Ed Buziak's Photos + Artwork
200,000 plus words... 200 plus articles... and 600 plus images...
on his photography, art, scenes from Wiltshire, Wales, France...
Last updated:
3/06/07; 20:14:44


December 2004
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Complete Article Index...
A picture named Mini.ArtworkHeader.1.jpg
Artwork... drawings, themes...
Five minute exercise... the nude

Leaves / negative space... pencil
Leaves / negative space... pastel
Razzle Dazzle... 1
Razzle Dazzle... 2
Still-life #1... Bottles
Verner Panton chair... mixed media
Wax crayon faces

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Self Portraits...
At 30

Competition Entry
Fisheye Silhouette...
Legs and Feet
My two Feet
Polyfoto
Sequences...
S/Portrait nude #1
S/Portrait nude #2
S/Portrait nude #3
S/Portrait nude #4
S/Portrait nude #5
Shadow of Man... 1
Shadow of Man... 2
Shadow of Man... 3
Shadow of Man... 4

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Cameras I've clicked with...
Bronica S2A

Hasselblad SWC "Super Wide"
Hasselblad to Holga
Hasselblad XPan
Leica M3... part 1
Lotus Rapid View
Mamiya C330
Mamiya 7
Nikon D200... Part 1
Pentax 67... Part 1
Pentax 67... Part 2
Pentax 67... Part 3a/Soft-Focus Lens
Pentax 67... Part 3b/Fisheye Lens
Pentax 67... Part 5/Extras

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Lenses I've looked through...
Dallmeyer 3B Soft-Focus

Leica 28-35-50mm Tri-Elmar lens
Leitz 400mm Telyt
Nikkor 8mm Fisheye
Nikkor 20mm Wide-angle
Nikkor 28-70mm Zoom
Nikkor 105mm Bellows
Nikkor 500mm Reflex
Nikkor El-Lenses

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Photo Themes...
Abstract Colour

Abstract Details
Aerial Faux
Apple tree blossom
Art Photo or Crap?
Backlit blossom
Balloons
Beauty Opinions
Buttercups
Candid Camera
Candid Photography
Car Number Plates
Colour Filters & Colour Film
Conker Championships
Contrejour
Costing Photography
Craftwork... Hot Glass
Cropping Photos
Dandelions
Darkroom User downfall!
Death of Film?
Depth-of-Field
Eyesight
Family Photos... Father
Hot Air Balloons
Hot Car
Inverted images
Kitchenalia
Kitchen Window... Ivy
Laid back perspective
Locomotive Valve Gear
Michaelmas Daisies
Mistletoe
Multiple Exposures
Multi-Prism Lenses
Night photo
Nostaligia... John Peel & T-Rex
Opportunity Missed?
Painswick Churchard
Paparazzi
Pastis 51 glasses
Photo Theme... Chimneys
Photo Theme... Numbers
Photo Theme... Pointing Signs
Photo Theme... Post Boxes
Photo Theme... Seats, Chairs
Photo Theme... Tractors
Photo Theme... Tri-colour
Photo Theme... Wheels
Portrait... Jilly Johnson
Plum tree blossom 1
Plum tree blossom 2
Quince tree blossom
Sequence... Minutes
Sequence... Hours of the Day
Sequence... Seasons
Sequence... Seconds
Sequence... Self-Portrait
Shadow Play
Signs... Don't
Snow Scenes
Soft Focus
Solar Eclipse
Solar Flair
Speed Camera... Le Mans 24
Steam Engine Fair
Still-life #1... Bottles
Still life - Kitchenalia
Stuck...
Swans
Trees
Tulips
Walnut tree blossom
Widecombe Fair
Window Gazing... 1
Window Gazing... 2
Water... Black & White
Water... Colours
Zone System... I
Zone System... II
Zone System... III
Zone System... IV
Zoom Effect
Zoom Lenses?

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From My Darkroom...
Bulk film loading

Darkroom Dodge
Film developer - Agfa Rodinal
Film developer - Ilford ID-11
Fortepan 400 film
Fuji Neopan films
Ilford Multigrade IV
Leitz Focomat enlargers
LPL 7452 enlarger
My Darkroom... in Wales
Processing Faults... E-6
Polaroid Image Transfer
Sepia toning
Split-Selenium toning
Stöcklers 2-bath
Tray processing

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Alt.Photo Ideas...
Cyanotype (1)

Cyanotype (2)
Sepia toning
Sun printing

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French Connections...
Abstract

Alphabet soup
Apple tree blossom
Bastille Eve
Cafe chairs
California Poppies
Chateau - Azay-le-Rideau
Cycling (1)
Cycling (2)
Cowslips & coucou
Dandelions... Pis-en-lit
Double take
Early Purple Orchid
Flower seller
French flowers
French toast
Gossamer webs
I-Spy
Lime tree leaves
Lime tree seed pod
Lucky black cat
Mistletoe
Pastis 51 glasses
Plum tree blossom 1
Plum tree blossom 2
Purple Gromwell
Quince tree blossom
Speed Camera... Le Mans 24
S/Portrait nude #3
S/Portrait nude #4
S/Portrait nude #5
Sunflowers
Tilleul tree
Tractor & Walnut tree
Walnut tree blossom

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More Scenes from Wiltshire...
Avebury Stone Circle

Bishop's Cannings
Bradford-on-Avon
Corn Stooks
Garden "Open Days"
Gt.Bedwyn Stone Museum
Great Ridgeway
Lyneham Banks
Malmesbury Abbey
Malmesbury, River Avon
Malmesbury River Walk
Maud Heath's Causeway
Ramsons
Ricardo's Tomb
Roundway Down
Salisbury Plain
Savernake Forest
Silbury Hill
Stonehenge
Strip Lynchest
Urchfont
Westbury White Horse
Wilton Mill


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mercredi 1 décembre 2004

A picture named Ed'sBlog.96.WindowPaint.jpg

Photo Art... or Crap?
Simple question... simple answer really

Yesterday's dour mood didn't last until bedtime... I cleaned a few kitchen shelf surfaces which attract a lot of dust. That's the trouble with burning wood for both heating the kitchen and cooking our food... debris and sawdust fall off the split logs as I bring them in by the armload and fine ash dust drifts invisibly but everywhere when I chuck the logs into the stove and give the grate a good riddle.

Feeling slightly more positive after uploading "Time passes me by" and before exercising I shuffled through some boxes of prints to see if anything grabbed my mind for today's weblog... and came across the image above. It is a photograph... or rather was a photograph. It started off as a 16 x 12 inch print... the image being a swanky hairdresser's window located off St. Anne's Square in the centre of Manchester (UK).

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When I took the original photograph I was interested in the partial overlapping of the interior shapes and reflection of the street scene behind me. The interior of the salon was modern and quite sparse... the exterior more busy as many of Manchester's Victorian buildings well reveal if you look at them above normal eye-level (most people don't look up at older buildings... they'd be very surprised at the amount of detail to the architecture).

What happened in the darkroom was not typical... it was bad practice which I admit I do from time to time just to see what happens. Of course "just seeing what happens" is easy to do digitally in Photoshop... all you have to do is try an effect, delete it and try again with another trick or effect. To many, Photoshop is instant gratification... traditional and unconventional darkroom methods take somewhat longer to realise. As in this example... over a week!

What actually happened was that I couldn't make the image I had in my head. The composition wasn't right... the shapes were wrong... the contrast was too great... the focal point was split between the foreground lamp and the two high-contrast hairstyle photos mounted within the interior... and I was tired and uncreative.

The reject and partially fixed print was dropped into the holding tray filled with water (probably the darkroom waste bin was full that session). After half a dozen prints are made I normally transfer them to a tray with hypo-clearing solution, then a toning bath, then into an archival washer for an hour of washing. On this occasion I didn't because I knew the prints were crap... so they were left in the holding tray (the bad practice I mentioned).

This, however, turned the photo image into something else because after a few days in the tray the improperly fixed emulsion layer started to break-up and in places lift away from the surface of the print. After gently lifting the print out of the now gungy water and placing it in another tray, I carefully brushed away small areas of the bubbling emulsion layer... and the silver image it contained. By tilting the tray a tiny amount the remaining blackened silver-contaminated water swirled to the lower part of the print where it was left for a few more days. As this solution dried out the deposit became hardened as you see it now.

Certain parts of what was still recognisable of the image were enhanced with black, red and yellow inks applied by brush and Rotring draftsman's pen. Of course images such as this are unique... perhaps for most it would save much time and effort by scanning the basic degraded image and having fun in Photoshop... but for me the artistic process has to be chemical and mechanical and à la main... I can't get enthused by the electrical, or rather digital, side of it. If I do adopt a digital photography regime, as I'm sure I will even if it's only for weblogs, I'll enjoy it to the full for that reason and it's rapid upload after an event.

But I do need to keep paints and brushes as part of my artistic armoury. After all, I never studied or was even interested in photography whilst at Art College... I drew, painted, worked in metal, wood and clay, made love, had fun... but I remember after Graduation Day I wished I'd been doing photography. The questions are... did I make the right or wrong choice? And is my photo art or crap?


7:44:51 PM    comment []




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Last update: 3/06/07; 20:14:44.
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