not too fat, not too fat,
Not too fat to be my Venus,
Not too fat for me.
 
Feed her up, feed her up,
I feed her stacks of pancakes,
give her cupcakes and 'nilla milkshakes,
give her all it takes, with extra syrup…
 
O, you can't have her, I will keep her
She's not too fat, not too fat,
Not too fat to be my Venus,
Not too fat for me.
 
Can she zip up her pants?
No, no, no, no, no, not with all those ants.
Can she climb the stairs?
No, no, no, no, no, only at state fairs.
 
O, you can't have her, I will keep her
She's not too fat, not too fat,
Not too fat to be my Venus,
Not too fat for me.
 
She's so plush, she's so lush
I still have a tragic crush
She's the butter in my cornmeal mush,
Only she can tell me shush…
 
O, you can't have her, I will keep her
She's not too fat, not too fat,
Not too fat to be my Venus,
Not too fat for me.
 
Note: Mrs. Dr. Omed LOLed when she read this, so it's good enuf for you lot.
 
 
Most of the images you see of the Venus of Willendorf make the figure look massive, almost threatening with psychic weight. The real thing is something you can hold in your hand, a bit under five inches in height. Since she has, literally, no feet to stand on, perhaps she was meant to be held in the hand. She is very old, as human representative artifacts go, maybe 24,000 years old, found in 1908 in Austria. She was carved of oolitic limestone not native to the place where she was found, and tinted with red ochre. Some have suggested that she was carved from the perspective of a woman looking down at her own body.

7:48:26 PM    comment []

Friday, July 06, 2007

Dr. Omed reads another damn poem.

TEXT HERE


7:05:48 PM    comment []

Sunday, June 24, 2007

POEM OF THE DAY

Heptad  To Elspeth, on the 7th anniversary of our marriage

Seven is a happy number
in that it returns
upon its squares to one.

Seven is prime.
Divisible only by itself and one.
Seven is a self number:

It cannot be generated
by any other integer
added to the sum of its single digit.

Seven is one
of a series of integers
each the sum of two previous terms

converging on the golden ratio.
Seven is a lucky prime
sieved from the sea of integers.

Seven is a safe prime;
in a discrete logarithm,
a key to the cryptogram of love.

Seven is both cardinal
and ordinal, a special well-ordered set
of all that came before it,

resolved from an infinity
of non-empty sets
by the axiom of choice.

Finite and unrepeatable
these seven years
will not fail of an itch.

Dana Pattillo

PoD 122


1:05:06 PM    comment []

Thursday, May 31, 2007

POEM OF THE DAY

Magnificat

A shadow
in the loom of her presence
this ghost rejoices
 
that she holds me
in her regard,
takes my rough hand
 
and tells its whorls
down to the last generation.
My soul proclaims
 
her mercy, my spirit is proud
to be broken
and scattered in the imagination 
 
of hungry hearts. Holy
is her unspeakable name.
Saints fed on prayers
 
have starved in unsaying it.
Gods have died
in the hearts of the faithful,
 
the rich in spirit cast out
of their conceits,
dead in their reckonings.
 
Those who call themselves blessed
in the sight,
Those who magnify themselves 
 
in the fear,
those who bow down to thrones,
who wreck the rod,
 
who glorify the strong arm,
who fail of every promise they keep,
even them who call her him,
 
hymn to her.
Holy, holy, holy,
is her unspeakable name,
 
unbroken is her necessity,
all her promises kept,
all her dread mercies
 
rehearsed in our dreams
all the nights
of all our days, forever and amen.

Dana Pattillo, 2007

PoD 121


8:19:32 PM    comment []

Saturday, May 26, 2007

POEM OF THE DAY

Cold Moons

 

Like a fiddle bow

on a flexed saw 

my bones twang.

 

I rise from the bed

of the woman

of my dearest nightmares

 

and wake up

beside my wife.

My father walks

 

out of the cracked mirror

and without a word,

kisses me on the left shoulder:

 

I wake again,

beside, again , my wife.

How many wakings left to go?

 

I am no longer a young man.

Seven times seven

are the winters I have seen.

 

No longer the chosen lamb,

I still dream dreams

but I am not the son of these cold moons.

 

I never rode with coven

or Joan of Arc

and I never was a fickle one

 

tho’ all cats are grey

in the dark,

and a coat of many colors

 

is all black

in the Great House

of Mother Night.

 

A mercenary not for hire,

an assassin who does not kill,

worth no one's salt,

 

I take my pay in sand,

sands of sleep and time,

and spend it all

 

in the precinct of harlots

in the temple of the Crone.

She lays me down to sleep

 

drapes me with her cloak

of many daughters

so that I may be stabbed with sickles of light,

 

sore afflicted

with a pox of moons, 

so that I may walk in other worlds,

 

in new wrinkles

of laminate verse,

and this is not a sin.

 

Dana Pattillo, 2007

 

PoD 120


2:23:18 PM    comment []

Tuesday, October 10, 2006

"PROVOCATIVE ACT"

FROM THE OFFICIAL TEXT OF MR. BUSH'S STATEMENT:

Last night the government of North Korea proclaimed to the world that it had conducted a nuclear test. We're working to confirm North Korea's claim. Nonetheless, such a claim itself constitutes a threat to international peace and security. The United States condemns this provocative act. Once again North Korea has defied the will of the international community, and the international community will respond. (VIA NPR)

DIRECT FROM HIS WINDOWLESS CUBICLE IN HELL, DR. OMED RIFFS ON

Provocative Act

 

It’s an extremely provocative act.

It is a mad provocative act by a government which has lost all restraint.

It is hard to think of a more provocative act than this.

It is an unfortunate, provocative act that we cannot in any way encourage.

It was a provocative act that does not serve the cause of peace.

It is inconceivable that such a provocative act could have been undertaken.

It is the most dangerous and provocative act of folly.

it is quite appropriate to condemn this provocative and dangerous act.

It's very appropriate for countries to put sanctions on

to punish the provocative act.

 

We cannot say we cannot do anything.

 

We think it is a provocative act.

We view this as a deliberately provocative act.

We say North Korea did a provocative and unwise act.

We have here, then, a provocative and irresponsible act.

We point out, and object to, the oppressive and deliberately provocative act.

We stand next to you condemning the cowardly provocative act.

We strongly condemn any kind of provocative act, from whatever source.

We severely condemn this provocative act.

We lodge a strong protest to condemn this provocative act.

We condemn this provocative act and urge that it not be repeated.

We are truly facing a provocative act.

 

We cannot say we cannot do anything.

 

Our message is that this is a very provocative act.

You could hardly have had a more provocative act.

This provocative act violates a standing moratorium on provocative acts.

Washington warned it would be seen as a provocative act.

Britain said it would view any nuclear test as a highly provocative act.

We are consulting with international partners such as Russia and China

on the next steps uniting the world’s united opposition

to this provocative act.

Expect an impotent act of international self-stultification.

Do you have a position on whether this would be a provocative act or not?

I find it hard to believe that calling a provocative act

"provocative" constitutes effective deterrence.

 

We cannot say we cannot do anything.


9:17:00 PM    comment []

Saturday, September 09, 2006

COMING TO YOU

FROM HIS WINDOWLESS CUBICLE IN HELL

DR. OMED READS A CLEAN, WELL LIT POEM.

Note: It's somewhat disquieting at times to watch and listen to oneself on the viddy. All the tics, fumbles, mumbles, and mispronounciations are there in not quite living color and 'puter speaker sound for me to see and hear. It's instructive, for the same reason. I'm not quite satisfied with the reading I gave, but it wasn't too bad, and I wanted the florescent-lit ambience of my workplace, the aforsaid windowless cubicle in Hell.


2:34:44 PM    comment []

Sunday, September 03, 2006

Poetry after Midnight

   In the month of Remember...


4:04:29 AM    comment []



© Copyright 2008 Dr. Omed. Click here to send an email to the editor of this weblog.
Last update: 4/27/2008; 10:16:00 PM.
Powered by