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Sunday, July 31, 2005
 

 

Sunday Cinema


The Houston Chronicle brings us this story of difficult choices:

President Bush soon could face a decision over whether to keep his career-long strategist Karl Rove, a revered and reviled political operative credited as "the architect" of victory by the grateful second-term president.

A decision could be forced upon the White House at any time by special prosecutor Patrick Fitzgerald, who is weighing a final report and possible indictments in a 19-month investigation into whether Rove and other White House officials leaked the identity of an undercover CIA agent in an effort to discredit an administration critic.

[...]

Bush may have to learn to operate without the cagey, hard-nosed adviser who has helped mastermind every political victory in the president's meteoric 11-year political career — from back-to-back wins as governor of Texas to successive White House victories.

So, will Bush stay true to the aide with whom he's shared so much and risk the political fall-back, or will he bid adieu to Karl despite the heartache this will brong both of them?  I guess we'll wait and see.

But until then, here's the first section of the Subliminal Cinema chapter "What I Did for Love."  It's about love, loss, and monsters, and the lessons they can teach us. 

****************

What I Did For Love

 

We all want love. But are we truly ready for the sacrifices love demands? Because while you might think that meeting your soul mate and falling into a blissful romance with him or her will be an effortless, magical thing, nothing could farther from the truth. Actually, capturing someone’s fancy, forging a relationship with him or her, and then forcing this person to love you is damned hard work, much like winning the presidency. And just like becoming president, your campaign will demand that you tell people what they want to hear, pretend to care about their interests, lie about your past, and engineer ballot fraud in Florida—so you’d better start now if you want a date for New Years Eve.

The bookstands are full of self-help tomes that promise to make you so irresistible to the opposite sex that your face will launch a thousand ships and burn the topless towers of Ilium (note: the publishers deny all liability for any burnt towers). Likewise, the subject of attracting and winning a mate is a staple in mass-market magazines. For instance, a recent issue of Glamour presents an article entitled "Capturing His Heart: the Same 22 Sexy Secrets We’ve Featured Every Month for the Past 5 Years." Cosmo suggests "Win His Love Through Sluttiness." And Maxim submits "Bunches o’ Bouncing Boobs." So, obviously the theme of love, the eternal quest to achieve that ineffable union of the physical and the spiritual is very popular, except with men, who just want to see breasts.

But we suggest that the best source of information on how to make someone love you is Hollywood movies. After all, what other segment of society has a better track record at achieving real, lasting, once-in-a-lifetime love than movie stars? And who accomplishes it more frequently? Also, who would know more about the kind of lies that love is based on than moviemakers?

We’ll be examining several recent films for tips on navigating the terra incognita of amour. Our first movie shows what to do if you’re an aging, duplicitous lothario involved with a moribund imp.

 

Autumn in New York (2000)

Directed by Joan Chen
Written by Allison Burnett

Suggested tagline: "It’s Lolita meets Camille in the feel-bad hit of the summer!"

Our movie begins with the gray-haired Richard Gere flirting with pregnant women in Central Park. Clearly Richard is a womanizer who must be taught a lesson--so God decides to make him fall in love with Winona Ryder. Yeah, it seems kind of harsh to us too, but remember what He did to the Cities of the Plain for roughly the same offense.

Richard is successful restaurateur who has just been named "Sexiest Man Alive" by The Journal of Industrial Food Service when he is introduced to Winona by her grandmother. Richard used to date her daughter, and Grannie thinks it would make a nice tradition to pass him down through the generations. According to Grandma, Winona is a talented hat maker, and in fact designed the chapeaux that everyone at her table is wearing. Since they look like those pipe cleaner spiders that you made in grade school for Halloween, we begin to suspect that what’s so special about Winona is that she attends Special Ed.

Richard asks Winona to design a hat for his date to wear to the big charity ball. When she delivers it, he tells her his date cancelled and she’ll have to go with him (because there’s nobody else over the age of eight who would be caught dead wearing the Deely-Bopper antenna thing she made as a headpiece). She giggles, stammers, hiccups, and then accepts, telling him that he’s not too old for her because she "collects antiques." You can smack her if you want to.

Richard pulls out a dress for her to wear—it’s a low-cut, form-fitting sheath with a shawl made of Slinkies; he obviously knows her tastes. Instead of thinking this is creepy, she is charmed and scrunches up her face for a kiss. When he doesn’t oblige, she looks into the distance and remarks, "I can smell the rain. When did I learn to do that?" Probably while attending the school where she learned to make hats out of pipe cleaners.

The Rainman bit makes Richard hot, and they spend the night together. The next morning the commitment-phobic Richard tells her that there is no future to their relationship, but the wily Winona has the perfect riposte to that line—she says she’s dying. Yes, it seems that she’s suffering from a fatal movie condition that has no symptoms except for an occasional fainting spell and a lovely glow. (Although these are also the symptoms of "movie pregnancy", we are assured that Winona is afflicted with a chest tumor that will cause her demise within the year—maybe less if we’re good, since she has decided to forego all treatment.) Now don’t you feel bad for hitting her?

Winona and Richard realize that they are totally wrong for each other, but decide to have a romance anyway since she’s dying and it’s not like they’ll have to spend a lot of time together. Which is a good thing, since Winona says adorable things like, "Your friends like me better than they like you." Then she steals his watch, telling him he can have it back when he forgets she has it. She is just so precious that we don’t want her to suffer another minute—let’s call Dr. Kevorkian!

Instead, Richard takes her to a costume party. She goes as her heroine, Emily Dickinson, so she can reuse her costume from Little Women and quote lines like "Love is a thing with feathers" at us. It’s no wonder that while Winona is reading stories to the host’s hapless children, Richard is on the roof having sex with the dead A.D.A. from "Law and Order."

But being sick has given Winona super powers, and when she puts her hand on Richard’s heart she knows he slept with Claire Kincaid. Richard finally admits it, claiming he did it because "You’re a kid and I’m a creep." We certainly can’t argue with that.

Richard returns to his apartment, only to find it infested with cards inscribed with Emily Dickinson quotes ("This is the hour of lead" would be an apt description for this movie, except that it lasts way longer than an hour). Winona goes home and actually whimpers like a puppy. Grandma tries to cheer her up by telling her that Richard also broke her mother’s heart. The parallels with the Woody Allen story are uncanny!

One day Winona enters her bedroom to find an unkempt bum in there. It’s Richard, who has neglected his personal hygiene in an effort to convince Winona to take him back. "Could you let me love you? Please? Please? Please?" he entreats. Just as this kind of tireless wheedling finally persuaded your parents to let you have the illegal fireworks that blew your hand off, his whining causes Winona to relent and let him dote on her.

But now it’s winter—and Winona isn’t dead! This is clearly a violation of the Geneva Convention! The movie tries to mollify us by having Winona go ice-skating, suddenly remember she has a heart condition, and collapse into an adorable heap. Richard, who is evidently her legal guardian now, decides that she will have the experimental surgery that could save her life. Now he only has to find a doctor who saw How To Make an American Quilt and still thinks she should live.

Winona is mad when she finds out Richard tried to save her life behind her back. But Richard explains, "You don’t want to die! You want to live!" She’d never thought of that before and agrees to the surgery, eloquently informing Richard that "I don’t want to leave you. Ya know?" It’s dialogue like this that demonstrates the screenwriter’s literary aspirations. Ya know?

Then there are the tense hours of waiting while the surgeon does his stuff. He finally exits the operating room, his head bowed, his shoulders slumped. But he’s just funning us, for it’s good news—Winona finally died! Richard goes home, finds his watch, and lives happily ever after. The end.

***************

So, what does this movie teach us about winning a man’s heart? Oh, just oodles and boodles of stuff! (Sorry, all the Winona cuteness still hasn’t worn off.) Anyway, here are some of the love lessons it provides:

1.  Know what type of guy you're looking for. Make a list of traits that appeal to you, such as intelligence, mutual interests, compatibility of temperaments, being born in the same century, etc. Then throw that list away and fall for someone completely wrong for you. If this person is a serial adulterer with bad personal hygiene who used to have frequent intercourse with your mother, so much the better!

2.  Develop a special skill that will bring you fame and success, and will also impress guys with your creativity, talent, and sense of style. We suggest fabricating designer hats that make the wearer look like a Cootie, but you could also try gluing wagon wheel macaroni to a frozen orange juice can and spray-painting it gold, or you could make an ashtray out of clay—the beauty of this approach is that the ashtray can double as a Father’s Day gift for your lover in case it turns out he slept with your mom one too many times.

3.  Be winsome and adorable and as cute as a bug! Practice simpering at least 30 minutes a day.

4.  Try employing The Rules. Don’t talk to a man first, even if he might be your long-lost dad. Keep things light and fun—only have heart attacks in the cutest, most amusing ways. And above all, be unavailable. Don’t see him as often as he wants, deny him your time and attention, and always leave him wanting more. The best way to do this is by dying.

These may seem like old-fashioned, perhaps manipulative guidelines, but if you follow them, we guarantee that you’ll be the most popular girl at Forest Lawn. And isn’t that what life is all about?

For the answer to that question, tune in week, when we will discuss a movie that shows how death not only enhances your allure, but also gives you a whole new range of dating options.


3:28:24 AM    
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