Ed Buziak's Photos + Artwork
...or how a zapped photographer decided to draw again, and paint
...and use traditional materials like film... and paper... and thought...
Last updated:
9/11/06; 11:39:46


October 2006
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Complete Article Index...
A picture named Mini.ArtworkHeader.1.jpg
Artwork... drawings, themes...
Five minute exercise... the nude

Leaves / negative space... pencil
Leaves / negative space... pastel
Razzle Dazzle... 1
Razzle Dazzle... 2
Still-life #1... Bottles
Verner Panton chair... mixed media

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Self Portraits...
At 30

Competition Entry
Fisheye Silhouette...
Legs and Feet
My two Feet
Polyfoto
Sequences...
Shadow of Man... 1
Shadow of Man... 2
Shadow of Man... 3

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Cameras I've clicked with...
Bronica S2A

Hasselblad SWC "Super Wide"
Hasselblad to Holga
Hasselblad XPan
Lotus Rapid View
Mamiya C330
Mamiya 7
Nikon D200 Part 1
Pentax 67... Part 1
Pentax 67... Part 2
Pentax 67... Part 3a/Soft-Focus Lens
Pentax 67... Part 3b/Fisheye Lens
Pentax 67... Part 5/Pentax Spotmeters

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Lenses I've looked through...
Dallmeyer 3B Soft-Focus

Leica 28-35-50mm Tri-Elmar lens
Leitz 400mm Telyt
Nikkor 8mm Fisheye
Nikkor 20mm Wide-angle
Nikkor 28-70mm Zoom
Nikkor 105mm Bellows
Nikkor 500mm Reflex
Nikkor El-Lenses

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Photo Themes...
Abstract Colour

Abstract Details
Aerial Faux
Art Photo or Crap?
Balloons
Beauty Opinions
Buttercups
Candid Camera
Candid Photography
Car Number Plates
Colour Filters & Colour Film
Conker Championships
Contrejour
Costing Photography
Craftwork... Hot Glass
Cropping Photos
Darkroom User downfall!
Death of Film?
Depth-of-Field
Eyesight
Family Photos... Father
Hot Air Balloons
Hot Car
Kitchenalia
Kitchen Window... Ivy
Locomotive Valve Gear
Michaelmas Daisies
Multiple Exposures
Multi-Prism Lenses
Night photo
Nostaligia... John Peel & T-Rex
Opportunity Missed?
Painswick Churchard
Paparazzi
Photo Theme... Chimneys
Photo Theme... Numbers
Photo Theme... Pointing Signs
Photo Theme... Post Boxes
Photo Theme... Seats, Chairs
Photo Theme... Tractors
Photo Theme... Tri-colour
Photo Theme... Wheels
Portrait... Jilly Johnson
Sequence... Minutes
Sequence... Hours of the Day
Sequence... Seasons
Sequence... Seconds
Sequence... Self-Portrait
Shadow Play
Signs... Don't
Snow Scenes
Soft Focus
Solar Eclipse
Solar Flair
Speed Camera... Le Mans 24
Steam Engine Fair
Still-life #1... Bottles
Still life - Kitchenalia
Stuck...
Swans
Trees
Widecombe Fair
Window Gazing... 1
Window Gazing... 2
Water... Black & White
Water... Colours
Zone System... I
Zone System... II
Zone System... III
Zone System... IV
Zoom Effect
Zoom Lenses?

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From My Darkroom...
Bulk film loading

Darkroom Dodge
Film developer - Agfa Rodinal
Film developer - Ilford ID-11
Fortepan 400 film
Fuji Neopan films
Ilford Multigrade IV
Leitz Focomat enlargers
LPL 7452 enlarger
My Darkroom... in Wales
Processing Faults... E-6
Polaroid Image Transfer
Sepia toning
Split-Selenium toning
Stöcklers 2-bath
Tray processing

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Alt.Photo Ideas...
Cyanotype (1)

Cyanotype (2)
Sepia toning
Sun printing

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French Connections...
Abstract

Alphabet soup
Bastille Eve
Cafe chairs
California Poppies
Chateau - Azay-le-Rideau
Cycling (1)
Cycling (2)
Double take
Flower Seller
French flowers
French toast
I-Spy
Lucky black cat
Speed Camera... Le Mans 24
Sunflowers
Tilleul tree

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More Scenes from Wiltshire...
Avebury Stone Circle

Bishop's Cannings
Bradford-on-Avon
Corn Stooks
Garden "Open Days"
Gt.Bedwyn Stone Museum
Great Ridgeway
Lyneham Banks
Malmesbury Abbey
Malmesbury, River Avon
Malmesbury River Walk
Maud Heath's Causeway
Ramsons
Ricardo's Tomb
Roundway Down
Salisbury Plain
Savernake Forest
Silbury Hill
Stonehenge
Strip Lynchest
Urchfont
Westbury White Horse
Wilton Mill


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dimanche 29 octobre 2006

A picture named Horseshoe1.jpg

Horseshoe...
Sometimes a tripod doesn't say it all...
A shutter speed does

This morning the clocks went back, and I remembered for the first time that they had to be turned back and not forward at this time of year... "Spring Forward, Fall Back" being the well-known aide-memoire which I have only recently learnt!

Being lighter one hour earlier in the morning suits me... I always rise early and the extra hour gives me more photography opportunities now that I'm more in "digital mode." As I went to feed the hens (not mine, but still to be collected by the previous owner of the house where we're staying) I noticed that the scene from last Friday's weblog looked completely different in the cold, foggy morning light compared to how it had appeared, contre-jour, against the warm setting sun.

I made few images with the same Nikon D200 and 300mm Nikkor lens combo used for that previous image, but felt they were not really of any interest or merit... however, I decided to download them onto the Mac to see if there was anything to learn... and so there was!

Out of interest, from Peter Marshall's excellent website "About:Photography - Tripods and Camera Supports" one can read...

Tripods keep your camera still
Tripods are virtually essential to get sharp pictures when you have to use slow shutter speeds. Otherwise your pictures will be less sharp than they should be.

What is a slow shutter speed?
For a normal telephoto lens, anything under 1/250s should be regarded as slow. If you are using an extreme telephoto, such as a 400mm lens on a 35mm camera, even 1/250s is a slow speed. For standard lenses, anything under 1/60s is a slow speed, although most people can get reasonable results most of the time at 1/30s. With a wide-angle, probably anything less than 1/30s should be regarded as slow.

Rule of Thumb for when you need a Tripod
If you are using a 35mm camera, or know the equivalent focal length of the lens you are using on 35mm, then you can use the general rule: Slowest safe speed for hand held photography = 1/focal lengths.

I should add that this morning I used a tripod because the light was dull and I wanted the same framing as before... the 300mm AF Nikkor was focussed manually, and after taking one shot I checked the focussing accuracy by going into the D200's menu and enlarging the image 10x on the rear LCD screen. All looked fine so I took a few shots at different exposure settings... from using the lens wide-open at f/4 to stopped-down a couple of stops to f/8, letting the camera's "Aperture Priority" program look after the shutter speeds. The two which looked best were taken at 1/125th of a second at f/5 and 1/60th at f/8. Although I thought the shot at f/8 would reveal the best sharpness and contrast, I was surprised to see, at 100% magnification on the screen of the 5Mg file, that there was distinct camera shake... whilst the shot at 1/125th of a second showed none.

A picture named Horseshoe.2.jpg

Although the camera was tripod mounted, on my old but solid Leitz Tiltall, the 1/60th of a second shutter speed didn't produce a sharp image as you should be able to see from the comparison details above. A lesson to learn is that with long lenses even a tripod will not produce exacting results!


3:09:08 PM    comment []




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Last update: 9/11/06; 11:39:47.
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