tripping out
When I was going to USF in the early 90s, I was always kind of tripping out in my own little world. I would write constatnly in my journal and then do little eccentric projects to reveal my "genius."
One time, I made a pair of lungs out of cigarette butts that I found outside of the English building. I crawled around the bushes in front of the building and picked up all these cigarette butts and put them in a plastic bag for the project. While I was on the ground like this, a stoner friend of mine came up and said,
"What's happened, Mark? Did you get in trouble or something?"
I looked at him kind of puzzled for a second and then I realized his silly mistake.
"Oh no, you see, I'm just doing a project. I'm making a pair of lungs out of cigarette butts."
My stoner friend just nodded and smiled.
Another time I decided to make a giant pyramid out of plywood and canvas. Since I didn't have any money to buy materials for the project, I had to steal them all. I stole the plywood from a construction site near my house one night. Since I didn't have a car, I had to roll the plywood beams back to my place on my roommate's skateboard. I duct-taped the beams to the skateboard at one end and then held the other ends in my arms. I was pushing eight beams along on this skateboard in the dead of night and they were really heavy. After a while they started crushing my arms and I had to stop and rest every ten feet. But at last I made it home.
I stole the canvas to surface the pyramid right from the univeristy. They were painting several of the buildings, so I found these great painters' tarps made out of some heavy material. They were a lot easier to steal. I just rolled them up and stuffed them in my backpack.
Then over the next couple of days, while other students were studying to be accountants or science teachers, I built my giant pyramid behind the rental house I was living in.
The hardest part was getting the four beams of the pyramid to meet up at the top. Since I was doing this project all by myself, it was very tricky. I would get two beams to lean against each other about ten feet in the air, and then I would real quick jump down from my step ladder and pick up the other two beams and try to make them join up. I failed this procedure about a dozen times, and each time the entire pyramid structure would come crashing down and I would go,
"god-damn, fucking shit, mother-fucker!"
I was vaguely aware that one of my neighbors was home next door and probably watching me. But at last I succeeded in building my pyramid. The final touch was spray-painting the number "1037" on it, which has long had a somehwat real, somewhat tongue-in-cheek mystical significance for me.
My roommate Devon, who actually was a fine arts major, had an art show at the house a week or so later and the pyramid was a big hit.
Another eccentric practice I had for a while was cacauphonous piano playing. I found this old upright piano in the lobby of one building at USF, and sometimes I would go in there and just bang on it like a maniac. I would pound it with my fists on one part of the keyboard and then tinkle it with my fingers on another part and then rake my hands up and down and up and down and then maybe mash both my forearms along the keys.
If I ever found myself at a party with a piano I would demonstrate my cacauphonous piano playing. Some people thought it was pretty cool.
But one time I went to a blues bar with my friend Bobby Doyle. He was real, honest to god black blues musician who could play any instrument and sing like a motherfucker. For some reason, Bobby Doyle was always talking me up and building up my ego with compliments and support. When his other blues musician friends asked if I could play anything, Bobby volunteered what a gifted piano player I was.
The next thing you know this crusty old blues man was wanting me to play for him. So I gave him a couple minutes of my cacauphonous piano playing.
The crusty old blues man just scrunched up his face and then laughed.
"Man," he said. "You be fuckin' them chords UP!"
7:56:01 PM
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