Beauty Dish

Thursday, May 20, 2004
 

Caution, wide load

I took a lovely butt shot half an hour ago, and I've spend the last thirty minutes trying to find the courage to post it. It's not a pretty sight.

To kilt or not to kilt, that is the question...

In other news, I unloaded thirty brochures at the local Trader Joe's parking lot this morning.


1:08:41 PM    doorbell  []  


To Do List

Stuff kilt with samples.

Take photo of fat ass in kilt for blog.

Go to the yuppy supermarket and put brochures under windshield wipers.


6:51:44 AM    doorbell  []  


When you think you can't...

My Avon order is stacked on the floor beside me, twelve sturdy cardboard boxes. Five of these are stuffed with those 400 brochures. I didn't begin the process of opening and catalogueing and sorting last night. My heart wasn't in it. I was two thousand miles and twelve years away, trying to remember a time when I could conquer anything, the first year after my divorce and I dated a musician.

Jeff liked to test my limits. Driving through Tulip Trestle, he asked me if I were afraid of heights. "Certainly not," I scoffed, though I secretly was terrified of standing on anything taller than my five feet eight inches. We pulled off the road on one side of a valley forged between two rolling hills. The road perched halfway up the sides of the hill, the valley was rich and green, cows grazed on grass and bales of rolled hay, a creek winded through vale center, directly below the old railway trestle, the town's namesake. Tulip Trestle was the oldest, longest, tallest wooden railway passage in the country. It rose hundreds of feet above the ground with a full half-mile span, a relic of the 20s when the trains would carry Al Capone and his gangsters along with sickly wealthy women to the hot mineral water spas at Baden Springs. Now the track was worn through in some places, but still structurally sound. Cargo trains clamored over the trestle several times a day, shaking the valley, shooting sharp slivers of creosote-soaked wood to the ground, far below.

"Let's climb to the top."

Jeff pointed to the point where the trestle met the granite outcropping at the top of the hill. Grabbing points of granite, slipping my sandaled feet into crevices, I pulled myself to the train tracks. Scores of teenagers had been here before us, graffiti marred the tracks and the rock, broken beer and whisky bottles littered the ground. Sitting at the edge of the rock, I raised my hand over my eyes and surveyed the area, marveling that this decaying vestige could hold tons of moving slag and coal. My arms were sore from pulling myself up, my left big toe was bleeding, and I had scratches on my legs from the rough climb. I stood up to scope out an easier trail down the hill.

Jeff pointed to the other side of the valley, where the track faded into a speck on another hill.

"I'm glad you're not afraid of heights, Birdie! Let's walk across the trestle."

Damn. Caught in a lie, I had to act fearless. There were no side rails to hold on to, to keep me from falling. Each crossrail connected to the I-beams at least two feet from the next, nothing separating certain death from my feet but the sky. Taking several deep breaths, I stared straight ahead at the other end, and slid one foot in front of the other. I managed to get twenty feet when my stomach spun and fell through my feet. My progress was arrested by my terror; I wanted to grab something, anything; the wind whipped around me, threatening my precarious position. Jeff calmly continued to stride in front of me, he didn't recognize my abject fear. I eased forward, feeling the wood sway and rock beneath me. Halfway across the trestle, I made the mistake of looking down, in the space between the tracks cradling my feet. Vertigo weakened my knees, my arms trembled, and panic ripped through my chest when it occurred to me that a train might be approaching. The stream below was a thin thread, the cows just spots on a green carpet. I stared at the largest cow in the field, and in my mind I said, "Moo." She turned her head to look at me and gave a moo, a plaintive cry, mimicking the drawn out bleat in my head.

I became a fixture in my Salvador Dali vision, a breathing part of the trestle, sharing the same space as ghost trains from eras past, sharing the wind with the waving grains and the granite. I saw the women from my belly dance class skip across the trestle in the place between my eyes, caressing the structure with their feet, their hands, turning cartwheels, leaping from I-beam to I-beam, the trestle holding their weight, moving to catch them, anticipating their motions. For a moment, I became one of them, giving up the decision to understand why they could do this, instead feeling it, living it, melting with the trestle, until we both were a creosote and bird-pitch covered, sandal-wearing entity, reaching from the ground to the sky, running along the ground till we tickled the soft bristly flesh of the cows and ran our limbs through the cool stream. I ran across the remainder of the trestle; I knew I could not fall - I was the trestle.

I am telling myself that I am the trestle this morning, when I have 400 brochures to distribute, a birth daughter to call, and a home with a mess as only three boys can create.


6:27:58 AM    doorbell  []  



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