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		<title>Fortinbras Radio Weblog</title>
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		<copyright>Copyright 2004 Reidar Bringedal</copyright>
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			<description>&lt;DIV class=logo&gt;&amp;nbsp;&lt;/DIV&gt;
&lt;DIV class=logo&gt;Det er mulig at dette ikke bare er en melding til Frankrike - det kunne kanskje v&amp;aelig;re noe for Norge ogs&amp;#229;?&lt;/DIV&gt;
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&lt;DIV class=headline&gt;Rapper&apos;s message for France&lt;/DIV&gt;
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&lt;TD vAlign=bottom width=348&gt;&lt;!--Smvb--&gt;Caroline Wyatt &lt;BR&gt;BBC News, Paris &lt;!--Emvb--&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;BR&gt;&lt;!--Emvb--&gt;
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&lt;P&gt;&lt;B&gt;The French government is worried that Muslim prayer leaders, or imams, are preaching radical Islam in the poorer suburbs of the big cities, and that increasing numbers of young immigrants are responding to the message. But there are some who have tried it and decided it is not for them. &lt;/B&gt;
&lt;P&gt;
&lt;P&gt;I sat in a cafe opposite the Gare du Nord station, feeling slightly apprehensive as I waited for Abdel Malik to arrive. 
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&lt;DIV class=bo&gt;Since 11 September, like many others, I&apos;ve often wondered what drives some young Muslims in the West to become radicalised, sometimes to the point of violently rejecting the countries they&apos;ve made their home. 
&lt;P&gt;All I knew about Abdel Malik was that he&apos;d been an Islamist, written about in the French press a few years ago under the unlikely headline &quot;Rapping for Allah&quot;. The 29-year-old singer came from the deprived banlieux or suburbs of northern Paris and, as a teenager, had followed and preached a radical form of Islam. 
&lt;P&gt;The only photo I&apos;d seen of him showed a stern, shaven-headed youth staring out intensely at the world with a challenging, almost hostile gaze. 
&lt;P&gt;So when a tall, strikingly handsome man walked in with a broad smile, apologising profusely for being late, I felt a rush of relief. He wasn&apos;t at all what I&apos;d expected. 
&lt;P&gt;He was still shaven-headed, and wearing the baggy trousers and hooded parka top that are de rigueur for any self-respecting rapper, French or otherwise. But he turned out to be funny, gentle and thoughtful. 
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&lt;TD class=fact&gt;&lt;!--Smva--&gt;&lt;B&gt;I had a spiritual need. And Christianity wasn&apos;t answering my questions. Islam fulfilled that need and it gave me the answers &lt;/B&gt;&lt;BR&gt;&lt;!--Emva--&gt;&lt;!--Smva--&gt;Abdel Malik, rapper &lt;!--Emva--&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/DIV&gt;
&lt;DIV class=bo&gt;His parents were Congolese, he told me, in softly French-accented English, and he was born Catholic, brought up in a Paris suburb plagued by drugs and gun-crime. 
&lt;P&gt;By the time he was 13, several of his friends were dead - killed in gang warfare. Abdel was searching for answers, trying to make sense of it all, and his older brother provided them by giving him a book on Islam. 
&lt;P&gt;&quot;I had a spiritual need,&quot; he tells me, without embarrassment. &quot;And Christianity wasn&apos;t answering my questions. Islam fulfilled that need and it gave me the answers.&quot; 
&lt;P&gt;It also gave him an identity, made him someone that other, younger boys looked up to. Abdel smiles as he remembers growing a beard, walking the streets of the suburbs preaching, and the way that people would look at him - either with respect or for some, respect tinged with fear. 
&lt;P&gt;&lt;B&gt;Choice &lt;/B&gt;
&lt;P&gt;But at the same time, he was also discovering music, writing rap songs with a band he and his friends had formed. The songs he wrote were another way of trying to make sense of the world he was growing up in. 
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&lt;TD class=fact&gt;&lt;!--Smva--&gt;&lt;B&gt;It was as if they had asked me to give up my family, to cut all my ties to something I loved, and I couldn&apos;t &lt;/B&gt;&lt;BR&gt;&lt;!--Emva--&gt;&lt;!--Smva--&gt;Abdel Malik, rapper &lt;!--Emva--&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/DIV&gt;
&lt;DIV class=bo&gt;Why were so many people he knew poor, angry, and in a dead-end life of violence and crime, while just a few miles away, others lived comfortable, complacent lives, simply crossing the road if they saw the boys from the banlieu coming their way? 
&lt;P&gt;&quot;I wasn&apos;t violent, but my way of thinking was violent,&quot; he admits now. &quot;I saw the world in black and white. If you weren&apos;t with us - the good people - you must be evil.&quot; 
&lt;P&gt;A few years later, though, his more hardline Islamist friends told him he had to make a choice. To be a proper Muslim, they said, Abdel must give up music. For him, it was an epiphany. &quot;It was as if they had asked me to give up my family, to cut all my ties to something I loved, and I couldn&apos;t.&quot; 
&lt;P&gt;Instead, he cut his ties with radical Islam and continued to write music, at the same time reading more about his religion till he discovered Sufi-ism - a more mystic form of Islam that, he said, nonetheless made him feel whole. 
&lt;P&gt;&lt;B&gt;&apos;We&apos;re all human&apos; &lt;/B&gt;
&lt;P&gt;Now he looks back and wonders why he spent so long consumed with hatred, dividing up the world into good and evil. 
&lt;P&gt;&quot;It sounds naive,&quot; he says, &quot;but now I know that if you want to be a real Muslim - or a Jew or a Christian - you have to love people, not hate them. I came from the bottom of the bottom - I&apos;m black, I&apos;m poor, I grew up in a difficult neighbourhood - but then I realised it was up to me what I did about that, and I didn&apos;t want to be a victim. 
&lt;P&gt;&quot;In the end whatever your religion, we&apos;re all human, we all share the same human heart.&quot; 
&lt;P&gt;&lt;/P&gt;&lt;/DIV&gt;
&lt;DIV class=bo&gt;I asked him about one of the songs on his last album - a song about his country. Abdel nods, and explains. He&apos;d been travelling in Morocco, he says, and looked at the poverty around him. And for the first time, he felt a surge of gratitude to France. All around him were children too poor to go to school, already working by the time they were 13. 
&lt;P&gt;And he realised that whatever the problems of the place he&apos;d grown up in, it had still offered him one crucial chance - the chance of an education. &quot;You might take that for granted,&quot; he tells me, &quot;but I suddenly realised that others couldn&apos;t.&quot; And so Abdel Malik wrote what sounds like a love song to his country, a song called May Allah bless France. 
&lt;P&gt;Today, he&apos;s found his own language - music - to express himself, and Abdel&apos;s message to his young compatriots in the suburbs is a rather different one to the vision he preached in his angry teenage years. Abdel Malik wants them to stop seeing themselves as victims, and instead as people who can achieve whatever they want. 
&lt;P&gt;The choice, he says, is up to them. But France must also play its part - ordinary French people must open their minds, especially when they look in the suburbs. Not every Muslim they meet, he says, is a potential terrorist. &lt;/P&gt;&lt;/DIV&gt;
&lt;DIV class=footer&gt;Story from BBC NEWS:&lt;BR&gt;&lt;a href=&quot;http://news.bbc.co.uk/go/pr/fr/-/1/hi/programmes/from_our_own_correspondent/4124239.stm&quot;&gt;http://news.bbc.co.uk/go/pr/fr/-/1/hi/programmes/from_our_own_correspondent/4124239.stm&lt;/a&gt;&lt;BR&gt;&lt;BR&gt;Published: 2004/12/26 03:36:25 GMT&lt;BR&gt;&lt;BR&gt;&amp;#169; BBC MMIV&lt;BR&gt;&lt;/DIV&gt;</description>
			<guid>http://blogs.salon.com/0003368/2004/12/30.html#a197</guid>
			<pubDate>Thu, 30 Dec 2004 12:54:57 GMT</pubDate>
			<comments>http://rcs.salon.com/rcsComments/comments?u=3368&amp;amp;p=197&amp;amp;link=http%3A%2F%2Fblogs.salon.com%2F0003368%2F2004%2F12%2F30.html%23a197</comments>
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			<description>&lt;H5&gt;December 30, 2004&lt;/H5&gt;
&lt;P&gt;&lt;NYT_KICKER&gt;&lt;FONT color=#666666 size=-1&gt;&lt;STRONG&gt;EDITORIAL&lt;/STRONG&gt;&lt;/FONT&gt; fra New York Times. &lt;/P&gt;
&lt;P&gt;S&amp;#229; da var&amp;nbsp;selvf&amp;oslash;lgelig &amp;nbsp;ikke Jan Egeland s&amp;#229; langt fra sannheten. Men det kunne jo alle se at disse 15 mill $ var t ynkelig piss i havet. &lt;/P&gt;
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&lt;P&gt;Are We Stingy? Yes&lt;/P&gt;&lt;/NYT_HEADLINE&gt;&lt;NYT_BYLINE version=&quot;1.0&quot; type=&quot; &quot;&gt;&lt;FONT size=-1&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;BR&gt;&lt;/NYT_BYLINE&gt;
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&lt;P&gt;&lt;IMG height=33 alt=P src=&quot;http://graphics8.nytimes.com/images/dropcap/p.gif&quot; width=30 align=left border=0&gt;resident Bush finally roused himself yesterday from his vacation in Crawford, Tex., to telephone his sympathy to the leaders of India, Sri Lanka, Thailand and Indonesia, and to speak publicly about the devastation of Sunday&apos;s tsunamis in Asia. He also hurried to put as much distance as possible between himself and America&apos;s initial measly aid offer of $15 million, and he took issue with an earlier statement by the United Nations&apos; emergency relief coordinator, Jan Egeland, who had called the overall aid efforts by rich Western nations &quot;stingy.&quot; &quot;The person who made that statement was very misguided and ill informed,&quot; the president said.&lt;/P&gt;
&lt;P&gt;We beg to differ. Mr. Egeland was right on target. We hope Secretary of State Colin Powell was privately embarrassed when, two days into a catastrophic disaster that hit 12 of the world&apos;s poorer countries and will cost billions of dollars to meliorate, he held a press conference to say that America, the world&apos;s richest nation, would contribute $15 million. That&apos;s less than half of what Republicans plan to spend on the Bush inaugural festivities. &lt;/P&gt;
&lt;P&gt;The American aid figure for the current disaster is now $35 million, and we applaud Mr. Bush&apos;s turnaround. But $35 million remains a miserly drop in the bucket, and is in keeping with the pitiful amount of the United States budget that we allocate for nonmilitary foreign aid. According to a poll, most Americans believe the United States spends 24 percent of its budget on aid to poor countries; it actually spends well under a quarter of 1 percent. &lt;/P&gt;
&lt;P&gt;Bush administration officials help create that perception gap. Fuming at the charge of stinginess, Mr. Powell pointed to disaster relief and said the United States &quot;has given more aid in the last four years than any other nation or combination of nations in the world.&quot; But for development aid, America gave $16.2 billion in 2003; the European Union gave $37.1 billion. In 2002, those numbers were $13.2 billion for America, and $29.9 billion for Europe. &lt;/P&gt;
&lt;P&gt;Making things worse, we often pledge more money than we actually deliver. Victims of the earthquake in Bam, Iran, a year ago are still living in tents because aid, including ours, has not materialized in the amounts pledged. And back in 2002, Mr. Bush announced his Millennium Challenge account to give African countries development assistance of up to $5 billion a year, but the account has yet to disperse a single dollar.&lt;/P&gt;
&lt;P&gt;Mr. Bush said yesterday that the $35 million we&apos;ve now pledged &quot;is only the beginning&quot; of the United States&apos; recovery effort. Let&apos;s hope that is true, and that this time, our actions will match our promises.&lt;/P&gt;&lt;/NYT_TEXT&gt;&lt;BR&gt;</description>
			<guid>http://blogs.salon.com/0003368/2004/12/30.html#a196</guid>
			<pubDate>Thu, 30 Dec 2004 12:40:06 GMT</pubDate>
			<comments>http://rcs.salon.com/rcsComments/comments?u=3368&amp;amp;p=196&amp;amp;link=http%3A%2F%2Fblogs.salon.com%2F0003368%2F2004%2F12%2F30.html%23a196</comments>
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			<description>&lt;P&gt;&lt;STRONG&gt;&lt;FONT face=Geneva,Arial,Sans-Serif color=blue&gt;Earthquake rewrites SE Asia map - warning system&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;A &lt;A href=&quot;http://www.latimes.com/news/nationworld/world/la-sci-tsunami27dec27,0,3904884.story?coll=la-home-headlines&quot;&gt;good LA Times&lt;/A&gt; article puts the powerful earthquake in some perspective:&lt;/P&gt;
&lt;BLOCKQUOTE dir=ltr style=&quot;MARGIN-RIGHT: 0px&quot;&gt;
&lt;P&gt;&lt;FONT face=Geneva,Arial,Sans-Serif size=2&gt;The magnitude 9.0 earthquake that struck off Indonesia on Sunday morning moved the entire island of Sumatra about 100 feet to the southwest, pushing up a gigantic mass of water that collapsed into a tsunami and devastated shorelines around the Indian Ocean and the South China Sea.&lt;BR&gt;&lt;BR&gt;The quake was the largest since a magnitude 9.2 temblor struck Prince William Sound, Alaska, in 1964 and was one of the biggest ever recorded by scientists. It triggered the first tsunami in the Indian Ocean since 1883, civil engineer Costas Synolakis of USC said.&lt;/FONT&gt;&lt;/P&gt;&lt;/BLOCKQUOTE&gt;
&lt;P&gt;If this is true, it is astonishing. One can only imagine what forces were needed to move a huge swath of continental landmass 100 feet.&lt;/P&gt;
&lt;P&gt;After the disaster, there are already calls to put in place a tsunami warning system like the one in the pacific. Something like that may well happen now. But I think criticism against Asian governments for not already having such a warning system in place are misdirected. What is the incentive for using sparse resources for building a warning system for an event that is so rare not even our grandfathers were alive when it last occurred? &lt;/P&gt;
&lt;P&gt;Let&apos;s face is, such events are extremely rare, and even as the cost of this one event is horrible, we have to remember that in lesser time than it takes newspapers to move on to the next news item, more people will have been killed in traffic accidents (according to &lt;A href=&quot;http://www.safecarguide.com/exp/statistics/statistics.htm&quot;&gt;this page&lt;/A&gt;, more that 1.1 million are killed and almost 40 million injured in traffic accidents worldwide every year). While one massive disaster naturally gets all the attention, our sparse resources should really be used where they can benefit people the best. &lt;/P&gt;[&lt;A href=&quot;http://blogs.salon.com/0001561/&quot;&gt;Secular Blasphemy&lt;/A&gt;]</description>
			<guid>http://blogs.salon.com/0003368/2004/12/30.html#a195</guid>
			<pubDate>Thu, 30 Dec 2004 11:49:53 GMT</pubDate>
			<source url="http://blogs.salon.com/0001561/rss.xml">Secular Blasphemy</source>
			<comments>http://rcs.salon.com/rcsComments/comments?u=3368&amp;amp;p=195&amp;amp;link=http%3A%2F%2Fblogs.salon.com%2F0003368%2F2004%2F12%2F30.html%23a195</comments>
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			<description>&lt;P&gt;&lt;STRONG&gt;&lt;FONT face=Geneva,Arial,Sans-Serif color=blue&gt;New wine in old wineskin&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;A href=&quot;http://scribbling.net/how-to-fix-moms-computer&quot;&gt;How to fix mom&apos;s computer&lt;/A&gt; is a nice article that most geeks can relate to with some dread. Starting with a totally unprotected PC with lots of adware and a full mess, Gina Trapani walks you through the necessary updates. Thus it&apos;s also a nice PC security primer.&lt;/P&gt;
&lt;P&gt;Windows 98 directly on cable with no forewall? The horror! Updating to XP wasn&apos;t even mentioned as an option. Odd. Maybe the machine was very old.&lt;/P&gt;[&lt;A href=&quot;http://blogs.salon.com/0001561/&quot;&gt;Secular Blasphemy&lt;/A&gt;]</description>
			<guid>http://blogs.salon.com/0003368/2004/12/30.html#a194</guid>
			<pubDate>Thu, 30 Dec 2004 11:29:23 GMT</pubDate>
			<source url="http://blogs.salon.com/0001561/rss.xml">Secular Blasphemy</source>
			<category>Fortinbras: Blogging</category>
			<comments>http://rcs.salon.com/rcsComments/comments?u=3368&amp;amp;p=194&amp;amp;link=http%3A%2F%2Fblogs.salon.com%2F0003368%2F2004%2F12%2F30.html%23a194</comments>
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			<description>&lt;P&gt;Etter en liten tur til Island kan det v&amp;aelig;re grunn til &amp;#229; minne om denne artikkelen her.&lt;/P&gt;
&lt;P&gt;&lt;A href=&quot;http://www.forskning.no/Artikler/2004/juli/1089192286.32&quot;&gt;Heller islandsk enn engelsk&lt;/A&gt;. Norske forskere skriver mer og mer p&amp;#229; engelsk. Enda verre: De skriver noe som ligner mistenkelig p&amp;#229; engelsk ogs&amp;#229; n&amp;#229;r de pr&amp;oslash;ver &amp;#229; skrive norsk. Hva med en studietur til Island? [&lt;A href=&quot;http://www.forskning.no&quot;&gt;forskning.no&lt;/A&gt;]&lt;/P&gt;</description>
			<guid>http://blogs.salon.com/0003368/2004/07/13.html#a189</guid>
			<pubDate>Tue, 13 Jul 2004 21:07:54 GMT</pubDate>
			<source url="http://www.forskning.no/complexRSS">forskning.no</source>
			<comments>http://rcs.salon.com/rcsComments/comments?u=3368&amp;amp;p=189&amp;amp;link=http%3A%2F%2Fblogs.salon.com%2F0003368%2F2004%2F07%2F13.html%23a189</comments>
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			<description>&lt;B style=&quot;mso-bidi-font-weight: normal&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 18pt&quot;&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;FONT color=red size=4&gt;(Med start l&amp;oslash;rdag den 12. juni planlegger vi en 8 dagers tur til Island. Her er litt bakgrunnsmateriale for en dagstur p&amp;#229; Vest-Island. 8 stykker blir vi p&amp;#229; turen)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/SPAN&gt;&lt;/B&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=left&gt;&lt;B style=&quot;mso-bidi-font-weight: normal&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 18pt&quot;&gt;&lt;/SPAN&gt;&lt;/B&gt;&amp;nbsp;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=left&gt;&lt;B style=&quot;mso-bidi-font-weight: normal&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 18pt&quot;&gt;Vest-Island.&lt;/SPAN&gt;&lt;/B&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=left&gt;&lt;B style=&quot;mso-bidi-font-weight: normal&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 18pt&quot;&gt;&lt;?xml:namespace prefix = o ns = &quot;urn:schemas-microsoft-com:office:office&quot; /&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/B&gt;&amp;nbsp;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN style=&quot;FONT-SIZE: 14pt&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN style=&quot;FONT-SIZE: 14pt&quot;&gt;Og helst omr&amp;#229;dene p&amp;#229; Sn&amp;aelig;fellsnes og Borgarnes.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;N&amp;#229;r vi p&amp;#229; resten av denne reisen skal konsentrere oss om de vestlandske landn&amp;#229;msmennene p&amp;#229; Island skal vi huske p&amp;#229; at andre sannsynligvis har v&amp;aelig;rt der f&amp;oslash;r oss. At &amp;oslash;ya muligens allerede var befolket da vestlendingene kom hit p&amp;#229; 800-tallet. Av bl.a. folk som fulgte i sporene etter St. Branden av Clonfert (&amp;#229;r 480-576e.k), en irsk munk som hadde hovedrollen i en av de mest ber&amp;oslash;mte legender i keltisk kultur: St. Brendan eller St. Brandans reise til de helliges lovende land, nemlig lykken og rikdommens &amp;oslash;y! De irske munkene ble ofte kalt &amp;#148;monachi peregrini&amp;#148;, pilegrimsmunker. De var mye p&amp;#229; farten for deres kall var &amp;#229; finne st sted p&amp;#229; jorden, et slags jordisk paradis som Gud ville &amp;#229;penbare for dem.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P style=&quot;MARGIN-BOTTOM: 12pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;If&amp;oslash;lge det irske diktet som forteller legenden, var Brenden en munk fra Tralee, County Kerry. Han ble ordinert til prest i 512 og seilte ikke lenge etter sammen med 14 munker i et lite og skr&amp;oslash;pelig fart&amp;oslash;y som havnet langt ute i Atlanterhavet. Legenden forteller om deres opplevelser, hvordan de fikk med seg ytterligere tre munker, deres m&amp;oslash;te med ildsprutende demoner, flytende krystalls&amp;oslash;yler og monstre store som &amp;oslash;yer. &lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Brenden og hans reisef&amp;oslash;lge landet p&amp;#229; en &amp;oslash;y hvor de fant tr&amp;aelig;r og andre typer vegetasjon. De holdt messe og plutselig begynte &amp;oslash;ya &amp;#229; seile. Den ble til en gigantisk sj&amp;oslash;skapning og de var p&amp;#229; skapningens rygg. Og etter mange slike hendelser kom s&amp;#229; Brendan tilbake til Irland.&lt;SPAN style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/SPAN&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;I dag tror mange at legenden var en bekreftelse p&amp;#229; at irske sj&amp;oslash;folk i middelalderen faktisk n&amp;#229;dde kystene til b&amp;#229;de Nord-Amerika eller New Foundland, Island og andre &amp;oslash;yer i Atlanterhavet.&amp;nbsp;&lt;/SPAN&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Men for oss er det vestlige Island det omr&amp;#229;det som danner geografisk ramme for alle de hendinger og beretninger vi kjenner s&amp;#229; godt fra de islandske &amp;aelig;ttesagaene.&lt;SPAN style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/SPAN&gt;Dette var et hendelsesrikt omr&amp;#229;de gjennom hele landn&amp;#229;mstida med fjorder fulle av sel og fisk, &amp;oslash;yer og fjellformasjoner fulle av fugl og egg, elver som flommet over av &amp;oslash;rret og laks og varme kilder der kalde kropper kunne ta et avslappende bad. &lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;P&amp;#229; mange m&amp;#229;ter rommer Sn&amp;aelig;fellsnes og Borgarnes et konsentrat av n&amp;aelig;rmest alt karakteristisk fra den islandske natur og historie. Sn&amp;aelig;fellsj&amp;ouml;kull som danner et fascinerende blikkfang i dette landskapet, gir grobunn for allverdens historier - ispekket mystikk og overnaturlige hendelser. Det er ikke til &amp;#229; undres p&amp;#229; n&amp;#229;r men en gang har sett dens perfekte kjegleform n&amp;aelig;rmest sveve over havet.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;B style=&quot;mso-bidi-font-weight: normal&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 11pt&quot;&gt;Ber&amp;oslash;mte landn&amp;#229;msmenn.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/B&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;B style=&quot;mso-bidi-font-weight: normal&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/B&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;I det 9. og 10. &amp;#229;rhundre slo mange innflytelsesrike personer seg ned p&amp;#229; Vest-Island. Skallagrim Kveldulfson, far til den uregjerlige vikingen og poeten Egil Skallagrimson kom til Borgarfj&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Sylfaen&quot;&gt;&amp;ouml;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;r&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: &apos;Footlight MT Light&apos;&quot;&gt;&amp;eth;ur&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;. Torolf Mostraskjegg, som hevdet at Helgafell var det helligste av alle fjell p&amp;#229; Island, slo seg ned n&amp;aelig;r Stykkish&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Sylfaen&quot;&gt;&amp;oacute;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;lmur p&amp;#229; Sn&amp;aelig;fellsnes-halv&amp;oslash;ya.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Til sydsiden av halv&amp;oslash;ya &amp;#150; kom den mystiske Bar&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: &apos;Footlight MT Light&apos;&quot;&gt;&amp;eth;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;ur Sn&amp;aelig;fells&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Sylfaen&quot;&gt;&amp;aacute;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;s og bosatte seg &lt;SPAN style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp;&lt;/SPAN&gt;p&amp;#229; Hellnar og ble siden en slags &amp;#229;ndeskikkelse for isbreen Sn&amp;aelig;fellsj&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Sylfaen&quot;&gt;&amp;ouml;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;kull. &lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Og s&amp;#229; - Aud den djuptenkte &amp;#150; tenk hva slags egenskap det er som kan ha gitt henne dette navnet. Hun skal ha v&amp;aelig;rt av Aurlands&amp;aelig;tt i Sogn og kom via Irland til Island p&amp;#229; 800-tallet og ble ei ber&amp;oslash;mt kvinne der. Hun er nevnt i Harald H&amp;#229;rfagres saga. Hun skal ha v&amp;aelig;rt driftig, klok og from &amp;#150; og blitt kristnet i Irland. Kanskje hadde hun med seg den irske salmen &amp;#148;Deg &amp;#229; f&amp;#229; skoda&amp;#148; til Island. Hun slo seg ned i Dalir-fylket og ryddet seg gard som hun kalte Kvam, et gardsnavn som finnes flere steder i Sogn, en av disse var et stormannssete i vikingtiden. &lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Hun er ogs&amp;#229; nevnt i den islandske Landn&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Sylfaen&quot;&gt;&amp;aacute;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;mabok og her er hun kalt Aud den djupaugde &amp;#150; som vel skulle bety &amp;#148;den rike&amp;#148;. Det var nok slik at innflytelsen fra Vesterhavs&amp;oslash;yene var langt sterkere p&amp;#229; Island enn i Norge. De som innvandret herfra hadde v&amp;aelig;rt kristne. Den fornemme Aud skal ha v&amp;aelig;rt gift med Olav Kvite, konge i Dublin. Det var p&amp;#229; sine eldre dager at hun kom til Island med 20 mann if&amp;oslash;lge Landn&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Sylfaen&quot;&gt;&amp;aacute;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;mabok. Hun reiste et kors p&amp;#229; en haug n&amp;aelig;r g&amp;#229;rden sin, og der forrettet hun sine b&amp;oslash;nner. Men hennes etterkommere reiste et hedensk horg p&amp;#229; haugen og kristendommen ble ikke holdt i hevd av seinere generasjoner.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Hennes nabo var j&amp;aelig;rbuen Eirik Raude som bodde i Haukadalur. Han hadde m&amp;#229;ttet r&amp;oslash;mme fra Norge p&amp;#229; grunn av et drap. Ogs&amp;#229; p&amp;#229; Island kom han i vanskeligheter og ble n&amp;oslash;dt til &amp;#229; fare av landet. Omkring 985 dro han med stort f&amp;oslash;lge og 25 skip til Gr&amp;oslash;nland. Eirik ble den f&amp;oslash;rste europeiske bosetter p&amp;#229; Gr&amp;oslash;nland og han s&amp;oslash;nn Leif Eiriksson fant Vinland i &amp;#229;ret 1000. Gudrid Torbj&amp;oslash;rnsdotter, den f&amp;oslash;rste europeiske mor i Amerika, var f&amp;oslash;dt i Hellnar, ute ved spissen av halv&amp;oslash;ya. Legenden vil ha det til at Akranes ble stedet der to irske br&amp;oslash;dre slo seg ned og at irske munker hadde bosatt seg &lt;SPAN style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp;&lt;/SPAN&gt;i Hvalfj&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Sylfaen&quot;&gt;&amp;ouml;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;r&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: &apos;Footlight MT Light&apos;&quot;&gt;&amp;eth;ur&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;-omr&amp;#229;det f&amp;oslash;r nordmennene kom til Island. Der var ogs&amp;#229; en irsk nybygd i Gufusk&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Sylfaen&quot;&gt;&amp;aacute;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;lar, tett ved den lille byen Hellissan&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: &apos;Footlight MT Light&apos;&quot;&gt;&amp;eth;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;ur.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;B style=&quot;mso-bidi-font-weight: normal&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 11pt&quot;&gt;Sagaene og historieskriverne&lt;/SPAN&gt;&lt;/B&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Vest-Island var &amp;#229;stedet for mange av de dramatiske islandske &amp;aelig;ttesagaene. Egils soga, soga om Gunnlaug Ormatunga, Eyrbyggja soga, Laxd&amp;aelig;la soga, Har&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: &apos;Footlight MT Light&apos;&quot;&gt;&amp;eth;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;ar soga, soga om H&amp;oslash;nsa-Tore, Bjarnar saga Hitd&amp;aelig;lakappa, B&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Sylfaen&quot;&gt;&amp;aacute;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;r&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: &apos;Footlight MT Light&apos;&quot;&gt;&amp;eth;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;ar saga Sn&amp;aelig;fells&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Sylfaen&quot;&gt;&amp;aacute;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;ss og den romantiske Viglundar saga.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Alle disse er oversatt til en rekke spr&amp;#229;k og en kan finne utgaver hos lokale bohhandlere.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Den endelige demise av den gamle stormakten i det 12. og&lt;SPAN style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/SPAN&gt;13. &amp;#229;rhundre ble for en del satt sammen av den mektige Sturlunga-klanen som kom fra Vest-Island.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Fra Vest-Island kom ogs&amp;#229; de ber&amp;oslash;mte historikerne fra det 12. og 13. &amp;#229;rhundre: Are Frode (den l&amp;aelig;rde) bodde p&amp;#229; Sta&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: &apos;Footlight MT Light&apos;&quot;&gt;&amp;eth;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;arsta&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: &apos;Footlight MT Light&apos;&quot;&gt;&amp;eth;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;ur p&amp;#229; Sn&amp;aelig;fellsnes-halv&amp;oslash;ya. Snorre Sturlason var f&amp;oslash;dt p&amp;#229; Hvammur i Dalir fylke men bodde hovedsakelig p&amp;#229; Reykholt i Borgarfj&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Sylfaen&quot;&gt;&amp;ouml;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;r&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: &apos;Footlight MT Light&apos;&quot;&gt;&amp;eth;ur&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;. En kan n&amp;#229; finne Heimskringla-museet der og det er gjort utgravinger hvor Snorres g&amp;#229;rd en gang l&amp;#229;. Snorres nev&amp;oslash;, Sturla Torsson, bodde p&amp;#229; Sta&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: &apos;Footlight MT Light&apos;&quot;&gt;&amp;eth;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;arh&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Sylfaen&quot;&gt;&amp;oacute;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;il i Saurb&amp;aelig;r-distriktet og d&amp;oslash;de p&amp;#229; Fagurey i Brei&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: &apos;Footlight MT Light&apos;&quot;&gt;&amp;eth;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;afj&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Sylfaen&quot;&gt;&amp;ouml;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;r&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: &apos;Footlight MT Light&apos;&quot;&gt;&amp;eth;ur&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;. Minnesmerker er reist i disse omr&amp;#229;dene til &amp;aelig;re for disse ber&amp;oslash;mte historieskriverne.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Skar&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: &apos;Footlight MT Light&apos;&quot;&gt;&amp;eth;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; p&amp;#229; Skar&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: &apos;Footlight MT Light&apos;&quot;&gt;&amp;eth;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;asstr&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Sylfaen&quot;&gt;&amp;ouml;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;nd er sagt &amp;#229; v&amp;aelig;re den eldste bygning p&amp;#229; Island siden den har v&amp;aelig;rt bebodd av den samme familie helt fra tiden rundt &amp;#229;r 1000 og kanskje helt fra landn&amp;#229;mstiden. Et av de beste l&amp;aelig;resetene i middelalderen var Helgafell kloster p&amp;#229; nordsiden av Sn&amp;aelig;fellsnes-halv&amp;oslash;ya, tett ved byen Stykkish&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Sylfaen&quot;&gt;&amp;oacute;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;lmur.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;B style=&quot;mso-bidi-font-weight: normal&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 11pt&quot;&gt;Kirkens menn&lt;/SPAN&gt;&lt;/B&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Mot midten av det 16. &amp;#229;rhundre utspant det seg en grufull hendelse i disse traktene. Det involverte den siste romersk-katolske biskopen p&amp;#229; Island, Jon Arason og hans to s&amp;oslash;nner. De ble arrestert ved Sau&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: &apos;Footlight MT Light&apos;&quot;&gt;&amp;eth;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;afell i Dalir fylket og holdt i arrest en stund av Dadi Gudmundsson, en rik bonde i Sn&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Sylfaen&quot;&gt;&amp;oacute;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;ksdalur, som deretter sendte dem, etter ordre fra den danske kongen, s&amp;oslash;r til Sk&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Sylfaen&quot;&gt;&amp;aacute;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;lholt der de senere ble halshugget.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Den mest kjente av de islandske salmedikterne, presten Hallgrum Petursson, bodde ved Saurb&amp;aelig;r i Hvalfj&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Sylfaen&quot;&gt;&amp;ouml;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;r&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: &apos;Footlight MT Light&apos;&quot;&gt;&amp;eth;ur&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;-distriktet i det 17. &amp;#229;rhundredet. Hans &amp;#148;Pasjons-salmer&amp;#148; er blitt omsatt til mange spr&amp;#229;k.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;B style=&quot;mso-bidi-font-weight: normal&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 11pt&quot;&gt;&amp;Aring; ta vare p&amp;#229; kunnskapeen&lt;/SPAN&gt;&lt;/B&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Professor Arni Magnusson, som har f&amp;#229;tt den Arnamagneanske samlingen oppkalt etter seg og likeledes Det Arnemagneanske Instituttet i K&amp;oslash;benhavn og Arni Magnussons Instituttet p&amp;#229; Island , var f&amp;oslash;dt ved Kvennabrekka i Dalir fylket og vokste opp hos sin bestefar ved Hvammur sist i det 17. &amp;#229;rhundre. Hans samtidige, Steinunn Finnsdotter, fra H&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Sylfaen&quot;&gt;&amp;ouml;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;fn i Melastveit Borgarfj&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Sylfaen&quot;&gt;&amp;ouml;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;r&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: &apos;Footlight MT Light&apos;&quot;&gt;&amp;eth;ur&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;, skrev en hel del forskjelligartede vers som har gjort hennes navn velkjent i litter&amp;aelig;re kretser p&amp;#229; Island.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Det f&amp;oslash;rste trykkeriet, som opererte uavhengig av kirken, ble satt opp her p&amp;#229; Hrappsey i Brei&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: &apos;Footlight MT Light&apos;&quot;&gt;&amp;eth;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;afj&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Sylfaen&quot;&gt;&amp;ouml;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;r&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: &apos;Footlight MT Light&apos;&quot;&gt;&amp;eth;ur&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; sent i det 18. hundre&amp;#229;ret. Det ble flyttet til Lair&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Sylfaen&quot;&gt;&amp;aacute;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;gar&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: &apos;Footlight MT Light&apos;&quot;&gt;&amp;eth;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;ar i Borgarfj&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Sylfaen&quot;&gt;&amp;ouml;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;r&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: &apos;Footlight MT Light&apos;&quot;&gt;&amp;eth;ur&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; rundt &amp;#229;r 1800. Flat&amp;oslash;y i Brei&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: &apos;Footlight MT Light&apos;&quot;&gt;&amp;eth;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;afj&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Sylfaen&quot;&gt;&amp;ouml;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;r&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: &apos;Footlight MT Light&apos;&quot;&gt;&amp;eth;ur&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; var det viktigste kulturelle senteret p&amp;#229; Island p&amp;#229; midten av det 19. &amp;#229;rhundre med landets f&amp;oslash;rste bibliotek, riktignok ganske lite.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Den f&amp;oslash;rste jordbvruksskolen p&amp;#229; Island ble etablert i Olafsdalur i Saurb&amp;aelig;r i 1880. Der er det n&amp;#229; et kvinne-forskningssenter. &lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;B style=&quot;mso-bidi-font-weight: normal&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 11pt&quot;&gt;Kunstnere i det 19. og 20. &amp;#229;rhundre.&lt;/SPAN&gt;&lt;/B&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Noen av de mest kjente poetene, forfatterne og kunstnerne i det 19. og 20. &amp;#229;rhundre har i det minste dels r&amp;oslash;tter p&amp;#229; Vest-Island. Blant dem den f&amp;oslash;rste moderne romanforfatter p&amp;#229; Island, Jon Thoroddsen. En av de f&amp;oslash;rste billedhuggerne p&amp;#229; Island, &amp;Aring;smundur Sveinsson, vokst opp p&amp;#229; Vest-Island. Han skulptur, Sonatorrek, oppkalt etter eddakvadet av Egil Skallagrimsson ved samme navn, finner vi plassert ved kirkeg&amp;#229;rden Borg n&amp;aelig;r Borgarnes, der Egill bodde. Den moderne billedhoggeren P&amp;#229;ll Gudmundsson, skaper sine verk ut av stein og fjell funnet ved Husafell i Borgarfj&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Sylfaen&quot;&gt;&amp;ouml;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;r&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: &apos;Footlight MT Light&apos;&quot;&gt;&amp;eth;ur&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;. Den internasjonalt kjente maleren Erro, som bor i Paris, var f&amp;oslash;dt i byen Olafsvik p&amp;#229; nordsiden av Sn&amp;aelig;fellsnes-halv&amp;oslash;ya. Folkemusikksamleren Bjarni Torsteinsson, vokste opp p&amp;#229; Myrar-omr&amp;#229;det i det 19. &amp;#229;rhundre og den ber&amp;oslash;mte komponisten Atli Heimir Svinsson, kommer fra Flatey i Brei&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: &apos;Footlight MT Light&apos;&quot;&gt;&amp;eth;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;afj&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Sylfaen&quot;&gt;&amp;ouml;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;r&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: &apos;Footlight MT Light&apos;&quot;&gt;&amp;eth;ur&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;. Mange poeter, malere og skribenter har ogs&amp;#229; s&amp;oslash;kt inspirasjon i dette landskapet rundt Sn&amp;aelig;fellsj&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Sylfaen&quot;&gt;&amp;ouml;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;kullen, blant dem Islands Nobelpris-vinner i litteratur, Halldor Laxness, og maleren Johannes Kjarval.&lt;/SPAN&gt;&lt;/P&gt;
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			<guid>http://blogs.salon.com/0003368/2004/05/07.html#a187</guid>
			<pubDate>Fri, 07 May 2004 04:51:45 GMT</pubDate>
			<category>Fortinbras: Det &amp;#229; reise</category>
			<comments>http://rcs.salon.com/rcsComments/comments?u=3368&amp;amp;p=187&amp;amp;link=http%3A%2F%2Fblogs.salon.com%2F0003368%2F2004%2F05%2F07.html%23a187</comments>
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			<description>&lt;!--StartFragment --&gt;&lt;FONT size=2&gt;&lt;FONT color=blue size=3&gt;Dette diktet g&amp;#229;r med en spesiell&amp;nbsp;hilsen til saueb&amp;oslash;ndene i Bringedal og p&amp;#229; Tveit. Det er en dramatisk situasjonsrapport fra livet p&amp;#229; den irske landsbygda - og det er vel en situasjon dere kjenner skulle jeg tro.&lt;/FONT&gt; &lt;/FONT&gt;
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&lt;P&gt;&lt;FONT face=Centaur&gt;&lt;FONT size=+2&gt;Caesarean&lt;/FONT&gt;&lt;/FONT&gt; &lt;/P&gt;
&lt;P&gt;&lt;FONT size=2&gt;Av Peter Fallon&lt;/FONT&gt;&lt;/P&gt;&lt;/BLOCKQUOTE&gt;&lt;/BLOCKQUOTE&gt;&lt;/BLOCKQUOTE&gt;&lt;/BLOCKQUOTE&gt;&lt;/BLOCKQUOTE&gt;&lt;/BLOCKQUOTE&gt;
&lt;P align=center&gt;&lt;FONT size=2&gt;&lt;FONT face=Centaur&gt;They were clouds come down to ground to yean,&lt;/FONT&gt; &lt;BR&gt;&lt;FONT face=Centaur&gt;clouds from which clouds of breathing broke.&lt;/FONT&gt; &lt;BR&gt;&lt;FONT face=Centaur&gt;We went out, night and day, again and again,&lt;/FONT&gt; &lt;BR&gt;&lt;FONT face=Centaur&gt;to check or correct. One was clearheaded.&lt;/FONT&gt; &lt;BR&gt;&lt;FONT face=Centaur&gt;She hadn&amp;#146;t the fire to make that kind of smoke.&lt;/FONT&gt; &lt;/FONT&gt;&lt;/P&gt;
&lt;P align=center&gt;&lt;FONT size=2&gt;&lt;FONT face=Centaur&gt;She stood humpbacked, worn out.&lt;/FONT&gt; &lt;BR&gt;&lt;FONT face=Centaur&gt;We knew she could no longer carry.&lt;/FONT&gt; &lt;BR&gt;&lt;FONT face=Centaur&gt;One slim chance. No time to doubt&lt;/FONT&gt; &lt;BR&gt;&lt;FONT face=Centaur&gt;that we would learn what to do by doing.&lt;/FONT&gt; &lt;BR&gt;&lt;FONT face=Centaur&gt;We did not hesitate or hurry.&lt;/FONT&gt; &lt;/FONT&gt;&lt;/P&gt;
&lt;P align=center&gt;&lt;FONT size=2&gt;&lt;FONT face=Centaur&gt;This would take its own time. We lay&lt;/FONT&gt; &lt;BR&gt;&lt;FONT face=Centaur&gt;her down and gently pulled wool from her sides.&lt;/FONT&gt; &lt;BR&gt;&lt;FONT face=Centaur&gt;We were clearing the way.&lt;/FONT&gt; &lt;BR&gt;&lt;FONT face=Centaur&gt;We went for towels, soap, beestings, and the gun.&lt;/FONT&gt; &lt;BR&gt;&lt;FONT face=Centaur&gt;Her lambs could swim in rough tides&lt;/FONT&gt; &lt;/FONT&gt;&lt;/P&gt;
&lt;P align=center&gt;&lt;FONT size=2&gt;&lt;FONT face=Centaur&gt;of her death. We shot her to save some drib&lt;/FONT&gt; &lt;BR&gt;&lt;FONT face=Centaur&gt;from loss, save her pain. She opened like a bloom&lt;/FONT&gt; &lt;BR&gt;&lt;FONT face=Centaur&gt;beneath the red script of the scalpel&amp;#146;s nib&lt;/FONT&gt; &lt;BR&gt;&lt;FONT face=Centaur&gt;and we found twins, abandoned, perfectly&lt;/FONT&gt; &lt;BR&gt;&lt;FONT face=Centaur&gt;formed in the warm nest of her womb.&lt;/FONT&gt; &lt;/FONT&gt;&lt;/P&gt;
&lt;P align=center&gt;&lt;FONT size=2&gt;&lt;FONT face=Centaur&gt;Premature. Too young to live. We had thought&lt;/FONT&gt; &lt;BR&gt;&lt;FONT face=Centaur&gt;of everything but this, what could not be guessed.&lt;/FONT&gt; &lt;BR&gt;&lt;FONT face=Centaur&gt;That she was ready and they were not.&lt;/FONT&gt; &lt;BR&gt;&lt;FONT face=Centaur&gt;They lay like kindlings dazed by daylight,&lt;/FONT&gt; &lt;BR&gt;&lt;FONT face=Centaur&gt;the tips of their tongues, their front feet pressed&lt;/FONT&gt; &lt;/FONT&gt;&lt;/P&gt;
&lt;P align=center&gt;&lt;FONT size=2&gt;&lt;FONT face=Centaur&gt;to dive as one into the waters&lt;/FONT&gt; &lt;BR&gt;&lt;FONT face=Centaur&gt;of the world. We knelt close to hear a heart,&lt;/FONT&gt; &lt;BR&gt;&lt;FONT face=Centaur&gt;heard our own and thought it one of theirs. Daughters&lt;/FONT&gt; &lt;BR&gt;&lt;FONT face=Centaur&gt;of death, they&amp;#146;d never know their gifts,&lt;/FONT&gt; &lt;BR&gt;&lt;FONT face=Centaur&gt;the everyday miracles of which they were part.&lt;/FONT&gt; &lt;/FONT&gt;&lt;/P&gt;
&lt;P align=center&gt;&lt;FONT size=2&gt;&lt;FONT face=Centaur&gt;They were part instead of that sacrifice&lt;/FONT&gt; &lt;BR&gt;&lt;FONT face=Centaur&gt;of the whole. James shrugged a smile.&lt;/FONT&gt; &lt;BR&gt;&lt;FONT face=Centaur&gt;The lambs pulsed once or twice,&lt;/FONT&gt; &lt;BR&gt;&lt;FONT face=Centaur&gt;and died. We had done what we could. Now there&lt;/FONT&gt; &lt;BR&gt;&lt;FONT face=Centaur&gt;were other things to do. We said nothing for a while.&lt;/FONT&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;&lt;FONT size=2&gt;&lt;/FONT&gt;&lt;/BLOCKQUOTE&gt;
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&lt;P&gt;&lt;FONT size=2&gt;Peter Fallon er f&amp;oslash;dt i Tyskland i 1951, men han flyttet til Irland som 7-&amp;#229;ring og har siden v&amp;aelig;rt bosatt der. Han har gitt ut eller v&amp;aelig;rt redakt&amp;oslash;r for mer enn 300 b&amp;oslash;ker om poesi, drama m.v.&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;
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			<guid>http://blogs.salon.com/0003368/2004/04/07.html#a178</guid>
			<pubDate>Wed, 07 Apr 2004 04:50:57 GMT</pubDate>
			<category>Fortinbras: Poesi</category>
			<comments>http://rcs.salon.com/rcsComments/comments?u=3368&amp;amp;p=178&amp;amp;link=http%3A%2F%2Fblogs.salon.com%2F0003368%2F2004%2F04%2F07.html%23a178</comments>
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			<description>&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;B style=&quot;mso-bidi-font-weight: normal&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 14pt&quot;&gt;Calling&lt;/SPAN&gt;&lt;/B&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;?xml:namespace prefix = o ns = &quot;urn:schemas-microsoft-com:office:office&quot; /&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;There, don&amp;#146;t you hear it too?&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;Something is calling, although&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;The day is blank and gray.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;The eye fastened on nothing,&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;The ear undistracted&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;And we with nothing to say.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;But still that sense of calling,&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;Of something seeking attention&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;Beyond our consciousness.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;That voice in voiceless things&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;When they cease to be themselves,&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;Losing their choice and purpose.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;Joining the indiscriminate &lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;Otherness which surrounds us&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;At our own times of withdrawal.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;It is then that the world calls us&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;As if to reinterpret&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;Or to reconfigure.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;Whose is this voice? A god&amp;#146;s?&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;Surely not. It seems&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;To be the voice of duty&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;That speaks of origins&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;And of relationships&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;Between things grown apart.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;And I remember the muezzin&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;Singing every morning&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;Raptly, as if for himself.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;Singing in the dark hour&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;At a distance, over all,&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;And yet outside our door.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;His practised lilt spoke more&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;Of the puzzles of night than of&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;The determinations of morning.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;As though the light had still&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;To be charmed into being&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;And each day a reward.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;The voice is much like his,&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;A commanding meditation&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;Rising form the blankness.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;Of a sleeping senselessness,&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;Thoughtful, improbable,&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;But stirring us to beauty.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;And like his, the voice&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;Links us for a while&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;In its reiterations&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;Then ends abruptly, as if&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;Distracted by something else&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 9pt; mso-ansi-language: EN-GB&quot;&gt;Of no great importance.&lt;SPAN style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/SPAN&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal dir=ltr style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=center&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 10pt; mso-ansi-language: EN-GB&quot;&gt;&lt;SPAN style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/SPAN&gt;&lt;SPAN style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 8pt; mso-ansi-language: EN-GB&quot;&gt;John Fuller&lt;/SPAN&gt;&lt;SPAN lang=EN-GB style=&quot;FONT-SIZE: 10pt; mso-ansi-language: EN-GB&quot;&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P dir=ltr style=&quot;MARGIN-RIGHT: 0px&quot;&gt;&amp;nbsp;&lt;/P&gt;</description>
			<guid>http://blogs.salon.com/0003368/2004/04/06.html#a177</guid>
			<pubDate>Tue, 06 Apr 2004 22:14:04 GMT</pubDate>
			<category>Fortinbras: Poesi</category>
			<comments>http://rcs.salon.com/rcsComments/comments?u=3368&amp;amp;p=177&amp;amp;link=http%3A%2F%2Fblogs.salon.com%2F0003368%2F2004%2F04%2F06.html%23a177</comments>
			</item>
		<item>
			<description>&lt;P&gt;&amp;nbsp;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=red size=3&gt;Anne Fadiman forlater (sparkes fra) tidsskriftet The American Scholar.&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;A href=&quot;http://www.nytimes.com/2004/03/30/books/30SCHO.html?ex=1395982800&amp;amp;en=3e844813dcaed37c&amp;amp;ei=5007&amp;amp;partner=USERLAND&quot;&gt;Literary Journal&apos;s Editor to Leave in Budget Dispute&lt;/A&gt;. Anne Fadiman will leave her post as editor of The American Scholar, one of the country&apos;s premier literary journals. By Emily Eakin. [&lt;A href=&quot;http://www.nytimes.com/pages/books/index.html&quot;&gt;New York Times: Books&lt;/A&gt;]&lt;/P&gt;
&lt;P&gt;&lt;FONT size=2&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&amp;nbsp;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;FONT color=red size=2&gt;Det som gjorde Anne Fadiman kjent i Norge var bl.a. denne bokanmeldelsen i NYT h&amp;oslash;sten 1998. Senere er boken blitt oversatt til norsk: &quot;Lyden av leselykke&quot; (2001).&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT size=2&gt;&lt;STRONG&gt;October 15, 1998, Thursday &lt;BR&gt;&lt;/NYT_DATE&gt;&lt;NYT_KICKER&gt;&lt;BR&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;FONT size=3&gt;&lt;STRONG&gt;BOOKS OF THE TIMES; To the Bookshelf Born, With Noblesse Oblige&lt;/STRONG&gt;&lt;/FONT&gt; &lt;/P&gt;&lt;/NYT_HEADLINE&gt;&lt;NYT_BYLINE version=&quot;1.0&quot; type=&quot; &quot;&gt;
&lt;H5&gt;By CHRISTOPHER LEHMANN-HAUPT &lt;/H5&gt;&lt;/NYT_BYLINE&gt;
&lt;P&gt;&lt;NYT_TEXT&gt;&lt;BR&gt;&lt;FONT face=Geneva,Arial,Sans-Serif size=2&gt;EX LIBRIS &lt;BR&gt;Confessions of a Common Reader &lt;BR&gt;&lt;BR&gt;By Anne Fadiman &lt;BR&gt;162 pages. Farrar, Straus &amp;amp; Giroux. $16. &lt;/FONT&gt;
&lt;P&gt;&lt;FONT face=Geneva,Arial,Sans-Serif size=2&gt;When Anne Fadiman was growing up, she writes in her endearing collection of essays, &apos;&apos;Ex Libris: Confessions of a Common Reader,&apos;&apos; her family &apos;&apos;viewed all forms of intellectual competition as a sacrament.&apos;&apos; &lt;/FONT&gt;
&lt;P&gt;&lt;FONT face=Geneva,Arial,Sans-Serif size=2&gt;&lt;/FONT&gt;
&lt;P&gt;&lt;FONT face=Geneva,Arial,Sans-Serif size=2&gt;She and her older brother would vie to see who could find the longest words; she writes that he won &apos;&apos;with paradimethylaminobenzaldehyde,&apos;&apos; the word for &apos;&apos;a smelly chemical that we used to sing to the tune of &apos;The Irish Washerwoman.&apos; &apos;&apos; &lt;/FONT&gt;
&lt;P&gt;&lt;FONT face=Geneva,Arial,Sans-Serif size=2&gt;With their parents, both writers, they used to compete with the contestants on the old weekly television program &apos;&apos;G. E. College Bowl,&apos;&apos; a quiz show in which two teams of four students, each representing a different college, competed for scholarship money. Calling themselves Fadiman U., she admits with some chagrin, &apos;&apos;in five or six years of competition, we lost only to Brandeis and Colorado College.&apos;&apos; &lt;/FONT&gt;
&lt;P&gt;&lt;FONT face=Geneva,Arial,Sans-Serif size=2&gt;The four of them, &apos;&apos;compulsive proofreaders,&apos;&apos; loved to catch people&apos;s mistakes in print. &apos;&apos;I know what you may be thinking,&apos;&apos; she writes: &apos;&apos;What an obnoxious family! What a bunch of captious, carping, pettifogging little busybodies!&apos;&apos; But she&apos;s really just being polite here in the same way as when she berates herself for once proofreading a paperback edition of Nabokov&apos;s &apos;&apos;Speak, Memory&apos;&apos; and sending her list of misprints to the author, who surely must have been grateful. (She reports that Vera Evseevna Nabokov wrote to thank her on her husband&apos;s behalf for her &apos;&apos;thoughtfulness.&apos;&apos;) &lt;/FONT&gt;
&lt;P&gt;&lt;FONT face=Geneva,Arial,Sans-Serif size=2&gt;Besides, Ms. Fadiman can&apos;t help herself. As she writes, her urges are probably genetic. She was bound to her destiny, being the child of Clifton Fadiman, an editor, anthologist, book reviewer and former judge for the Book-of-the-Month Club, and Annalee Whitmore Jacoby Fadiman, a World War II correspondent with Time magazine and the co-author, with Theodore H. White, of &apos;&apos;Thunder Out of China,&apos;&apos; a 1946 best seller on China&apos;s role in World War II. She has been compelled to read omnivorously and to write &apos;&apos;The Spirit Catches You and You Fall Down,&apos;&apos; which won the National Book Critics Circle Award for Nonfiction in 1997. &lt;/FONT&gt;
&lt;P&gt;&lt;FONT face=Geneva,Arial,Sans-Serif size=2&gt;As for &apos;&apos;Ex Libris,&apos;&apos; whatever moved her to write the 18 essays gathered in it, they deal usefully with little problems people who care for books would be unlikely to think about systematically, let alone discuss with other readers and writers. For instance, in &apos;&apos;Marrying Libraries,&apos;&apos; she explains how she and her husband, also a writer, became truly wed only when, after much sorting, categorizing and compromising, they had merged their book collections. &lt;/FONT&gt;
&lt;P&gt;&lt;FONT face=Geneva,Arial,Sans-Serif size=2&gt;In &apos;&apos;Never Do That to a Book,&apos;&apos; she identifies those who revere books physically and are therefore believers in &apos;&apos;courtly love,&apos;&apos; and those who underline, make marginal notes, tear pages out or keep reading books until they fall apart, and are thus believers in &apos;&apos;carnal love.&apos;&apos; She allows that the world has room for both. &lt;/FONT&gt;
&lt;P&gt;&lt;FONT face=Geneva,Arial,Sans-Serif size=2&gt;In &apos;&apos;Words on a Flyleaf,&apos;&apos; she considers what to do if you should find in a secondhand shop a book you&apos;ve inscribed to a friend. When Shaw once came across one of his books, inscribed &apos;&apos;To -------- with esteem, George Bernard Shaw,&apos;&apos; he bought the book and returned it to --------, adding the line, &apos;&apos;With renewed esteem, George Bernard Shaw.&apos;&apos; &lt;/FONT&gt;
&lt;P&gt;&lt;FONT face=Geneva,Arial,Sans-Serif size=2&gt;And in &apos;&apos;Eternal Ink,&apos;&apos; she considers how writers might record ideas that occur to them when they are not at their desks. &apos;&apos;One day, when Sir Walter Scott was out hunting, a sentence he had been trying to compose all morning suddenly leapt into his head. Before it could fade, he shot a crow, plucked a feather, sharpened the tip, dipped it in crow&apos;s blood, and captured the sentence.&apos;&apos; &lt;/FONT&gt;
&lt;P&gt;&lt;FONT face=Geneva,Arial,Sans-Serif size=2&gt;When she is not addressing practical matters, she is merely very charming, whisking us up odd literary byways -- like the sonnet writing of William Kunstler, the late radical defense lawyer, or a theory that the scarcity of first editions of &apos;&apos;Alice in Wonderland&apos;&apos; can be accounted for by the fact that so many of them were eaten by children. &lt;/FONT&gt;
&lt;P&gt;&lt;FONT face=Geneva,Arial,Sans-Serif size=2&gt;First published in slightly different form in a column called &apos;&apos;The Common Reader,&apos;&apos; written by Ms. Fadiman for Civilization magazine, these essays also breathe new life into such seemingly tired subjects as reading aloud, secondhand books, plagiarism and how children regard their parents&apos; libraries. (Ms. Fadiman reports that her daughter thought that John Updike&apos;s &apos;&apos;Rabbit at Rest&apos;&apos; was a story about &apos;&apos;a sleepy bunny.&apos;&apos;) &lt;/FONT&gt;
&lt;P&gt;&lt;FONT face=Geneva,Arial,Sans-Serif size=2&gt;Her purpose in writing them was to go to what she considers the heart of reading: &apos;&apos;not whether we wish to purchase a new book but how we maintain our connections with our old books, the ones we have lived with for years, the ones whose textures and colors and smells have become as familiar to us as our children&apos;s skin.&apos;&apos; &lt;/FONT&gt;
&lt;P&gt;&lt;FONT face=Geneva,Arial,Sans-Serif size=2&gt;In &apos;&apos;Ex Libris&apos;&apos; Ms. Fadiman has produced a smart little book that one can happily welcome into the family and allow to start growing old. &lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;</description>
			<guid>http://blogs.salon.com/0003368/2004/03/30.html#a170</guid>
			<pubDate>Tue, 30 Mar 2004 02:31:33 GMT</pubDate>
			<source url="http://partners.userland.com/nytRss/books.xml">New York Times: Books</source>
			<category>Fortinbras: Det &amp;#229; skrive</category>
			<comments>http://rcs.salon.com/rcsComments/comments?u=3368&amp;amp;p=170&amp;amp;link=http%3A%2F%2Fblogs.salon.com%2F0003368%2F2004%2F03%2F30.html%23a170</comments>
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			<description>&lt;!--StartFragment --&gt;&amp;nbsp; 
&lt;BLOCKQUOTE&gt;
&lt;BLOCKQUOTE&gt;
&lt;P&gt;&lt;FONT color=red size=+1&gt;SEA-WIND&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;B&gt;&lt;I&gt;&lt;FONT face=Arial size=-1&gt;by: St&amp;eacute;phane Mallarm&amp;eacute; (1842-1898)&lt;/FONT&gt;&lt;/I&gt;&lt;/B&gt;&lt;/P&gt;&lt;/BLOCKQUOTE&gt;&lt;/BLOCKQUOTE&gt;
&lt;UL&gt;
&lt;UL&gt;
&lt;DL&gt;
&lt;DT&gt;&lt;FONT size=+2&gt;&lt;IMG height=25 src=&quot;http://www.poetry-archive.com/t_pic.gif&quot; width=22 align=bottom border=0 naturalsizeflag=&quot;3&quot;&gt;&lt;/FONT&gt;HE flesh is sad, alas! and all the books are read. 
&lt;DT&gt;Flight, only flight! I feel that birds are wild to tread 
&lt;DT&gt;The floor of unknown foam, and to attain the skies! 
&lt;DT&gt;Nought, neither ancient gardens mirrored in the eyes, 
&lt;DT&gt;Shall hold this heart that bathes in waters its delight, 
&lt;DT&gt;O nights! nor yet my waking lamp, whose lonely light 
&lt;DT&gt;Shadows the vacant paper, whiteness profits best, 
&lt;DT&gt;Nor the young wife who rocks her baby on her breast. 
&lt;DT&gt;I will depart! O steamer, swaying rope and spar, 
&lt;DT&gt;Lift anchor for exotic lands that lie afar! 
&lt;DT&gt;A weariness, outworn by cruel hopes, still clings 
&lt;DT&gt;To the last farewell handkerchief&apos;s last beckonings! 
&lt;DT&gt;And are not these, the masts inviting storms, not these 
&lt;DT&gt;That an awakening wind bends over wrecking seas, 
&lt;DT&gt;Lost, not a sail, a sail, a flowering isle, ere long? 
&lt;DT&gt;But, O my heart, hear thou, hear thou, the sailors&apos; song!&lt;/DT&gt;&lt;/DL&gt;&lt;/UL&gt;&lt;/UL&gt;
&lt;P&gt;Og s&amp;#229; tar den engelske (han er forresten oppvokst i Belfast) samtidspoeten Tom Paulin fatt i Mallarm&amp;eacute;s dikt og gir sin versjon av det. Da ser det slik ut:&lt;/P&gt;
&lt;BLOCKQUOTE dir=ltr style=&quot;MARGIN-RIGHT: 0px&quot;&gt;
&lt;BLOCKQUOTE dir=ltr style=&quot;MARGIN-RIGHT: 0px&quot;&gt;
&lt;P&gt;&lt;FONT color=blue size=+1&gt;Sea Wind&lt;/FONT&gt;&lt;/P&gt;&lt;/BLOCKQUOTE&gt;&lt;/BLOCKQUOTE&gt;
&lt;BLOCKQUOTE&gt;
&lt;BLOCKQUOTE&gt;
&lt;P&gt;&lt;I&gt;&lt;FONT face=Arial size=-1&gt;(Mallarm&amp;eacute;)&lt;/FONT&gt;&lt;/I&gt;&lt;/P&gt;&lt;/BLOCKQUOTE&gt;&lt;/BLOCKQUOTE&gt;
&lt;UL&gt;
&lt;UL&gt;
&lt;DL&gt;
&lt;DT&gt;&lt;FONT size=+2&gt;&lt;/FONT&gt;It&apos;s a sad creature I&apos;m afraid the body 
&lt;DT&gt;all the classics - every book that stands steady 
&lt;DT&gt;on my shelves I&apos;ve read them through but only 
&lt;DT&gt;to make this wish - oh to walk to the edge of the sea 
&lt;DT&gt;and watch stints skittering along the tideline 
&lt;DT&gt;then scattering up and beyond into the sky! 
&lt;DT&gt;not a thing - not the gardens of mouldy chateaux 
&lt;DT&gt;wet and glaucous in her eyes -&amp;nbsp; 
&lt;DT&gt;not a thing no one will stop me I&apos;ve got to go 
&lt;DT&gt;down to the wild sea - i tell you not nights 
&lt;DT&gt;crossing blank pages under my desklamp 
&lt;DT&gt;- not that desert wild or the sigh 
&lt;DT&gt;of a dumpy girl breastfeeding her child 
&lt;DT&gt;will stop me booking a berth on some tramp 
&lt;DT&gt;steamer heaving its rust toward the tropics 
&lt;DT&gt; 
&lt;DT&gt;- I&apos;ll wave my snotrag from the deck sick 
&lt;DT&gt;of stroking my own boredom - by the saltstained smokestack 
&lt;DT&gt;let me dream of wind and wrecks!&lt;/DT&gt;&lt;/DL&gt;&lt;/UL&gt;&lt;/UL&gt;
&lt;P&gt;Tom Paulin er f&amp;oslash;dt i Leeds i 1949, men oppvokst i Belfast. Han er utdannet fra universitetet i Hull. Han underviste i engelsk ved universitetet i Nottingham fra 72 til 89 og har v&amp;aelig;rt gjesteforeleser ved en rekke univesitet. Han er ogs&amp;#229; kjent fra radio- og TV-program. Mye av hans ungdomspoesi gjenspeilte den politiske situasjonen i Nord-Irland.&amp;nbsp;Med denne poesien har han vunnet en rekke priser. Men han forlot denne ungdomsstilen midt p&amp;#229; 1980-tallet. Fra n&amp;#229; av konsentrerte han seg mer om frie assosiasjoner, naturen og det &amp;#229; fange det vesentlige ved tingene gjennom frie vers.&amp;nbsp; Kanskje eksperimenterte han ogs&amp;#229; med ord og ordkonstruksjoner. Forbindelsen mellom den tidlige og senere Paulin er vel at han alltid er opptatt av orden og uorden. Orden var dominerende i hans tidlige poesi mens &quot;uorden&quot; dominerer den senere Paulin. Han skriver dikt om bagen sin at den &quot;has to be tamed or strapped&apos; otherwise it has no form nor pattern&quot;.&lt;/P&gt;
&lt;P&gt;&amp;nbsp;&lt;/P&gt;</description>
			<guid>http://blogs.salon.com/0003368/2004/03/29.html#a169</guid>
			<pubDate>Mon, 29 Mar 2004 21:15:02 GMT</pubDate>
			<category>Fortinbras: Poesi</category>
			<comments>http://rcs.salon.com/rcsComments/comments?u=3368&amp;amp;p=169&amp;amp;link=http%3A%2F%2Fblogs.salon.com%2F0003368%2F2004%2F03%2F29.html%23a169</comments>
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			<description>&lt;P&gt;&lt;FONT color=red size=4&gt;&lt;STRONG&gt;Elena er ukrainsk biker.&lt;/STRONG&gt;&lt;/FONT&gt; Hun har kj&amp;oslash;rt sin Kawasaki gjennom Tsjernobyl. Hennes billedreportasje med kommentarer er bedre enn vilken som helst dokumentar. Jeg fant dette hos en japansk blogger: Se &lt;A href=&quot;http://joi.ito.com/&quot;&gt;&lt;a href=&quot;http://joi.ito.com/&quot;&gt;http://joi.ito.com/&lt;/a&gt;&lt;/A&gt;&lt;/P&gt;
&lt;P&gt;Men fremfor alt&amp;nbsp; - bli med Elena p&amp;#229; en tur gjennom sp&amp;oslash;kelsesbyen Tsjernobyl. Om jenta er riktig klok som v&amp;#229;ger seg ut p&amp;#229; dette det er ikke godt &amp;#229; si, men jeg tror pappaen er atomfysiker. Joi Ito er for&amp;oslash;vrig en venn av Loic Le Meur som jeg fortalte om i g&amp;#229;r.&lt;/P&gt;
&lt;P&gt;&lt;A href=&quot;http://www.angelfire.com/extreme4/kiddofspeed/&quot;&gt;&lt;a href=&quot;http://www.angelfire.com/extreme4/kiddofspeed/&quot;&gt;http://www.angelfire.com/extreme4/kiddofspeed/&lt;/a&gt;&lt;/A&gt;&lt;/P&gt;
&lt;P&gt;&lt;IMG src=&quot;http://www.angelfire.com/extreme4/kiddofspeed/image47_new.jpg&quot;&gt;&lt;/P&gt;</description>
			<guid>http://blogs.salon.com/0003368/2004/03/29.html#a168</guid>
			<pubDate>Mon, 29 Mar 2004 19:11:54 GMT</pubDate>
			<comments>http://rcs.salon.com/rcsComments/comments?u=3368&amp;amp;p=168&amp;amp;link=http%3A%2F%2Fblogs.salon.com%2F0003368%2F2004%2F03%2F29.html%23a168</comments>
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			<description>&lt;H2&gt;&lt;FONT face=Geneva,Arial,Sans-Serif size=3&gt;Franske Loic Le Meur har inng&amp;#229;tt avtale med amerikanske Six Apart om &amp;#229; markedsf&amp;oslash;re deres bloggerprogramvare Movable Type og Typepad.&lt;/FONT&gt;&lt;/H2&gt;
&lt;P&gt;Han har sitt eget selskap Ublog SA som ogs&amp;#229; har et bloggerprogram. Han har en blog p&amp;#229; fransk som fortsatt vil v&amp;aelig;re p&amp;#229; U-blog mens hans engelske versjon er n&amp;#229; lagt over p&amp;#229; Typepad. Han sier at etter hvert skal han tilby programvaren p&amp;#229; flere europeiske spr&amp;#229;k. Han har selv presentert avtalen p&amp;#229; sin blog den 20. mars i &amp;#229;r:&lt;/P&gt;
&lt;H2&gt;March 20, 2004&lt;/H2&gt;
&lt;H3&gt;Six Apart and Ublog SA sign an exclusive representation agreement in Europe&lt;/H3&gt;
&lt;P&gt;&lt;IMG title=&quot;Mena, Ben &amp;amp; Lo&amp;iuml;c&quot; alt=&quot;Mena, Ben &amp;amp; Lo&amp;iuml;c&quot; src=&quot;http://www.loiclemeur.com/english/images/DSC00362.JPG&quot; width=390 align=middle&gt;&lt;BR&gt;&lt;EM&gt;Mena, Ben &amp;amp; me&lt;/EM&gt;&lt;/P&gt;
&lt;P&gt;Mena, Ben, Barak and myself have been already working on this agreement for many weeks, I am very glad and honored to announce that &lt;A href=&quot;http://www.sixapart.com/&quot;&gt;&lt;FONT color=#003366&gt;Six Apart&lt;/FONT&gt;&lt;/A&gt; and my company &lt;A href=&quot;http://www.u-blog.net/site/&quot;&gt;&lt;FONT color=#003366&gt;Ublog&lt;/FONT&gt;&lt;/A&gt; SA have signed yesterday an exclusive representation agreement.&lt;/P&gt;
&lt;P&gt;Ublog SA becomes the exclusive agent of&lt;A href=&quot;http://www.sixapart.com/&quot;&gt;&lt;FONT color=#003366&gt; Six Apart&lt;/FONT&gt;&lt;/A&gt; in Europe, Middle-East and Africa and has started distributing its leading weblogs publishing products, &lt;A href=&quot;https://www.typepad.com/t/app/home&quot;&gt;&lt;FONT color=#003366&gt;Typepad&lt;/FONT&gt;&lt;/A&gt; and &lt;A href=&quot;http://www.movabletype.org/&quot;&gt;&lt;FONT color=#003366&gt;Movable Type.&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;
&lt;P&gt;Typepad is already available in French and Spanish and will also be available in the next weeks in German and Dutch. Most European languages will follow shortly. Local Typepad and Movable Type websites will be launched very soon.&lt;/P&gt;
&lt;P&gt;&lt;IMG alt=&quot;First Six Apart global workshop in California&quot; src=&quot;http://www.loiclemeur.com/english/images/DSC00360.JPG&quot; width=390 align=middle&gt;&lt;BR&gt;&lt;EM&gt;Asia, Europe and the USA gathered in California&lt;/EM&gt;&lt;/P&gt;
&lt;P&gt;&lt;A onclick=&quot;window.open(&apos;http://www.loiclemeur.com/english/images/DSC00371_1.JPG&apos;,&apos;popup&apos;,&apos;width=1248,height=859,scrollbars=yes,resizable=yes,toolbar=no,directories=no,location=no,menubar=no,status=yes,left=0,top=0&apos;);return false&quot; href=&quot;http://www.loiclemeur.com/english/images/DSC00371_1.JPG&quot;&gt;&lt;IMG height=100 alt=&quot;Ben presenting the next MT&quot; hspace=5 src=&quot;http://www.loiclemeur.com/english/images/DSC00371-tm_1.jpg&quot; width=145 align=left vspace=5 border=2&gt;&lt;/A&gt;As Six Apart launched successful partnerships in the USA and Asia such as &lt;A href=&quot;http://www.marketwire.com/mw/release_html_b1?release_id=64651&quot;&gt;&lt;FONT color=#003366&gt;NTT&lt;/FONT&gt;&lt;/A&gt; and Nifty&apos;s &lt;A href=&quot;http://www.cocolog-nifty.com/&quot;&gt;&lt;FONT color=#003366&gt;Cocolog&lt;/FONT&gt;&lt;/A&gt; (one of the main ISPs in Japan), Ublog&apos;s team in Europe is already offering Typepad and Movable Type products to European ISPs, Telcos, Portals and Media Companies.&lt;/P&gt;
&lt;P&gt;Current Ublog platform users will be able to upgrade to Typepad accounts and seamlessly import their Ublog weblogs if they like. Ublog will maintain its popular free offering with more than 11 000 weblogs in France and make similar products available in Europe.&lt;/P&gt;
&lt;P&gt;&lt;IMG alt=&quot;Part of the team @work&quot; src=&quot;http://www.loiclemeur.com/english/images/DSC00367_1.JPG&quot; width=390 align=middle&gt;&lt;BR&gt;&lt;EM&gt;Part of the team @work&lt;/EM&gt;&lt;/P&gt;
&lt;P&gt;Our European team is very proud to join forces with Six Apart&apos;s visionary team that now has global representation in the USA, Asia and Europe.&lt;/P&gt;
&lt;P&gt;Thank you &lt;A href=&quot;http://mena.typepad.com/&quot;&gt;&lt;FONT color=#003366&gt;Mena&lt;/FONT&gt;&lt;/A&gt;, &lt;A href=&quot;http://ben.stupidfool.org/&quot;&gt;&lt;FONT color=#003366&gt;Ben&lt;/FONT&gt;&lt;/A&gt;, &lt;A href=&quot;http://barak.typepad.com/&quot;&gt;&lt;FONT color=#003366&gt;Barak&lt;/FONT&gt;&lt;/A&gt; and of course &lt;A href=&quot;http://joi.ito.com/&quot;&gt;&lt;FONT color=#003366&gt;Joi&lt;/FONT&gt;&lt;/A&gt; for your trust !&lt;/P&gt;
&lt;P&gt;Der finnes en mengde presseoppslag om denne saken. De finner du p&amp;#229; &lt;A href=&quot;http://www.loiclemeur.com/english/2004/03/six_apart_and_u.html&quot;&gt;&lt;a href=&quot;http://www.loiclemeur.com/english/2004/03/six_apart_and_u.html&quot;&gt;http://www.loiclemeur.com/english/2004/03/six_apart_and_u.html&lt;/a&gt;&lt;/A&gt;&lt;/P&gt;
&lt;P&gt;&amp;nbsp;&lt;/P&gt;</description>
			<guid>http://blogs.salon.com/0003368/2004/03/28.html#a167</guid>
			<pubDate>Sun, 28 Mar 2004 19:11:29 GMT</pubDate>
			<category>Fortinbras: Blogging</category>
			<comments>http://rcs.salon.com/rcsComments/comments?u=3368&amp;amp;p=167&amp;amp;link=http%3A%2F%2Fblogs.salon.com%2F0003368%2F2004%2F03%2F28.html%23a167</comments>
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			<description>&lt;H3&gt;Wearing black in protest&lt;/H3&gt;
&lt;P&gt;
&lt;P&gt;
&lt;BLOCKQUOTE&gt;
&lt;DIV class=personquote&gt;Glutter&lt;/DIV&gt;&lt;A href=&quot;http://glutter.typepad.com/glutter/2004/03/china_has_curbe.html&quot;&gt;&lt;FONT color=red&gt;CHINA HAS FURTHER CURBED FREE SPEECH AMONG ITS CITIZENS&lt;/FONT&gt;&lt;/A&gt; 
&lt;P&gt;&lt;/P&gt;
&lt;P&gt;&lt;/P&gt;
&lt;P&gt;
&lt;P&gt;
&lt;P&gt;&lt;STRONG&gt;THE CENTRAL GOVERNMENT HAS BANNED ALL TYPEPAD SITES WITHIN CHINA. ANOTHER BLOW TO FREESPEECH AND FREEDOM OF INFORMATION WITHIN THE COUNTRY.&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;/STRONG&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;/STRONG&gt;
&lt;P&gt;&lt;STRONG&gt;THIS IS A SAD DAY.&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;/STRONG&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;/STRONG&gt;
&lt;P&gt;&lt;STRONG&gt;GLUTTER TURNS BLACK AS A MEANS TO PROTEST AND BRING ATTENTION TO THIS ISSUE&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;/P&gt;
&lt;P&gt;&lt;/P&gt;
&lt;P&gt;
&lt;P&gt;
&lt;P&gt;If I could so much ask, I would like to suggest others who own typepad sites and other blogs to put a note on theirs as a means to spread the word.&lt;/P&gt;&lt;/BLOCKQUOTE&gt;So until TypePad blogs are unblocked, you will all have to bear with this ugly black border around my blog. 
&lt;P&gt;&lt;/P&gt;
&lt;P&gt;&lt;/P&gt;
&lt;P&gt;&lt;/P&gt;
&lt;P&gt;
&lt;P&gt;
&lt;P&gt;Pass it on sier Loic Le Meur p&amp;#229; &lt;A href=&quot;http://www.loiclemeur.com/&quot;&gt;&lt;FONT face=Arial size=2&gt;&lt;a href=&quot;http://www.loiclemeur.com&quot;&gt;http://www.loiclemeur.com&lt;/a&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/A&gt;
&lt;P&gt;&lt;/P&gt;
&lt;P&gt;&lt;/P&gt;
&lt;P&gt;
&lt;P&gt;&lt;/P&gt;&amp;nbsp;&lt;EM&gt;Via &lt;/EM&gt;&lt;A href=&quot;http://nkzone.typepad.com/nkzone/&quot;&gt;&lt;FONT color=#003366&gt;&lt;EM&gt;North Korea zone&lt;/EM&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;EM&gt; and &lt;/EM&gt;&lt;A href=&quot;http://joi.ito.com/&quot;&gt;&lt;FONT color=#003366&gt;&lt;EM&gt;Joi Ito&apos;s Web&lt;/EM&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;</description>
			<guid>http://blogs.salon.com/0003368/2004/03/28.html#a166</guid>
			<pubDate>Sun, 28 Mar 2004 18:55:21 GMT</pubDate>
			<category>Fortinbras: Blogging</category>
			<comments>http://rcs.salon.com/rcsComments/comments?u=3368&amp;amp;p=166&amp;amp;link=http%3A%2F%2Fblogs.salon.com%2F0003368%2F2004%2F03%2F28.html%23a166</comments>
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			<description>&lt;BLOCKQUOTE&gt;
&lt;P&gt;&lt;FONT face=Geneva,Arial,Sans-Serif&gt;&lt;STRONG&gt;One year ago today &lt;/STRONG&gt;&lt;/FONT&gt;&lt;FONT face=Arial size=2&gt;&lt;FONT face=Geneva,Arial,Sans-Serif&gt;&lt;STRONG&gt;har v&amp;#229;r franske venn Loic&lt;/STRONG&gt;&lt;/FONT&gt; &lt;STRONG&gt;Le Meur kalt et innlegg han har p&amp;#229; sin blogg og det &amp;#229; sp&amp;#229; fremtiden.&lt;/STRONG&gt;&amp;nbsp; Du finner han p&amp;#229; &lt;A href=&quot;http://www.loiclemeur.com&quot;&gt;&lt;a href=&quot;http://www.loiclemeur.com&quot;&gt;http://www.loiclemeur.com&lt;/a&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;
&lt;P&gt;
&lt;P&gt;&quot;[Weblogs] are an interesting phenomenon, but I don&apos;t think they will be as talked about in a year&apos;s time.&quot; &lt;/P&gt;
&lt;P&gt;&lt;/P&gt;
&lt;P&gt;&lt;/P&gt;
&lt;P&gt;
&lt;P&gt;
&lt;P&gt;A quote &lt;A href=&quot;http://www.journalism.co.uk/features/story604.html&quot;&gt;&lt;FONT color=#003366&gt;attributed&lt;/FONT&gt;&lt;/A&gt; to Mike Smartt, editor of BBC News Online, and published a year ago today. &lt;/P&gt;
&lt;P&gt;&lt;/P&gt;
&lt;P&gt;&lt;/P&gt;
&lt;P&gt;
&lt;P&gt;
&lt;P&gt;It&apos;s not quite as good as &lt;A href=&quot;http://fga.freac.fsu.edu/gaw/1999/funny.html&quot;&gt;&lt;FONT color=#003366&gt;some of these&lt;/FONT&gt;&lt;/A&gt;, but such dismissive talk - like decent wine - always matures with age...&lt;/P&gt;[via &lt;A href=&quot;http://www.completetosh.com/weblog/&quot;&gt;&lt;FONT color=#003366&gt;Neil McIntosh&lt;/FONT&gt;&lt;/A&gt;]&lt;/BLOCKQUOTE&gt;</description>
			<guid>http://blogs.salon.com/0003368/2004/03/28.html#a165</guid>
			<pubDate>Sun, 28 Mar 2004 17:09:35 GMT</pubDate>
			<category>Fortinbras: Blogging</category>
			<comments>http://rcs.salon.com/rcsComments/comments?u=3368&amp;amp;p=165&amp;amp;link=http%3A%2F%2Fblogs.salon.com%2F0003368%2F2004%2F03%2F28.html%23a165</comments>
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			<description>&lt;P&gt;&lt;SPAN class=080260213-25032004&gt;&lt;FONT face=Geneva,Arial,Sans-Serif color=blue&gt;&lt;STRONG&gt;&lt;FONT size=3&gt;Det j&amp;oslash;disk-amerikanske milj&amp;oslash;et i USA har etter &quot;h&amp;#229;ndfast&quot; opptreden i Irak og Gaza&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&amp;nbsp;&lt;FONT color=black size=2&gt;funnet grunn til &amp;#229; gj&amp;oslash;re litt narr av europeerne i etterkant av bombingen i Madrid, kanskje helst franskmennene (som vanlig). Flere blogger har denne:&lt;/FONT&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN class=caps&gt;&lt;SPAN class=080260213-25032004&gt;From &lt;A href=&quot;http://windsofchange.net/archives/004760.php&quot;&gt;WindsOfChange&lt;/A&gt;:&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;BLOCKQUOTE dir=ltr style=&quot;MARGIN-RIGHT: 0px&quot;&gt;
&lt;P&gt;&lt;FONT face=Geneva,Arial,Sans-Serif&gt;&lt;FONT size=2&gt;The French Government, taking a page from our own Department of Homeland Security has established internal threat levels. Unlike the &lt;SPAN class=caps&gt;USA, &lt;/SPAN&gt;the French only have four such levels. They are, from low to high: &lt;SPAN class=caps&gt;RUN, HIDE, SURRENDER, &lt;/SPAN&gt;and &lt;SPAN class=caps&gt;COLLABORATE.&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/BLOCKQUOTE&gt;
&lt;P&gt;[&lt;A href=&quot;http://blogs.salon.com/0001561/&quot;&gt;Secular Blasphemy&lt;/A&gt;]&lt;/P&gt;
&lt;P&gt;Ja, dette er jo fryktelig morsomt - men kanskje skulle vitsemakerne tenke over det faktum at svaret p&amp;#229; truselen mot Europa vil v&amp;aelig;re: &quot;Kill them - not us&quot;. Them&amp;nbsp; - vil i dette tilfellet selvsagt v&amp;aelig;re j&amp;oslash;der og amerikanere. For jo mer frykt Europa f&amp;oslash;ler, og jo mer svakhet, handlingslammelse og unnfallenhet&amp;nbsp;vi viser - &amp;nbsp;desto mer misstro, sinne, aggresjon og hat vil vi vise overfor dere som med ufattelig stupiditet og r&amp;#229;skap har brakt oss europeere inn i denne situasjonen. S&amp;#229; - min j&amp;oslash;diske venn i &lt;A href=&quot;http://windsofchange.net/archives/004760.php&quot;&gt;WindsOfChange&lt;/A&gt; - kan du forklare meg det morsomme?&lt;/P&gt;</description>
			<guid>http://blogs.salon.com/0003368/2004/03/28.html#a164</guid>
			<pubDate>Sun, 28 Mar 2004 09:16:56 GMT</pubDate>
			<source url="http://blogs.salon.com/0001561/rss.xml">Secular Blasphemy</source>
			<comments>http://rcs.salon.com/rcsComments/comments?u=3368&amp;amp;p=164&amp;amp;link=http%3A%2F%2Fblogs.salon.com%2F0003368%2F2004%2F03%2F28.html%23a164</comments>
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			<description>&lt;P&gt;Patrick Moore som var med og startet&amp;nbsp;Greenpeace rundt&amp;nbsp; 1960 er n&amp;#229; &lt;A href=&quot;http://www.greenspirit.com/logbook.cfm?msid=62&quot;&gt;deeply critical&lt;/A&gt; til organisasjonene holdning til bioteknologi.&lt;/P&gt;
&lt;BLOCKQUOTE dir=ltr style=&quot;MARGIN-RIGHT: 0px&quot;&gt;
&lt;P&gt;&lt;EM&gt;Greenpeace and its allies of &quot;green&quot; terrorists are using bully tactics, sabotage and wholesale destruction of property to make sure no sensible voice is even heard against its scaremongering. Thanks to the hysteric reaction of these luddites, as opposed to calls to caution from more sensible quarters, GM products that could reduce malnutrition and disease in the third world has been stopped or delayed. The GM industry has a massive worldwide PR problem:&lt;/EM&gt;&lt;/P&gt;&lt;/BLOCKQUOTE&gt;
&lt;P&gt;Artikkelen finnes hos Michel Vuijlsteke&amp;nbsp;i &lt;A href=&quot;http://blog.zog.org/&quot;&gt;Tales of Drudgery and Boredom&lt;/A&gt;.&amp;nbsp; [&lt;A href=&quot;http://blogs.salon.com/0001561/&quot;&gt;Secular Blasphemy&lt;/A&gt;]&lt;/P&gt;</description>
			<guid>http://blogs.salon.com/0003368/2004/03/28.html#a163</guid>
			<pubDate>Sun, 28 Mar 2004 08:17:40 GMT</pubDate>
			<source url="http://blogs.salon.com/0001561/rss.xml">Secular Blasphemy</source>
			<comments>http://rcs.salon.com/rcsComments/comments?u=3368&amp;amp;p=163&amp;amp;link=http%3A%2F%2Fblogs.salon.com%2F0003368%2F2004%2F03%2F28.html%23a163</comments>
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