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Wednesday, November 12, 2003

It's A Bird! It's A Plane! No, It's ... Us!

One of the TV shows that I watch is Smallville. It's an adaptation of the Superman myth, retelling the story of the teenage Clark Kent set in present day Kansas (though on the show, Kansas looks suspiciously like British Columbia). The easy malleability of the story reminds me of the Arthurian myths, which have been continually remolded for every age; from the Mabinogion to Le Morte d'Arthur to The Once and Future King to the Mists of Avalon. As long as you leave intact a few key touchstones, you can faithfully rewrite the story for each new audience. It's reinforced the feeling I've long held that Superman is the myth of modern America; the personification of our postwar self-image.

Boiled down, the Superman story goes as follows: An alien baby falls to Earth where he develops amazing powers while being raised in the heartland by quintessentially American parents who teach him that his powers should be used for good. On a mythological level I feel that this corresponds to America's identity as a nation of immigrants that introduced democracy to the modern world (an alien concept in a time of monarchy) and developed great power in our new land (overwhelming economic and military strength) which we (ideally) use only for good because that's just the American thing to do. I believe that's why Superman is such a universal icon to us. He's the avatar of the idealized America.

Not that this is the only mythological correspondence for Superman in the American experience, nor even the first. Far from it. I believe that the original roots of the story had more to do with the experience of jewish immigrants to America in the early-to-mid 20th century. In this case, the alien child with special powers dropped into America represents the Jews as God's chosen people arrived on these shores. The pressure and desire to assimilate to the new culture is represented in Clark's adoption by prototypically waspy parents in the American heartland, and in the fact that he hides his true identity in plain sight behind a waspy name and a pair of glasses. He always remains Kal-El, Son of Krypton, meanwhile becoming as iconically American as America itself.
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