Ed Buziak's Photos + Artwork
200,000 plus words... 200 plus articles... and 600 plus images...
on his photography, art, scenes from Wiltshire, Wales, France...
Last updated:
9/06/07; 7:18:45


January 2005
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Complete Article Index...
A picture named Mini.ArtworkHeader.1.jpg
Artwork... drawings, themes...
Five minute exercise... the nude

Leaves / negative space... pencil
Leaves / negative space... pastel
Razzle Dazzle... 1
Razzle Dazzle... 2
Still-life #1... Bottles
Verner Panton chair... mixed media
Wax crayon faces

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Self Portraits...
At 30

Competition Entry
Fisheye Silhouette...
Legs and Feet
My two Feet
Polyfoto
Sequences...
S/Portrait nude #1
S/Portrait nude #2
S/Portrait nude #3
S/Portrait nude #4
S/Portrait nude #5
Shadow of Man... 1
Shadow of Man... 2
Shadow of Man... 3
Shadow of Man... 4

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Cameras I've clicked with...
Bronica S2A

Hasselblad SWC "Super Wide"
Hasselblad to Holga
Hasselblad XPan
Leica M3... part 1
Lotus Rapid View
Mamiya C330
Mamiya 7
Nikon D200... Part 1
Pentax 67... Part 1
Pentax 67... Part 2
Pentax 67... Part 3a/Soft-Focus Lens
Pentax 67... Part 3b/Fisheye Lens
Pentax 67... Part 5/Extras

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Lenses I've looked through...
Dallmeyer 3B Soft-Focus

Leica 28-35-50mm Tri-Elmar lens
Leitz 400mm Telyt
Nikkor 8mm Fisheye
Nikkor 20mm Wide-angle
Nikkor 28-70mm Zoom
Nikkor 105mm Bellows
Nikkor 500mm Reflex
Nikkor El-Lenses

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Photo Themes...
Abstract Colour

Abstract Details
Aerial Faux
Apple tree blossom
Art Photo or Crap?
Backlit blossom
Balloons
Beauty Opinions
Buttercups
Candid Camera
Candid Photography
Car Number Plates
Colour Filters & Colour Film
Conker Championships
Contrejour
Costing Photography
Craftwork... Hot Glass
Cropping Photos
Dandelions
Darkroom User downfall!
Death of Film?
Depth-of-Field
Eyesight
Family Photos... Father
Hot Air Balloons
Hot Car
Inverted images
Kitchenalia
Kitchen Window... Ivy
Laid back perspective
Locomotive Valve Gear
Michaelmas Daisies
Mistletoe
Multiple Exposures
Multi-Prism Lenses
Night photo
Nostaligia... John Peel & T-Rex
Opportunity Missed?
Painswick Churchard
Paparazzi
Pastis 51 glasses
Photo Theme... Chimneys
Photo Theme... Numbers
Photo Theme... Pointing Signs
Photo Theme... Post Boxes
Photo Theme... Seats, Chairs
Photo Theme... Tractors
Photo Theme... Tri-colour
Photo Theme... Wheels
Portrait... Jilly Johnson
Plum tree blossom 1
Plum tree blossom 2
Quince tree blossom
Sequence... Minutes
Sequence... Hours of the Day
Sequence... Seasons
Sequence... Seconds
Sequence... Self-Portrait
Shadow Play
Signs... Don't
Snow Scenes
Soft Focus
Solar Eclipse
Solar Flair
Speed Camera... Le Mans 24
Steam Engine Fair
Still-life #1... Bottles
Still life - Kitchenalia
Stuck...
Swans
Trees
Tulips
Walnut tree blossom
Widecombe Fair
Window Gazing... 1
Window Gazing... 2
Water... Black & White
Water... Colours
Zone System... I
Zone System... II
Zone System... III
Zone System... IV
Zoom Effect
Zoom Lenses?

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From My Darkroom...
Bulk film loading

Darkroom Dodge
Film developer - Agfa Rodinal
Film developer - Ilford ID-11
Fortepan 400 film
Fuji Neopan films
Ilford Multigrade IV
Leitz Focomat enlargers
LPL 7452 enlarger
My Darkroom... in Wales
Processing Faults... E-6
Polaroid Image Transfer
Sepia toning
Split-Selenium toning
Stöcklers 2-bath
Tray processing

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Alt.Photo Ideas...
Cyanotype (1)

Cyanotype (2)
Sepia toning
Sun printing

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French Connections...
Abstract

Alphabet soup
Apple tree blossom
Bastille Eve
Cafe chairs
California Poppies
Chateau - Azay-le-Rideau
Cycling (1)
Cycling (2)
Cowslips & coucou
Dandelions... Pis-en-lit
Double take
Early Purple Orchid
Flower seller
French flowers
French toast
Gossamer webs
I-Spy
Lime tree leaves
Lime tree seed pod
Lucky black cat
Mistletoe
Pastis 51 glasses
Plum tree blossom 1
Plum tree blossom 2
Purple Gromwell
Quince tree blossom
Speed Camera... Le Mans 24
S/Portrait nude #3
S/Portrait nude #4
S/Portrait nude #5
Sunflowers
Tilleul tree
Tractor & Walnut tree
Walnut tree blossom

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More Scenes from Wiltshire...
Avebury Stone Circle

Bishop's Cannings
Bradford-on-Avon
Corn Stooks
Garden "Open Days"
Gt.Bedwyn Stone Museum
Great Ridgeway
Lyneham Banks
Malmesbury Abbey
Malmesbury, River Avon
Malmesbury River Walk
Maud Heath's Causeway
Ramsons
Ricardo's Tomb
Roundway Down
Salisbury Plain
Savernake Forest
Silbury Hill
Stonehenge
Strip Lynchest
Urchfont
Westbury White Horse
Wilton Mill


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dimanche 16 janvier 2005

A picture named Ed'sBlog.FrozenGarden.2.jpg

Opportunity Missed?
Traditional or Digital future?

I thought tonight's weblog was to be my 100th... hurrah! But having taken the precaution of recounting the days / evenings / nights I've been here the total came to 102... or as I write this 103 and with over 90,000 words! So trish and I ate the rich, creamy, chocolaty, mouth-watering'y gateau on the wrong day... still, day 100 would have been the day after I was trying to gather my thoughts on why I'd collapsed so a celebratory cake would have been the last thing on my mind.

I awoke this morning to another hard frost... by dawn the remnants of flowers I hadn't dead-headed in our small French garden were more beautiful than at any time since late summer. It isn't even a month since the Solstice yet the sun is now just higher enough in the sky to clear part of the building overlooking our courtyard to shine in and backlight some parts of the display with beautiful, if transient, effect.

I know that at this latitude in France the earth spins at around 600mph on it's axis... and I also know that if I stand and stare at a beautiful visual effect created by Nature... then time will pass me by and I'll miss a good photo opportunity.

As happened today... I was practically spellbound, not just from watching the sun slowly move around to highlight the crisp frosty outlines of the spiky Rosemary (which has been showing it's pale blue flowers again... in January), then Sage, then the sad droopy Foxglove leaves followed by the wooden gable-end finial recovered from a disastrous fire which destroyed the stately house in the grounds of Spye Park in Wiltshire many years ago... but I watched as the warmth of the sun's rays melted the frosty rime and puffs of steam rose into the still air like wispy cigarette smoke.

You all know the scenario... you see something out-of-the-ordinary... go to load your camera... and when you come back it's gone! Nature is like that... also in Wales I used to watch the sun turning the dew on Nettle leaves into vapour... and when I had my camera ready it was too difficult to record. Perhaps scenes like that are not meant to be photographed... simply experienced, observed and remembered. They are transient moments... and therefore personal moments... for yourself... and if you have to relate them to someone perhaps better to do it with descriptive words carefully chosen. I think as a photographer I am dumb much of the time... missing photo-ops is good for me because it makes me think and talk for a change. Photographs aren't worth a thousand words really... photography has become too easy whereas writing is becoming a forgotten craft or talent.

A picture named Ed'sBlog.141.FrozenGarden.1.jpg However, in wanting to describe this morning's frosty scene... and I do have to include a photo in a photoblog... I flipped through my files and came up with an image of equal beauty of backlit dew on a swathe of Nigella Nigella damascena flower heads from our previous Welsh garden (the thicker stems were onions which had gone to seed).

But, having started to write after dinner as usual, and having little time to dive into the darkroom, set everything up with fresh chemistry, etc, etc... I thought of trying for the first time the roll-film adaptor on my Canon 9900F flat-bed scanner. What you see above (top image) is a completely unadjusted scan for brightness, contrast, levels, etc... just slight sharpening and an added double border... from approximately a 12 percent area of an Acupan 200 (rebranded Foma) negative developed in D-76 and taken with a Mamiya RZ67 and 180mm Sekor lens.

I've tried to print one of these similar negatives before (several times) and been largely unsuccessful. I know the transmission brightness of an iMac flat screen is different to the reflected brightness of a glossy print... but the ease and speed at which the Canoscan extracted a "keeper" first time, in under a minute... whereas in my darkroom I'd have still been framing and focusing the negative in my Durst L1200 Multigraph... and then been the darkroom for the best part of an hour perhaps?

It this leaves me with a troubled mind... I feel too traditional to try digital (that's a neat tongue-twister... try it a couple of times!) and yet I can get better results - well, maybe not better overall, but noticeably different and equally pleasing as such - using an inexpensive flat-bed scanner with a tranny adaptor. I note that Canon have recently discontinued their dedicated Canoscan 35mm scanner line... obviously the newer higher-spec flat-bed models are better. How technology marches onwards... but is it an opportunity I've missed?


8:51:03 PM    comment []



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Last update: 9/06/07; 7:18:46.
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