Ed Buziak's Photos + Artwork
...or how a zapped photographer decided to draw again, and paint
...and use traditional materials like film... and paper... and thought...
Last updated:
12/11/06; 20:00:19


October 2004
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Complete Article Index...
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Artwork... drawings, themes...
Five minute exercise... the nude

Leaves / negative space... pencil
Leaves / negative space... pastel
Razzle Dazzle... 1
Razzle Dazzle... 2
Still-life #1... Bottles
Verner Panton chair... mixed media

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Self Portraits...
At 30

Bare Bum...
Competition Entry
Fisheye Silhouette...
Legs and Feet
My two Feet
Nude Self-Portrait... 1
Polyfoto
Sequences...
Shadow of Man... 1
Shadow of Man... 2
Shadow of Man... 3

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Cameras I've clicked with...
Bronica S2A

Hasselblad SWC "Super Wide"
Hasselblad to Holga
Hasselblad XPan
Leica M3... Part 1
Lotus Rapid View
Mamiya C330
Mamiya 7
Nikon D200 Part 1
Pentax 67... Part 1
Pentax 67... Part 2
Pentax 67... Part 3a/Soft-Focus Lens
Pentax 67... Part 3b/Fisheye Lens
Pentax 67... Part 5/Pentax Spotmeters

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Lenses I've looked through...
Dallmeyer 3B Soft-Focus

Leica 28-35-50mm Tri-Elmar lens
Leitz 400mm Telyt
Nikkor 8mm Fisheye
Nikkor 20mm Wide-angle
Nikkor 28-70mm Zoom
Nikkor 105mm Bellows
Nikkor 500mm Reflex
Nikkor El-Lenses

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Photo Themes...
Abstract Colour

Abstract Details
Aerial Faux
Art Photo or Crap?
Balloons
Beauty Opinions
Buttercups
Candid Camera
Candid Photography
Car Number Plates
Caro Nude
Colour Filters & Colour Film
Conker Championships
Contrejour
Costing Photography
Craftwork... Hot Glass
Cropping Photos
Darkroom User downfall!
Death of Film?
Depth-of-Field
Eyesight
Family Photos... Father
Hot Air Balloons
Hot Car
Kitchenalia
Kitchen Window... Ivy
Locomotive Valve Gear
Michaelmas Daisies
Multiple Exposures
Multi-Prism Lenses
Night photo
Nostaligia... John Peel & T-Rex
Opportunity Missed?
Painswick Churchard
Paparazzi
Photo Theme... Chimneys
Photo Theme... Numbers
Photo Theme... Pointing Signs
Photo Theme... Post Boxes
Photo Theme... Seats, Chairs
Photo Theme... Tractors
Photo Theme... Tri-colour
Photo Theme... Wheels
Portrait... Jilly Johnson
Sequence... Minutes
Sequence... Hours of the Day
Sequence... Seasons
Sequence... Seconds
Sequence... Self-Portrait
Shadow Play
Signs... Don't
Snow Scenes
Soft Focus
Solar Eclipse
Solar Flair
Speed Camera... Le Mans 24
Steam Engine Fair
Still-life #1... Bottles
Still life - Kitchenalia
Stuck...
Swans
Trees
Tripod shakes
Trish Nude
Widecombe Fair
Window Gazing... 1
Window Gazing... 2
Water... Black & White
Water... Colours
Zone System... I
Zone System... II
Zone System... III
Zone System... IV
Zoom Effect
Zoom Lenses?

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From My Darkroom...
Bulk film loading

Darkroom Dodge
Film developer - Agfa Rodinal
Film developer - Ilford ID-11
Fortepan 400 film
Fuji Neopan films
Ilford Multigrade IV
Leitz Focomat enlargers
LPL 7452 enlarger
My Darkroom... in Wales
Processing Faults... E-6
Polaroid Image Transfer
Sepia toning
Split-Selenium toning
Stöcklers 2-bath
Tray processing

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Alt.Photo Ideas...
Cyanotype (1)

Cyanotype (2)
Sepia toning
Sun printing

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French Connections...
Abstract

Alphabet soup
Bastille Eve
Cafe chairs
California Poppies
Chateau - Azay-le-Rideau
Cycling (1)
Cycling (2)
Double take
Flower Seller
French flowers
French toast
I-Spy
Lime Tree poem
Lucky black cat
Speed Camera... Le Mans 24
Sunflowers
Tilleul tree

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More Scenes from Wiltshire...
Avebury Stone Circle

Bishop's Cannings
Bradford-on-Avon
Corn Stooks
Garden "Open Days"
Gt.Bedwyn Stone Museum
Great Ridgeway
Lyneham Banks
Malmesbury Abbey
Malmesbury, River Avon
Malmesbury River Walk
Maud Heath's Causeway
Ramsons
Ricardo's Tomb
Roundway Down
Salisbury Plain
Savernake Forest
Silbury Hill
Stonehenge
Strip Lynchest
Urchfont
Westbury White Horse
Wilton Mill


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samedi 30 octobre 2004

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Candid Camera
Blend in... become a day-tripper

When it comes to photography of people on the street there's a world of difference between the paparazzi style and the candid approach. When it comes to candids you are looking for spontaneous, off-the-cuff grabbed shots which are not necessarily snapshots. Their essence is seen in that moment of time when they were seen doing something... not what they wanted to appear to be doing... nor what the photographer wanted them to be doing.

Candid photography is not just about portraying people in unguarded moments - those uncomfortable situations ranging from embarrassing to compromising - those are more the area and forté of the rat-pack.

Candid photography is about observing human life through the camera, recording it and perhaps making a statement for others to look at and, if they wish, to compare themselves for reasons including self-confidence, ego, humour or even shock horror, etc.

Candid photography can be practised anywhere there are people from on the street, in the home, at work, at the supermarket... it is possible wherever there are people. You don't have to know your subject (it may actually help if you don't) but you have to be aware of your subject without is being aware of you.

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For many, candid photography is difficult... there's an unnerving feeling at having a camera pointed at you... and often the same feeling when you are pointing a camera at someone else. People's reactions are unpredictable and range from unconcerned to anger... or from genuine humour to utter fright... that's if they notice you taking the photograph! The secret is to see but be unseen.

Strangely I come across more instances of the internet group-talk increasingly praising the merits of Leica rangefinder cameras for street candids. And we're meant to be in transition from the auto-focus age to the digital age! But I think I know why the Leica school of street shooting is getting the results... not because of it's legendary quietness, but because modern cameras (AF-SLRs and digital-SLRs) are so BIG!

I don't know why the idea is so ingrained that you need a high-spec multifunction camera with a fast wide-angle zoom lens plus a flash on top of the prism to be any kind of photographer... I know where the idea comes from (camera sales brochures and photo magazines)... but it sure as hell makes me nervous when a 35mm camera toting snapper comes within a few yards of me wielding equipment bigger and heavier than a movie camera. I mean, have you seen the size of the latest 16+ megapixel Canon EOS 1D MkII or whatever its called? I remember Roger Hicks' abrasive retort at having a similar 35mm SLR or DSLR thrust in front of his face at a recent PMA or Photokina expo... he said, "Actually, I prefer smaller cameras... which is why I use medium-format!" Quite a put-down and typical of one of the most knowledgeable photographic writers around.

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I generally use Leicas for my candid photography... and my favourite is the Leica IIIf with a collapsable 5cm Elmar which, without a neck-strap, easily slips in and out of my jacket or trousers' pocket for absolute candidness on my part. After all, the best way of not looking like a photographer is to be seen apparently without a camera. I can take the camera out of my pocket, pull the collapsable lens out and turn to lock, very quickly frame and focus, press the shutter, and have the camera back in my pocket before the person has had time to react. If they give you the nod or a knowing smile which says, "Hey, that was a neat trick... you certainly caught me out then," you can repeat it and probably get away with it a second time as I did with the lady eating a sandwich... it was a great little scene with the lithe, naked statue seemingly edging towards her snack... and I got three different shots getting closer and closer as I chatted and laughed without stopping shooting. I know she didn't feel threatened in the least by my approach... especially with such a small camera in my hands. She probably thought I was another day-tripper from her coach party with a simple point-and-shoot... which, despite having being noticed, is when I know I've still been a candid cameraman.


9:15:50 PM    comment []




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Last update: 12/11/06; 20:00:19.
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